Solo Piano Interpretations of Phish & The Grateful Dead Texture, nuance, and a gift for dexterous high-wire improvisation are the hallmarks of San Francisco-based classically trained pianist Holly Bowling, who infuses jam band music with a technically advanced, emotionally rich style. After studying piano performance at SF State University, Bowling has turned her agile mind and interpretive prowess to the works of Phish on 2013’s Distillation Of A Dream album and the Grateful Dead focused Better Left Unsung (released December 9, 2016 through The Royal Potato Family). Her instantly compelling playing and unerring ability to successfully collaborate with other musicians in an impressive array of styles has brought her to the attention of Bob Weir, Phil Lesh, Gov’t Mule’s Warren Haynes, and other luminaries who’ve asked Bowling to perform with them. Already a rising star on the festival circuit, Bowling plans to continue to expand her solo touring, and recently formed a new band Ghost Light with Tom Hamilton, Steve Lyons, Raina Mullen and Scotty Zwang. Links: Website | Facebook | Instagram | Twitter | YouTube

Throughout history, unity starts on the dancefloor. From ancient tribal cultures to neon night clubs, beats bring bodies together. Once grinding and grooving in unison, the movement generates friction, sparks, and light. That might just be the purest form of energy on the planet. The Motet harness such energy on their ninth full-length, Death or Devotion. In fact, the Denver septet-Dave Watts , Joey Porter , Garrett Sayers , Ryan Jalbert , Lyle Divinsky , Drew Sayers , and Parris Fleming -encode a message in their energetic mélange of boisterous badass funk, swaggering soul, and thought-provoking pop. In the process, they challenge convention and arrive with a dynamic, diverse, and definitive statement. “The essence is always going to be the groove, but we wanted to expand the idea of what a funk album could be,” says Lyle. “Of course, you want a driving backbeat. However, with the division that’s going on in this country and the world, I think it’s every artist’s responsibility to create a conversation. That conversation doesn’t have to be political either. It can be about love or an introspective journey. I think the commentary should be on what it’s like to be alive today. By drawing on funk, we create a fun, palatable musical vehicle for the message to go down. Our goal is for you to recognize we’re all dancing on the same dance floor-even though our steps may look a little different.” Death or Devotion earmarks an important point in the band’s own journey. Since emerging in 1998, the boys have cooked up eight full-length albums and entranced countless crowds. 2016’s Totem saw them welcome Lyle behind the mic and Drew on sax. Shortly after, they kicked off what has become an annual tradition by selling out the legendary Red Rocks Amphitheater for the first time. “It was my six-month anniversary and first show for a hometown crowd,” recalls Lyle. “I’ve got 10,000 people looking at me like, ‘Who the hell is that?’,” he laughs. That night would be chronicled on the fan favorite Live at Red Rocks. In the meantime, the group maintained a prolific pace of 100 shows per year in support of Totem. Along the way, The Motet started recording Death or Devotion during intermittent sessions at Scanhope Sound in 2017. For the first time, Lyle, Drew, and Parris (who joined in 2018) worked on a Motet record together from start-to-finish. “On Totem, the train was already moving, and I was just a train hopper,” says Lyle. “Drew, Parris, and I came onboard within the same year. Now, we’re all bringing our pieces to the puzzle. For me, I brought that R&B style. Funk is the common ground, but the music is a result of different inspirations: namely Drew’s hip-hop and reggae knowledge, Ryan’s psychedelic jamming, Dave with the worldbeat, Joey with his encyclopedic understanding of punk, and Garrett being the best bass player to exist. We found a really cool balance between the funkiness and songs that challenge your emotional headspace more than typical pop.” The Motet Links: Website | Facebook | Twitter | Instagram | SoundCloud | Spotify | YouTube Mellow Swells Links: Website | Instagram

palm palm is the main thing baby! can’t be stopped… won’t be topped. cosmically put together by the organic juices of the universe. we have the coco and we use him. we have deux peaux and he has the funky foot. we have the biggest boy and he is still growing. we have the casual pink and he will bring his pontoon of followers. we have the animals and they’re printing clothes for us. let’s make a big whoopsie together. we are coming for your dreams babies and gentlethems! palm palm Links: Website | Instagram | Soundcloud