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  • Consider The Source

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    Sci-fi fusion trio Consider the Source defy easy categorization. If intergalactic energy beings, upon their initiation into an order of whirling dervishes, built a pan-dimensional booty-shaking engine powered by psychedelic math…it would sound like a cut-rate CTS cover band. With their blend of progressive rock and improvisatory jazz, soaked in Indian and Middle Eastern styles, CTS blends disparate elements into an utterly original whole. A relentless touring schedule has earned them a fervent following around the world, with fans ranging from jam-band hippies to corpse-painted headbangers. Their latest album, You Are Literally a Metaphor, is the culmination of a fifteen-year musical journey. Packed with the same fury and dazzling virtuosity of their previous work, Metaphor is also a portrait of three musicians reaching new levels of maturity. From the bluesy swing of “When You’ve Loved and Lost Like Frankie Has” to the ethereal electro-synths of “Sketches From a Blind Man”, CTS’s minimalist pop instincts stand shoulder-to-shoulder with progressive metal and freewheeling improvisation in a true expression of their omnivorous musicality. Three of Metaphor’s nine songs are Eastern European traditionals, but could easily be mistaken for the band’s original tunes, so singular has their sound become. CTS retain their signature fiery maximalism while pushing the hooky, anthemic songwriting to the forefront. Bassist John Ferrara’s new Taurus bass pedals and guitarist Gabriel Marin’s new custom Vigier double-neck guitar add new dimensions to the band’s already diverse sound. This is an album born of comfort and growth. In the five years since World War Trio, the band has toured extensively, Marin and Ferrara have released side projects, and drummer/percussionist Jeff Mann has gone from a relative newcomer to a road-hardened veteran. After all this time, CTS knows how to create space for each other, how to finish each other’s musical thoughts and sentences, how to think as three individuals but speak with one voice. You Are Literally a Metaphor is a statement of confidence, an assertion of identity from a band with no reservations and nothing to prove. CTS have performed in a half-dozen countries across three continents. They have shared the stage with a wide variety of artists, including: Victor Wooten, King Crimson Projekt, Wyclef Jean, Ozric Tentacles, Soulive, The Disco Biscuits, Papadosio, Turkuaz, Pigeons Playing Ping Pong, Wayne Krantz and many others. They have performed at festivals and events including: Electric Forest, Peach Fest, Gathering of the Vibes, Resonance, Summercamp, Shakori Hills, ProgDay, and Progtober. You Are Literally a Metaphor is available at considerthesourcemusic.bandcamp.com Links: Website | Facebook | Twitter | Bandcamp | YouTube

  • Steve Gunn, Mary Lattimore, & William Tyler

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    For over a decade, guitarist/vocalist Steve Gunn has been one the American music’s most pivotal figures – conjuring immersive and psychedelic sonic landscapes both live and on record, releasing revered solo albums ranking high on in-the-know end of year lists, alongside exploratory collaborations with artists as diverse as Mike Cooper, Kurt Vile, and Michael Chapman (whose most recent studio album he produced). Gunn is known for telling other people’s stories, but on his breakthrough fourth album, The Unseen In Between, he explores his own emotional landscapes with his most complex, fully realized songs to date. The lyrics evoke voyages, tempests (actual and emotional), and a rich cast of characters met along the way-the work of an artist finding a place of calm in the midst of a storm. Produced by frequent collaborator James Elkington and engineered by Daniel Schlett, the immaculately recorded Unseen forces a reassessment of Gunn’s standing in the pantheon of the era’s great songwriters. Steve Gunn Links: Website | Facebook | Twitter | Instagram Mary Lattimore is a Los Angeles-based harpist. She experiments with effects through her Lyon and Healy Concert Grand pedal harp, concocting half-structured improvisations which can include both ambient glitter and unsettling noise. Her first solo record, the Withdrawing Room, was released on Desire Path Recordings in 2014. The solo recordings that followed, At the Dam and Collected Pieces, were released by Ghostly International. Mary has also recorded synth + harp duo projects with Elysse Thebner Miller (And the Birds Flew Overhead) and Jeff Zeigler (Slant of Light) and has co-written reimagined scores for the 1968 experimental silent film Le Revelateur, directed by Philippe Garrel (who approved of the project), and the Czech New Wave classic Valerie and Her Week of Wonders, and performed these scores live throughout the US with Jeff Zeigler and the Valerie Project, respectively. She has contributed and written harp parts for such artists as Kurt Vile, Thurston Moore, Sharon Van Etten, Meg Baird, Steve Gunn, the Clientele, Hop Along, Jarvis Cocker, Karen Elson, Ed Askew and Quilt. Mary Lattimore Links: Website | Facebook | Twitter | Instagram | Bandcamp On January 25, William Tyler returns with Goes West, his follow-up to 2016’s Modern Country. Listen to first single “Fail Safe” now, and pre-order Goes West on CD, LP, and limited-edition translucent green Peak Vinyl, the latter of which includes a 24″ × 36″ full-color foldout poster of the Robert Beatty cover art. All pre-orders will receive Dispatches from Echo Magic, an 8-song bonus CD available only in the Merge store or with the purchase of Goes West at your local independent record store, while supplies last. Recorded with Scott Hirsch at Echo Magic West in Ojai, CA, the CD features early versions of five songs from Goes West plus three other tracks from the session that are only available here. William Tyler Links: Website | Facebook | Twitter | Instagram

  • Pay 2 Dream

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    “Pay 2 Dream” Artist Mixer and Informational Hosted by Caliwood Rassamon Music by DJ CHAN.e.CHAN SPONSORED BY VIBEHOUSE 405 **Dreamville giveaway** Door raffle to be given at 10:00pm (prior to close) Panel: Kay-Tee (radio) Kaze (producer) Val Vito (artist) Swirlz (Guest DJ) Young Drama (Guest Host) 5 performances Micah Greg K.A.L. Z Exhale Tickets $5 advance, $10 at the door First 25 students with STUDENT IDs get in free

  • Mellow Swells Album Release Show

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    Mellow Swells is a Jazz-Rock outfit comprised of Knox Engler (Guitar/Vocals), Jones Bell (Keys/Vocals), Charlie Garnett (Bass), and Jakob Bower (Trombone/Percussion). Formed in the summer of 2018, we endeavor to merge the psychedelic grooves of jazz and soul music with the danceability of modern rock, pop, and hip hop. So come hang out! We love you already. Links: Website | Facebook | Instagram | Bandcamp

  • The Old Ceremony

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    The Old Ceremony plays lush, literate rock. With fourteen years of touring the US, Canada, and Europe and six albums under their belt, the Durham/Chapel Hill, NC band occupies its own darkly lit corner of the musical world. It is a corner filled with ominous rumblings and world-weary but hopeful characters. They have played with lots of well-known bands. Rock critics have written about them in their publications. TOC’s newest album, Sprinter, was released in July 2016 on Yep Roc Records. TOC is led by songwriter Django Haskins, and includes drummer Daniel Hall, vibes/organist Mark Simonsen, bassist Shane Hartman, and violinist Gabriel Pelli. Links: Website | Facebook | Twitter

  • Carolina Junk Jam

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    Carolina Junk Jam Featuring: Berchie Aiedyn Woods Pocket Envy Gordon Victor State of Uncertainty & More!

  • Bambara

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    Founded in Athens, Georgia by twin brothers Reid and Blaze Bateh, and bassist William Brookshire, Bambara have been steadily attracting attention since the release of their 2013 debut. Earning praise from places like Pitchfork, NPR, VICE, Bandcamp, Spin, DIY, BrooklynVegan and The Quietus, and touring non-stop in the US and Europe with like-minded artists like IDLES, METZ, Girl Band and Daughters, the band released their most celebrated album to date in 2018 with Shadow On Everything, a release that NPR dubbed a “mesmerizing western, gothic opus.” Today, Bambara are announcing their follow up Stray (due out via Wharf Cat on February 14th, 2020), with the premiere of the album’s first single “Serafina” on the FADER. A thunderous squall of a song, “Serafina” provides an arresting introduction to the album. Channelling the anarchic energy of The Birthday Party and Gun Club, in combination with Reid Blateh’s dramatic lyrical style the track imbues the story of a pair suburban misfits with apocalyptic weight. Bambara’s rhythm section rattles and bursts behind a frantic descending guitar lead as Reid, in a fraying baritone, weaves a tale set in his home state of Georgia that acknowledges the history of the place with subtle Civil War allusions, while conjuring an immediate atmosphere of backwoods unease. As Reid tells to FADER, it’s a song built to communicate an unhinged energy. “Stray is a death-obsessed album,” says Reid. “Most of the songs are about different characters’ futile attempts at living meaningful lives under the weight of imminent annihilation. I wanted “Serafina” to feel different. I wanted the song to radiate a sort of wild-eyed hope. A youthful disregard for death itself. Serafina and Sadie live exactly how they want to live, exploring their love for one another before a backdrop of flames. The knowledge of their own mortality takes nothing from their enthusiasm for life. If anything, they see it as a challenge they might one day overcome together. When they say, “We’ll never die” I want it to feel like they might actually have a shot.” Bambara are embarking on a UK tour that begins in Bristol at the Simple Things Festival on October 19th. Additionally, they are today announcing a Brooklyn show at St. Vitus on November 8th and a full US tour in support of the album to take place in 2020. Full details can be found below. One thing you won’t be able to avoid on Bambara’s Stray is death. It’s everywhere and inescapable, abstract and personified. Death, however, won’t be the first thing that strikes you about the group’s fourth album. That instead will be its pulverising soundscape; by turns, vast, atmospheric, cool, broiling and at times – as on stand out tracks like “Sing Me To The Street” and “Serafina” – simply overwhelming The album began when the band locked themselves in their windowless Brooklyn basement to write. Despite the success of their preceding full length, Shadow On Everything, Decisions were made early on to experiment with new instrumentation and song structures, even if the resulting compositions would force the band to adapt their storied live set, known for its tenacity and technical prowess. Throughout the songwriting process, the band pulled from their deep well of creative references, drawing on the likes of Leonard Cohen, Ennio Morricone, Sade, classic French noir L’Ascenseur Pour L’Echafraud, as well as Southern Gothic stalwarts Flannery O’Connor and Harry Crews. Links: Website | Facebook | Instagram

  • Graduating Life

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    Links: Website | Facebook | Twitter | Instagram | Bandcamp | Spotify

  • Call Me Karizma

    Cat’s Cradle Back Room 300 E Main St., Carrboro, NC, United States

    Minneapolis singer/songwriter/rapper Call Me Karizma makes visceral post-pop rooted in both hip-hop and punk. With his razor-sharp wordplay, the 23-year-old artist offers an unfiltered look into his inner life, delivering each song with an uncompromising honesty that’s earned him an exceptionally devoted fanbase. In that outpouring of feeling, Call Me Karizma transforms pain into music with intense cathartic power, and now receives at least a dozen DMs a day from fans declaring that his music has saved their lives. Riz started writing his deeply personal songs at age 12, and later paid his way through college through touring. During his sophomore year, he had a major break when Mod Sun invited Riz to join him on a 35-date run also featuring blackbear. That tour hugely broadened Riz’s diehard following, many of whom have shown their love and gratitude via tattoos of Call Me Karizma’s logo and lyrics. In 2016, Call Me Karizma made his full-length debut with Uninvited, which reached the top 10 on the iTunes Alternative chart. The album includes “F U TILL I F U”-a track that’s amassed over 10 million streams on Spotify, entirely on the strength of its undeniable hook and blunt but tender storytelling. At the start of 2018, Call Me Karizma began working on his three-EP series The Gloomy Tapes. With the first installment arriving in June-and quickly leading to his record deal with Sony globally-The Gloomy Tapes bears a raw vitality that makes each lyric all the more impactful. Links: Website | Facebook | Twitter | Instagram | YouTube