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DTSTART;TZID=America/New_York:20220331T150000
DTEND;TZID=America/New_York:20220331T163000
DTSTAMP:20220303T204753Z
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UID:31780-1648738800-1648744200@artsorange.org
SUMMARY:Lectures in Art History: Ashley West\, Temple University
DESCRIPTION:“Local Innovation and Intermedial Thinking in Pre-Modern Augsburg” \nZoom\nRegistration Link at website (available until start of event) \nIn such an internationally-connected—even globally-connected—cultural and financial center as Augsburg in the early sixteenth century\, what is the importance of the sense of place and locality generated by its citizens and artists\, and what might we learn by drilling down to the street-level of activity and interaction taking place there? Central to this story is the painter and print designer\, Hans Burgkmair\, whose name appears in the Augsburg guild records in 1498 as master in the Painter\, Glazier\, and Sculptors’ Guild. Soon after becoming a master Burgkmair began to keep a steady workshop of apprentices – introducing the first into the guild records in 1499\, with three more listed in 1501. In 1508 Wolfgang Resch\, one of Augsburg’s most skilled woodblock-cutters\, lived in Burgkmair’s house. Tax records also indicate that the sculptor Sebastian Loscher resided with Burgkmair from 1510-14. The esteemed imperial armorers\, the Helmschmieds\, were particularly close to the Burgkmair household. In this talk I shall explore the living-working shared spaces of some of Augsburg’s key artist workshops\, arguing that the close proximity of various named craftsmen working in different materials brought about not only collaborations and creative energy in multi-media works\, but foremost artistic and technical innovations by Burgkmair during these years\, especially in the sphere of printmaking. What’s at stake ultimately here is the illumination of a localized topographic view of key artistic sites and networks—personal and professional —and an expansive idea of what the technical\, manual\, and cognitive processes were for a master like Burgkmair. \nAshley West is an art historian of the early modern period\, 1400-1700\, with a particular expertise in the history\, practice and theory of printmaking and with interests in imagery produced around different kinds of cross-cultural encounters between Europe and the Ottoman Empire\, the “New World\,” Africa and the East Indies. She studies processes of cultural transmission and the dissemination of knowledge in the early modern period\, as well as opportunities for artistic exchange through travel and portable objects\, pilgrimages\, diplomacy\, warfare\, global trade and exploration and early collecting practices. \nWest has been a fellow with the international research project on “BildEvidenz. History and Aesthetics” at the Kunsthistorisches Institut at the Freie Universität in Berlin and her work has been supported also by the Center for Advanced Study in the Visual Arts (CASVA) and the Andrew Mellon Foundation\, among others. She is currently working on the visual culture and technologies of sixteenth-century Augsburg as a site for negotiating the global and the local in everyday experience; and is co-editing a volume on the Cultural History of Collecting in Early Modern Europe for Bloomsbury Academic Press. \nWest has published on early etchings; woodcuts of late medieval relic collections; notions of visual history and the German sense of the past; early modern antiquarianism and early representations of peoples from the coast of Africa and India. Her forthcoming book\, Hans Burgkmair and the Visual Translation of Knowledge in the German Renaissance\, reevaluates notions of the German Renaissance through the prints\, drawings and paintings of Hans Burgkmair the Elder\, a contemporary of Albrecht Dürer. \nContact: Christoph Brachmann\, cbrachma@email.unc.edu\nImage credit: attrib. Hans Burgkmair\, Preliminary design for horse armor (bard) for Kolman Helmschmied\, c. 1517 \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-ashley-west-temple-university/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2022/03/HB_attrib.horse_bard.KHelmschmied.Thun_Album.fols111v-112r_det.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220324T190000
DTEND;TZID=America/New_York:20220324T203000
DTSTAMP:20220301T173338Z
CREATED:20220301T173338Z
LAST-MODIFIED:20220301T173338Z
UID:31585-1648148400-1648153800@artsorange.org
SUMMARY:Hanes Visiting Artist Lecture Series: Paul Mpagi Sepuya
DESCRIPTION:Registration Link on our website (available until start of event) \nPaul Mpagi Sepuya is a Los Angeles-based artist working in photography and an Associate Professor in Media Arts at UC San Diego. His work is in the collections of the Baltimore Museum of Art\, the Getty and Guggenheim Museums\, LACMA\, MoMA\, The Studio Museum in Harlem\, and the Whitney Museum\, among others. Recent exhibitions include solos at Document in Chicago and the Bemis in Omaha\, a survey of work at CAM St. Louis\, and a project for the 2019 Whitney Biennial. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students. The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community. All lectures are free and open to the public. \nArtist website: https://www.paulsepuya.com/ \nContact: Sabine Gruffat\, gruffat@email.unc.edu \nImage credit: Paul Mpagi Sepuya\, “Studio (0X5A2260)\,” 2020\, 50 x 75 inches. Image courtesy of the artist\, DOCUMENT\, Chicago\, and Vielmetter Los Angeles. \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-paul-mpagi-sepuya/
LOCATION:Zoom\, United States
CATEGORIES:Photography Film & Digital Arts
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2022/03/Studio-0X5A2260-2020-50-x-75-inches.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220515T130000
DTEND;TZID=America/New_York:20220515T143000
DTSTAMP:20220309T220930Z
CREATED:20220209T181742Z
LAST-MODIFIED:20220309T220930Z
UID:31174-1652619600-1652625000@artsorange.org
SUMMARY:SEEDS: Plant Your Own Career - Get That Booking: How to make a lasting impression on bookers/curators
DESCRIPTION:What does it take to get a booker to pay attention to your work? Rissi and CEO/Founder of Sonic Pie Productions and Programming Manager at Durham Central Park\, Tess Mangum discuss what a booker is looking for and how artists can make the best impression while sharing stories and experiences. Get answers to your questions about booking and learn how to get the gig. \nAbout Rissi Palmer \nNorth Carolina musician Rissi Palmer’s gift lies in reaching across musical boundaries. While she made her mark in Country Music\, she is equally at home in R&B music\, bringing the entire spectrum of popular music to bear on music she calls “Southern Soul.” She began singing and dancing professionally at age 16 and has performed from The White House to New York’s Lincoln Center and the Grand Ole Opry. She appears regularly on CMT’s Hot 20 Countdown. Her radio show Color Me Country with Rissi Palmer is on Apple Music Country and the Color Me Country Artist Grant Fund supports new country artists of color who are just beginning to build their music careers. \n\n\n	Related
URL:https://artsorange.org/event/seeds-plant-your-own-career-get-that-booking-how-to-make-a-lasting-impression-on-bookers-curators/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220509T180000
DTEND;TZID=America/New_York:20220509T190000
DTSTAMP:20220309T220656Z
CREATED:20220209T181453Z
LAST-MODIFIED:20220309T220656Z
UID:31172-1652119200-1652122800@artsorange.org
SUMMARY:Legally Speaking: Forming a Team to Support Your Work
DESCRIPTION:To move your music forward\, you need help. But who do you need? How do you find them? And what agreements do you need to manage these relationships? From band members to studio musicians\, to agents and managers\, this workshop will guide you through how to build a team to help build your career. Workshop leaders\, Shawn Nolan and Amanda Whorton have years of experience representing music clients\, large and small\, and bring an experienced\, but practical approach to these sometimes complicated issues. In this workshop\, they will cover: \nWho do you need on board? \nRoles/responsibilities \nBand member agreements \nThis discussion will be beneficial for all musicians who want to become more knowledgeable in the music business or want to transition from a hobby to a professional music career\, as well as those interested in expanding their general knowledge of customary music business practices and entertainment law including managers\, music marketing persons and attorneys. \n\n\n	Related
URL:https://artsorange.org/event/legally-speaking-forming-a-team-to-support-your-work/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220321T180000
DTEND;TZID=America/New_York:20220321T193000
DTSTAMP:20220209T181238Z
CREATED:20220209T181238Z
LAST-MODIFIED:20220209T181238Z
UID:31170-1647885600-1647891000@artsorange.org
SUMMARY:Legally Speaking: Copyright\, Trademark\, and Right of Publicity
DESCRIPTION:What rights do you have to your music? What rights do you need to perform the work of others? Did you know there are separate rights attached to the words\, the music\, the performance itself…and more? Join Shawn Nolan and Amanda Whorton for a frank discussion of “The Big Three – Copyright\, Trademark\, and the Right of Publicity” – the three areas of the law that relate to 99% of all music related rights\, followed by Q&A. \nWorkshop leaders\, Shawn Nolan and Amanda Whorton\, bring years of experience representing music clients\, large and small\, and bring an experienced\, but practical approach to these sometimes complicated issues. \nThis discussion will be beneficial for all musicians who want to become more knowledgeable in the music business or want to transition from a hobby to a professional music career\, as well as those interested in expanding their general knowledge of customary music business practices and entertainment law including managers\, music marketing persons and attorneys. \n\n\n	Related
URL:https://artsorange.org/event/legally-speaking-copyright-trademark-and-right-of-publicity/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220308T180000
DTEND;TZID=America/New_York:20220308T200000
DTSTAMP:20220209T180912Z
CREATED:20220209T180802Z
LAST-MODIFIED:20220209T180912Z
UID:31166-1646762400-1646769600@artsorange.org
SUMMARY:Making a Life in Music: An Early-Career Artist Intensive with Cathy Fink
DESCRIPTION:Are you an early-career musician wondering how you can make a life with your music? Join Cathy Fink\, the IBMA 2021 Mentor of the Year\, for a 9-part intensive exploration of the important elements in creating a long-term music career. With discussions and activities of topics ranging from finances to performance skills\, from music presenters to non-performance careers\, this collaborative workshop will help you develop a network of support and help you create the tools you need to make a life in music. The course will culminate in a showcase performance. Join the next generation of North Carolina musicians on the stage. All genres of music are welcome. \nProgram specifics:\nIncludes 2 private ‘check in’ consultations with Cathy Fink between sessions. \nYou will be asked to commit to attending all 9 online workshops\, participating in class and performing at the final Showcase event. \nOut-of-class writing and other assignments will be required. \nDate and location of final showcase to be determined by instructor and participants. \n  \nApplications close Feb 15\, 2022 \nSelected participants will be notified by Feb 18\, 2022 \nRequired payment due March 1\, 2022 \nPricing:\n\n\n$570 general registration \n\n\n$350 NC residents (not Tier 1 counties) \n\n\n$100 NC\, Tier 1 county residents \n\n\n \nClass dates and times:\n\n\nTuesday\, March 8\, 6:00-8:00 pm \n\n\nTuesday\, March 15\, 6:00-8:00 pm \n\n\nTuesday\, March 22\, 6:00-8:00 pm \n\n\nTuesday\, April 5\, 6:00-8:00 pm \n\n\nTuesday\, April 12\, 6:00-8:00 pm \n\n\nTuesday\, April 19\, 6:00-8:00 pm \n\n\nTuesday\, May 3\, 6:00-8:00 pm \n\n\nTuesday\, May 10\, 6:00-8:00 pm \n\n\nTuesday\, May 17\, 6:00-8:00 pm \n\n\nFinal Showcase date and time TBD \n\n\n\n\n	Related
URL:https://artsorange.org/event/making-a-life-in-music-an-early-career-artist-intensive-with-cathy-fink/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220223T180000
DTEND;TZID=America/New_York:20220223T200000
DTSTAMP:20220209T180218Z
CREATED:20220209T180150Z
LAST-MODIFIED:20220209T180218Z
UID:31163-1645639200-1645646400@artsorange.org
SUMMARY:Pricing for Profit: Abandoning the Starving Artist Myth
DESCRIPTION:Are you interested in learning more about how to price your artwork? Are you selling your work but unsure why you are not earning what you expect? \nJoin Tiffany Coley and Cynthia Deis for this virtual class where you’ll learn how to abandon the idea of the starving artist and make a profit with your artwork. This class will cover the details of a profit-driven pricing strategy for artists. You’ll discuss pricing for your artwork or art services\, wholesale vs. retail pricing\, how to identify productive hours and how to approach pricing to achieve the desired income level from your work. The class will work through pricing using a business case study and the details of pricing You will leave with a method to price your work\, including a downloadable file that can be used when pricing your own work. \nThis virtual class meets on Wednesday\, February 23\, 6:00-8:30 pm. The class meets on Zoom and you will receive login information after registration. You will receive class handouts via email in the week before class\, please print the handouts out and be prepared to work on them during the class. \nCynthia Deis\, Triangle ArtWorks ArtSwell Education Director\, is an artist and art educator with over 25 years of experience in designing and selling crafts and in running a retail crafts store and craft-focused pop-up markets around the Triangle. \n\n\n	Related
URL:https://artsorange.org/event/pricing-for-profit-abandoning-the-starving-artist-myth/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220221T130000
DTEND;TZID=America/New_York:20220221T140000
DTSTAMP:20220209T175902Z
CREATED:20220209T175902Z
LAST-MODIFIED:20220209T175902Z
UID:31161-1645448400-1645452000@artsorange.org
SUMMARY:Loans for Arts Businesses with JaLisha Richmond
DESCRIPTION:Are you an artist wondering if borrowing money could help your art business grow?\nJoin us for a discussion to learn about lending options and what lenders are looking for in loan applications for small and creative businesses. \nMany arts and creative small businesses could benefit from outside funding. Has the pandemic impacted the working capital in your business? Do you need capital to purchase a new piece of equipment that would allow you to work more efficiently? Would funding allow your business to expand to meet seasonal demands? Now is the time to learn more about funding options available to your small business. \nLoan applications can be daunting and you may not always know the options available to small businesses. JaLisha Richmond of Thread Capital will join us to present the key points of lending and application requirements. JaLisha will discuss the 5-C’s of lending and share her expertise in helping small businesses receive funding. Bring your questions and learn how you can be better prepared to navigate the Hosted by podcasters Jackie Sanders and Adriana Ameigh\, of the podcast Art Studio Insights\, this event will be taped for a later episode. \nThis free discussion is for you if you are an artist or creative entrepreneur who is considering a loan and wants to make sure you are equipped with all the information before proceeding with a loan as a funding option. Whether you are currently thinking of lending or think you may in the near future\, you’ll have a chance to ask JaLisha questions. \nJaLisha Richmond is Director of Lending at Thread Capital. She leads Thread Capital’s loan origination\, coaching\, connections\, and customer service efforts\, with the goal of executing Thread Capital’s mission of strengthening entrepreneurship and expanding access to capital for small businesses in North Carolina. Prior to joining the Thread\, JaLisha worked as a program associate for the NC Rural Center and was a dedicated AmeriCorps member\, spending time working with various nonprofits through the southwestern region of the United States. From there\, she returned to assist nonprofits in her native community. \n\n\n	Related
URL:https://artsorange.org/event/loans-for-arts-businesses-with-jalisha-richmond/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220219T090000
DTEND;TZID=America/New_York:20220219T120000
DTSTAMP:20220209T175539Z
CREATED:20220209T175539Z
LAST-MODIFIED:20220209T175539Z
UID:31159-1645261200-1645272000@artsorange.org
SUMMARY:The Business of Art Licensing: Create - Licen$e - Repeat
DESCRIPTION:Have you ever wondered how the constant flow of the latest fashion apparel\, greeting card designs\, housewares\, handbags\, kitchenware\, calendars\, planners\, coffee mugs and the many thousands of other consumer products look the way they do? If you have ever looked at a mug or bedsheet or gift bag and thought “MY art would look great on that!” then this class is for you. \nThis class will help you begin to see consumer products in a whole new way. You will hear about the art licensing industry and the layers of consultants\, art directors and product developers who collaborate with artists to put their artwork on consumer products. You will hear how you can get your artwork in front of this type of buyer. \nDiscussions will include valuable tips and information for submitting your designs for licensing consideration\, the things that ‘always’ sell\, and what royalties and contracts look like. There will be time for Q&A with Willie throughout the class. \nLicensing work isn’t for every artist\, but for many it can be an excellent income source that does not dilute the original work you create. \nThis class explores: \nwhat licensing your art means \nhow you would go about getting your artwork or illustrations licensed \nhow to introduce yourself and your art to potential companies \nthe pros and cons of art licensing \nwhat are usual royalty rates and contract lengths \nresources and strategies for entering the art licensing industry \nWillie Green-Aldridge is a painter\, designer and successful licensor of her art with artwork selling in boutiques and specialty stores\, online\, and in large retailers including garden centers\, gift shops and home decor retailers. Her background in successfully navigating the world of licensing includes experience creating themed groupings of work based on her abstract paintings as well as work featuring iconographic images and quotes. \nWillie’s work has appeared on stationery\, home décor\, wall art\, and gift products across the US and internationally. Willie enjoys living and working in her North Carolina home studio and lifting the human spirit through her art. \n\n\n	Related
URL:https://artsorange.org/event/the-business-of-art-licensing-create-licene-repeat-2/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220217T180000
DTEND;TZID=America/New_York:20220217T200000
DTSTAMP:20220209T175227Z
CREATED:20220209T174241Z
LAST-MODIFIED:20220209T175227Z
UID:31155-1645120800-1645128000@artsorange.org
SUMMARY:Digital Sales and Selling for Artists
DESCRIPTION:Learn how to sell your work online!\nHave you wanted to sell reproductions of your work online? Join artist and photographer Ryan Fox for a workshop on ways to sell your work beyond in-person markets and shows. This workshop is for artists who want to sell originals/reproductions via online marketplaces\, print on demand sites\, & stock image companies. \nDiscussions will include: \nThe pros and cons of various print-on-demand companies and what to look for when choosing one. \nHow to compare online marketplaces like Etsy\, Amazon Handmade\, and others. \nHow to properly describe and keyword your images so your artwork will be found by interested buyers. \nHow to funnel traffic to your online shops using social media. \nWe will not have time to cover the details of how to digitize your artwork\, but we will cover the details of how to sell your work once it is digitized. \nThis class is for photographers and artists who want to sell their work online. \nSchedule:\nThursday\, February 17: 6 – 8 PM \nThursday\, February 24: 6 – 8 PM \nRyan Fox is a signature member of the American Watercolor Society as well as 6 state and regional societies- Northeast\, Georgia\, Illinois\, Pennsylvania\, Missouri\, and North Carolina (NEWS\, GWS\, IWS\, PWS\, MOWS\, WSNC). Ryan has won awards in The American Watercolor Society (AWS)\, Adirondacks National Exhibition of American Watercolors\, Missouri Watercolor Society\, Georgia Watercolor Society (GWS)\, and Watercolor Society of North Carolina juried shows. His work has been featured in Watercolor Artist Magazine\, Art of Watercolour\, and Splash 15\, 16\, 19 & 20 hardcover books published by F+W Media. His instructional DVDs are marketed by Creative Catalyst Productions. \n\n\n	Related
URL:https://artsorange.org/event/digital-sales-and-selling-for-artists/2022-02-17/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220211T110000
DTEND;TZID=America/New_York:20220211T130000
DTSTAMP:20220209T173928Z
CREATED:20220209T173928Z
LAST-MODIFIED:20220209T173928Z
UID:31151-1644577200-1644584400@artsorange.org
SUMMARY:Engaging (and Keeping) Major Donors in a Pandemic
DESCRIPTION:The pandemic was especially hard on arts organizations. While the first 18 months showed that some donors were ready to give when we needed them most\, the next 18 months will show you how well you and your organization can continue to cultivate and steward your donors beyond the Zoom screen. \nLead by Jackson Cooper\, this interactive workshop provides you with methods of identifying\, cultivating\, and retaining your major donors right now. You’ll look at your major gift threshold\, learn how you need to put your mission in the front of all fundraising\, and apply a racial equity lens to your development operations. Your best new donors are already in your database\, waiting for you to make the ask. \nAttendees can register for a one-on-one follow-up consultation with Jackson Cooper based on their organization’s needs and databases as well as receiving tools and take-home worksheets to apply to their work. \nJackson Cooper is a community-centered fundraiser\, writer\, arts administrator\, and consultant. He has served as an arts philanthropy professional for 12+ years in North Carolina\, New York\, and Pittsburgh. Now based in Seattle\, he is the Major Gifts Manager for Pacific Northwest Ballet\, Adjunct Faculty at UNC-Greensboro in their Arts Administration program\, and an MFA in Arts Leadership candidate at Seattle University. He has served in leadership capacities at the NC Museum of Art\, North Carolina Theatre\, PlayMakers Repertory Company\, and the Town of Cary among others. He serves on the board of Seattle Mens/Womens Choruses and Seattle Arts and Culture for Antiracism. He is the author of Giving\, Philanthropy\, and the Practice of Gratitude to be published by Routledge/CRC Press in 2023. \n\n\n	Related
URL:https://artsorange.org/event/engaging-and-keeping-major-donors-in-a-pandemic/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2022/02/final@2x.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220303T190000
DTEND;TZID=America/New_York:20220303T203000
DTSTAMP:20220203T194213Z
CREATED:20220203T194213Z
LAST-MODIFIED:20220203T194213Z
UID:30906-1646334000-1646339400@artsorange.org
SUMMARY:Hanes Visiting Artist Lecture Series: Stephanie Syjuco
DESCRIPTION:On Zoom\, Registration Link available on our website until start of event \nStephanie Syjuco works in photography\, sculpture\, and installation\, moving from handmade and craft-inspired mediums to digital editing and archive excavations. Using critical wit and collaborative co-creation\, her projects leverage open-source systems\, shareware logic\, and flows of capital\, in order to investigate issues of economies and empire. Recently\, she has focused on how photography and image-based processes are implicated in the construction of racialized\, exclusionary narratives of history and citizenship. She was a Smithsonian Artist Research Fellow at the National Museum of American History in Washington DC in 2019/2020. She is featured in Season 9 of the acclaimed PBS documentary series Art21: Art in the Twenty-First Century. Recent exhibitions include “Being: New Photography” at the Museum of Modern Art\, New York; “Public Knowledge\,” at the San Francisco Museum of Modern Art; “Stephanie Syjuco: Rogue States\,” at the Contemporary Art Museum St. Louis; and “Disrupting Craft: the 2018 Renwick Invitational” at the Smithsonian American Art Museum. \nBorn in the Philippines in 1974\, Syjuco received her MFA from Stanford University and BFA from the San Francisco Art Institute. She is the recipient of a 2014 Guggenheim Fellowship Award\, a 2009 Joan Mitchell Painters and Sculptors Award\, and a 2020 Tiffany Foundation Award. Her work has been exhibited widely\, including at MoMA/P.S.1\, the Whitney Museum of American Art\, The San Francisco Museum of Modern Art\, ZKM Center for Art and Technology\, the California Biennial at the Orange County Museum of Art\, The 12th Havana Bienal\, The 2015 Asian Art Biennial (Taiwan)\, among others. A long-time educator\, she is an Associate Professor in Sculpture at the University of California\, Berkeley. She lives in Oakland\, California. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students. The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community. All lectures are free and open to the public. \nArtist website: https://www.stephaniesyjuco.com \nContact: Sabine Gruffat\, gruffat@email.unc.edu \nImage credit: “Dodge and Burn (Visible Storage)\,” 2019\, installation detail\, at the Contemporary Art Museum St. Louis. \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-stephanie-syjuco/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2022/02/48708445118_8f28d8809d_o_sm-scaled.jpg
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220119T150000
DTEND;TZID=America/New_York:20220119T170000
DTSTAMP:20220119T180447Z
CREATED:20220119T180419Z
LAST-MODIFIED:20220119T180447Z
UID:30215-1642604400-1642611600@artsorange.org
SUMMARY:Community Book Read-Caste: The Origins of Our Discontents
DESCRIPTION:You are invited to the Orange County Human Relations Commissions’ Community Book Read. A virtual Zoom event spotlighting Caste-The Origins of Our Discontent\, written by Isabel Wilkerson\, winner of the Pulitzer Prize and author of The Warmth of Other Suns. Read by Robin Miles\, Unabridged.  \nTo register: orangecountync.gov/bookread. \n\n\n	Related
URL:https://artsorange.org/event/community-book-read-caste-the-origins-of-our-discontents/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2022/01/isabel_caste.jpg
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220120T123000
DTEND;TZID=America/New_York:20220120T133000
DTSTAMP:20211220T191806Z
CREATED:20211220T191806Z
LAST-MODIFIED:20211220T191806Z
UID:29777-1642681800-1642685400@artsorange.org
SUMMARY:Art for Lunch: Antonia Randolph
DESCRIPTION:Join us for a virtual Art for Lunch\, our interview-style talk with the Ackland’s Elizabeth Manekin\, to discuss how Dr. Antonia Randolph’s class “Black Feminist Thought” utilize selected works of portraiture and self-portraiture by Black artists from the Ackland’s collection to explore the construction of Black feminist identities. The installation features works by Kara Walker\, Lezley Saar\, Renee Stout\, Shanequa Gay\, and Willie Cole and will be on view in Ackland Upstairs from January 10 to March 20\, 2022. \nBring your lunch – and questions of your own – for this lively\, conversational program on Zoom. \n\n\n	Related
URL:https://artsorange.org/event/art-for-lunch-antonia-randolph/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/12/2012.1.jpeg
ORGANIZER;CN="Ackland Art Museum":MAILTO:ackland@email.unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211216T200000
DTEND;TZID=America/New_York:20211216T213000
DTSTAMP:20211103T164254Z
CREATED:20211103T164254Z
LAST-MODIFIED:20211103T164254Z
UID:28487-1639684800-1639690200@artsorange.org
SUMMARY:“From Xo Ho to Mi Li: Horace Walpole and China” by Peter Sabor
DESCRIPTION:Jane Austen & Co. presents the third event in our “Asia & the Regency” series. Horace Walpole’s Hieroglyphic Tales are remembered as some of the most surreal literature produced in eighteenth- century England. In this talk\, Peter Sabor (McGill University) will explore the depiction of China in English literature through Walpole’s stories. \nAmong the many eighteenth-century European authors who took an interest in China without crossing or approaching its borders was Horace Walpole. The furthest east that he ever travelled was to Naples\, during his Grand Tour of Europe in 1739-41. He did\, however\, begin reading about China from an early age. In 1735\, as an eighteen-year-old undergraduate at King’s College\, Cambridge\, he acquired the opulent\, four-volume folio edition of Jean Baptiste du Halde’s Description géographique\, historique\, chronologique\, politique\, et physique de l’Empire de la Chine. Walpole’s early immersion in du Halde’s magisterial work seems to have worked on his imagination over the years; he put his interest in China to use in four of his later works. This talk will study Walpole’s uses of China in these four publications\, as well as an anonymous satirical response: An Answer from Lien Chi in Pekin\, to Xo Ho the Chinese Philosopher in London\, to which is annexed a letter from Philo-Briton to Lien Chi (1757). \nYou can read “Mi Li: A Chinese Fairy Tale” for free at the Literature Network:http://www.online-literature.com/…/hieroglyphic-tales/5/\nOr you can listen to a short audiobook on LibriVox: https://librivox.org/hieroglyphic-tales-by-horace-walpole/ \n\n\n	Related
URL:https://artsorange.org/event/from-xo-ho-to-mi-li-horace-walpole-and-china-by-peter-sabor/
LOCATION:Zoom\, United States
CATEGORIES:Discussion,Event Series,Free Events,Online
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2021/10/Peter-Sabor.png
ORGANIZER;CN="Jane Austen &amp%3Bamp%3B Co.":MAILTO:info@janeaustenandco.org
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211111T180000
DTEND;TZID=America/New_York:20211111T190000
DTSTAMP:20211103T163842Z
CREATED:20211103T163842Z
LAST-MODIFIED:20211103T163842Z
UID:28528-1636653600-1636657200@artsorange.org
SUMMARY:American Tastes in Japanese Art: The Influence of Sherman Emery Lee
DESCRIPTION:At this free virtual talk Dr. James Ulak will offer thoughts on Sherman Emery Lee’s (1918–2008) powerful influence in directing collecting tastes in Japanese art throughout America. Lee’s advice has benefited countless private and institutional collections — including the Ackland Art Museum — from the immediate post-WWII era\, through his distinguished museum career\, and well into his retirement years. His role as a confidant to the Rockefellers is well documented and on display in the Ackland’s current extraordinary exhibition of Asian art\, Buddha and Shiva\, Lotus and Dragon: Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society \n\n\n	Related
URL:https://artsorange.org/event/american-tastes-in-japanese-art-the-influence-of-sherman-emery-lee/
LOCATION:Zoom\, United States
ORGANIZER;CN="Ackland Art Museum":MAILTO:ackland@email.unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211027T130000
DTEND;TZID=America/New_York:20211027T140000
DTSTAMP:20211026T184639Z
CREATED:20211026T184639Z
LAST-MODIFIED:20211026T184639Z
UID:28310-1635339600-1635343200@artsorange.org
SUMMARY:Artist Conversation: Zig Jackson
DESCRIPTION:Join us for a virtual conversation between artist Zig Jackson and the Ackland’s Lauren Turner\, assistant curator for the collection. Jackson’s photograph Entering Zig’s Indian Reservation\, China Basin\, San Francisco\, CA is featured in the Ackland’s 2021-2022 Close Looks series. In this free virtual conversation\, we’ll hear from Jackson about this 1997 work\, others in the series and about how it fits into his larger body of photography. \nRegister below for a free ticket. A Zoom link will be sent to all registered participants via email. \nZig Jackson (Rising Buffalo) is a photographer of Mandan\, Hidatsa\, and Arikara descent who was raised on the Fort Berthold Indian Reservation in North Dakota. Though art was always part of his life\, he began formally learning sketching\, painting\, and then photography during his primary and second education within the government Indian boarding school systems. Jackson earned a bachelor’s degree in education at Northeastern Oklahoma State\, while also studying with several area artists\, before pursuing his interest in photography through continued studies at the University of New Mexico. In 1994\, Jackson received a Master of Fine Arts in photography from San Francisco Art Institute. He is the recipient of numerous prestigious awards and grants including a residential fellowship at the Headlands Center for the Arts in Sausalito\, California; a Wallace Alexander Gerbode Foundation Grant for excellence in the photographic arts\, which culminated with an exhibition\, “Entering Zig’s Indian Reservation\,” at the American Indian Contemporary Arts center in San Francisco; a National Millennium Survey Grant; and the inaugural Beaumont Newhall Award for Photographic Excellence from the New Mexico Humanities Council. In 2005\, Jackson became the first Native American photographer collected by the Library of Congress\, when twelve of his images were accessioned by its Prints and Photographs Division. Jackson has taught photography at Institute of American Indian Arts in Santa Fe\, at San Francisco State University and UC Davis\, and beginning in 1999 at the Savannah College of Art and Design\, where he is now professor emeritus. \nImage Credit: Zig Jackson\, Native American\, born 1957\, “Entering Zig’s Indian Reservation\, China Basin\, San Francisco\, CA\,” 1997\, archival pigment print\, 20 3/16 × 23 15/16 in. (51.3 × 60.8 cm). Ackland Fund\, 2019.9.3. © Zig Jackson\, Mandan\, Hidatsa\, Arikara. \n\n\n	Related
URL:https://artsorange.org/event/artist-conversation-zig-jackson/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/10/2019.9.3-768x654-1.jpeg
ORGANIZER;CN="Ackland Art Museum":MAILTO:ackland@email.unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211110T123000
DTEND;TZID=America/New_York:20211110T133000
DTSTAMP:20211026T184322Z
CREATED:20211026T184322Z
LAST-MODIFIED:20211026T184322Z
UID:28316-1636547400-1636551000@artsorange.org
SUMMARY:Art for Lunch: What We Believe
DESCRIPTION:Featuring Gabrielle Berlinger (UNC Department of American Studies) and Elizabeth Manekin (Ackland Head of University Programs and Academic Projects) \nJoin us for a virtual version of Art for Lunch\, our interview-style talk with the Ackland’s Elizabeth Manekin\, to discuss how Dr. Gabrielle Berlinger’s class “Introduction to Folklore” utilizes selections from the Ackland’s collection on view in Ackland Upstairs to interrogate the ways in which art objects can reveal and reinforce our belief systems. \nBring your lunch – and questions of your own – for this lively\, conversational program. \n\n\n	Related
URL:https://artsorange.org/event/art-for-lunch-what-we-believe/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/10/65.15.11.jpeg
ORGANIZER;CN="Ackland Art Museum":MAILTO:ackland@email.unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211013T123000
DTEND;TZID=America/New_York:20211013T133000
DTSTAMP:20211007T185142Z
CREATED:20211007T185142Z
LAST-MODIFIED:20211007T185142Z
UID:27948-1634128200-1634131800@artsorange.org
SUMMARY:Art for Lunch with Dr. Laurie Langbauer
DESCRIPTION:Featuring Laurie Langbauer (UNC Department of English and Comparative Literature) and Elizabeth Manekin (Ackland Head of University Programs and Academic Projects) \nJoin us for a virtual version of Art for Lunch\, our interview-style talk with the Ackland’s Elizabeth Manekin\, to discuss how Dr. Laurie Langbauer’s class “Picture Books” utilizes selections from the Ackland’s collection on view in Ackland Upstairs to explore traditions of illustration in children’s literature. \nBring your lunch – and questions of your own – for this lively\, conversational program. Register at ackland.org. \n\n\n	Related
URL:https://artsorange.org/event/art-for-lunch-with-dr-laurie-langbauer/
LOCATION:Zoom\, United States
CATEGORIES:Discussion,Literary event,Online
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/10/58.1.1080.jpeg
ORGANIZER;CN="Ackland Art Museum":MAILTO:ackland@email.unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210916T180000
DTEND;TZID=America/New_York:20210916T200000
DTSTAMP:20210914T210347Z
CREATED:20210914T210347Z
LAST-MODIFIED:20210914T210347Z
UID:27162-1631815200-1631822400@artsorange.org
SUMMARY:An Evening with Creative Writing at Carolina: Poets’ Speak Out 225 & A Salon with Creative Writing Professors
DESCRIPTION:Hear UNC’s Talented Student Poets and Converse with our Published Authors!\n\n\n\n\n\n	Related
URL:https://artsorange.org/event/an-evening-with-creative-writing-at-carolina-poets-speak-out-225-a-salon-with-creative-writing-professors/
LOCATION:Zoom\, United States
CATEGORIES:Literary event,Online,Reading
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/09/Poetry-and-Salon.jpeg
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210824T080000
DTEND;TZID=America/New_York:20210923T170000
DTSTAMP:20210914T202557Z
CREATED:20210914T202413Z
LAST-MODIFIED:20210914T202557Z
UID:27143-1629792000-1632416400@artsorange.org
SUMMARY:The John & June Allcott Gallery: Ejecta Projects Presents Scatter Terrain
DESCRIPTION:Curated by Anthony Cervino and Shannon Egan \nRegistration link (available until start of event): https://unc.zoom.us/meeting/register/tJEldu6prTwtE93ZxakbbgFUlytwd-8lLWGb \nGallery Hours: Per our semester Covid policies\, the exhibition can be viewed through the gallery’s glass front wall\, 9-5 M-F \nFeaturing Artists: \nAvye Alexandres\, Chad Andrews\, Sarah Aziz\, Jackie Brown\, Stefani Byrd\, Zoë Charlton\, Locus Xiaotong Chen\, Sarah Crofts\, Jason Cytaki\, Jon Duff\, Jason Ferguson\, Els Geelen\, Stephen Grossman\, Stacy Isenbarger\, Leekyung Kang\, Heather Leier\, Julia Matejcek\, Ryan Sarah Murphy\, Sarah Nance\, Ken Reker\, Dan Rule\, Samantha Sanders\, Stephanie Serpick\, Casey Jex Smith\, Chloe Wilwerding \nThe term “scatter terrain\,” borrowed from role-playing and war games\, refers to miniature fragments of architecture\, natural features\, or small props that provide a visual aid for players. Often conspicuously disjointed against an otherwise unadorned tabletop\, these detailed\, three-dimensional objects serve as cues to better envision a larger\, shared narrative of the game. During our recent Covid-induced seclusion\, the idea of scatter terrain offered an appropriate metaphor for imagined adventure when real travel was prohibited\, especially against a backdrop that sometimes felt featureless\, repetitive\, or isolating. This exhibition presents pockets of “terrain” – peculiar landscapes\, architectural gestures\, intimate domestic corners – as a metaphorical means of escape from the pandemic and connection to those who are far away. \nThis selection of artists at first reflects a collective and sometimes oblique response to the pandemic\, a reckoning with solitude and a longing for new places and people. Several art objects were created when most of us were still sheltering at home\, and these artists articulated their anxieties and awareness of their limited domestic spaces through their works.  Now\, as many of us are still struggling to redefine a “normal” world\, the works shown here may be seen in relation to other fractures and traumas in our environment. For instance\, the invented landscapes and abstracted spaces echo our concerns about the ongoing climate crisis.  Because some of the artists depict terrains that defiantly resist conventional illustrations of sublime\, pristine nature\, the works might be seen as fantastical dystopias. Other artists tackle contemporary social issues of personal and political identity to question the notion of belonging\, within a persistent\, and perhaps increasingly hostile world. What started as a call for disparate glimpses into distant lives and locations is now shifting toward a realization that our communal sense of place is still marked by a reckoning with an ailing world and an urgent need for new perspectives. \nABOUT EJECTA PROJECTS \nFounded by artist Anthony Cervino and art historian Shannon Egan\, Ejecta Projects is an art gallery\, an artist’s studio\, and a quiet space to consider collaborative artistic and curatorial undertakings. Located in downtown Carlisle\, Pennsylvania\, Ejecta Projects not only offers exhibition and consignment opportunities for artists but also serves as a gesture toward community investment\, a place for connection among people who crave an atmosphere of warmth and creativity. The space is conceived as the progeny of a 2015 co-written book and co-curated exhibition titled Ejecta. Ejecta Projects\, like its earlier iteration\, examines themes of failure and success\, parenthood and marriage\, materiality and mortality. Exhibitions and endeavors not only reflect these personal and professional preoccupations but also respond to encounters with a broad repertoire of artists and engaged audiences. \nAnthony Cervino is an artist-educator who has exhibited his work professionally for over 20 years. He is a Professor of Art at Dickinson College\, where he has taught sculpture since 2006. A native of Pennsylvania\, Cervino studied art at the University of North Carolina at Chapel Hill and Towson University before settling in Carlisle\, PA. His sculptures have been included in recent exhibitions at The Gallery at Flashpoint in Washington\, DC\, the Institute of Contemporary Art at the Maine College of Art\, the Indianapolis Museum of Contemporary Art\, The Arlington Arts Center\, the Minneapolis College Of Art & Design\, and the Susquehanna Museum of Art\, among others. \nShannon Egan received her BA from the University of North Carolina at Chapel Hill and her MA and Ph.D. in the History of Art from Johns Hopkins University. She currently is Director of the Schmucker Art Gallery at Gettysburg College\, where she curates exhibitions of contemporary and historical art and teaches courses in art history. She is the author of articles on photographers Edward S. Curtis and Jeff Wall. With Marthe Tolnes Fjellestad\, she is the co-editor and co-curator of the forthcoming book and traveling exhibition titled Across the West and Toward the North: Norwegian and American Landscape Photography. \n\n\n	Related
URL:https://artsorange.org/event/the-john-june-allcott-gallery-ejecta-projects-presents-scatter-terrain/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2021/09/Magic-mountain-h264-0-01-05-18-1024x576-1-e1631651000826.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210924T120000
DTEND;TZID=America/New_York:20210924T130000
DTSTAMP:20210914T201514Z
CREATED:20210914T201514Z
LAST-MODIFIED:20210914T201514Z
UID:27139-1632484800-1632488400@artsorange.org
SUMMARY:Lunch with Friends and Strangers – Matt Andrews on Babe Ruth
DESCRIPTION:Carolina Public Humanities \npresents \nLunch with Friends and Strangers \n______________ \nFriday\, September 24 from 12:00 – 1:00 pm \nfeaturing Matt Andrews\, Teaching Associate Professor of History \nand Babe Ruth \nClick in with Carolina Public Humanities’ Max Owre for Virtual Lunch With Friends and Strangers: Conversations With Faculty. Don’t miss this series of one-on-one talks with Tar Heels as they discuss leading figures in history — some likely strangers\, some more familiar to you — and discover new things about impressive people. All programs take place on Fridays from 12-1 pm and are held online as a Zoom webinar. \nTuition is $10 per program\, or you can purchase a Season Pass to all 7 programs for $55. \n\n\n	Related
URL:https://artsorange.org/event/lunch-with-friends-and-strangers-matt-andrews-on-babe-ruth/
LOCATION:Zoom\, United States
CATEGORIES:Event Series
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2021/09/Fall-2021-LWFS.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210929T100000
DTEND;TZID=America/New_York:20210929T120000
DTSTAMP:20210914T195014Z
CREATED:20210914T194828Z
LAST-MODIFIED:20210914T195014Z
UID:27125-1632909600-1632916800@artsorange.org
SUMMARY:Carolina Public Humanities – Great Books Reading Group
DESCRIPTION:Drive Your Plow Over the Bones of the Deadby Olga Tokarczuk \nfeaturing Eliza Rose\, Assistant Professor of Central European Studies \nJoin UNC faculty leaders for a robust discussion of classic texts\, ancient to modern. This reading group will meet virtually over Zoom from 10 am to 12 pm. Registration required. \nMeeting Date: Wednesday\, September 29 \nCost: $25\, includes a copy of the book shipped to your home \nFor more information\, visit humanities.unc.edu/greatbooks/ or call 919.962.1544 \n\n\n	Related
URL:https://artsorange.org/event/carolina-public-humanities-great-books-reading-group/
LOCATION:Zoom\, United States
CATEGORIES:Literary event,Reading
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/09/Drive-Your-Plow.jpg
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210921T200000
DTEND;TZID=America/New_York:20210921T220000
DTSTAMP:20210909T162223Z
CREATED:20210909T162006Z
LAST-MODIFIED:20210909T162223Z
UID:26935-1632254400-1632261600@artsorange.org
SUMMARY:Ackland Film Forum: "The Underground Railroad" First Virtual Screening
DESCRIPTION:The Ackland Film Forum and the Department of English and Comparative Literature will host two virtual screenings (Tuesdays\, September 21 and September 28\, 8 p.m.) and a virtual roundtable discussion (Tuesday\, October 5\, 7 p.m.) in celebration of the department’s 225th anniversary. See below for full details. \nFirst Virtual Screening\nTuesday\, September 21\, 8-10 p.m.\n“Chapter 1: Georgia”\n“Chapter 2: South Carolina” \nTonight’s First Virtual Screening features the first two episodes of The Underground Railroad series: “Chapter 1: Georgia” and “Chapter 2: South Carolina.” We invite you to watch along with us and chat with series organizers within the streaming platform. This virtual event will be held as an Amazon Prime Video Watch Party and viewers must have access to their own Amazon Prime account to join the Watch Party. The Watch Party link will be sent via email to registered participants on the day of the program (Tuesday\, September 21\, before 8 p.m.). Viewers must access the Watch Party on desktop browsers (except Apple Safari and Internet Explorer) or on FireTV devices in the Prime Video app. For full Amazon Prime Watch Party FAQs\, click here: https://www.amazon.com/adlp/watchparty. \n— \nAbout “Chapter 1: Georgia”\nWhen Caesar convinces Cora to escape form the Randall plantation in Georgia their lives are irrevocably changed. They discover the impossible in an underground railroad which takes them on an unexpected journey and reveals the true face of America. 1 h 8 min\, 18 + — Amazon Prime Video \nAbout “Chapter 2: South Carolina”\nGriffin\, South Carolina — a seeming paradise of progress and racial harmony that hides dark secrets\, especially secrets of “Bessie” and “Christian.” Meanwhile\, bounty hunter Arnold Ridgeway begins his pursuit of Cora. 1 h 6 min\, 18 + — Amazon Prime Video \nContent advisory for The Underground Railroad: Smoking\, alcohol use\, substance use\, sexual violence\, portrayals of suicide\, nudity\, violence\, foul language. \n\n\n	Related
URL:https://artsorange.org/event/ackland-film-forum-the-underground-railroad-first-virtual-screening/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/09/UR_AFF-1.jpg
ORGANIZER;CN="Ackland Art Museum":MAILTO:ackland@email.unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211013T123000
DTEND;TZID=America/New_York:20211013T131500
DTSTAMP:20210909T161538Z
CREATED:20210909T161538Z
LAST-MODIFIED:20210909T161538Z
UID:26937-1634128200-1634130900@artsorange.org
SUMMARY:Virtual Art for Lunch with Laurie Langbauer
DESCRIPTION:Featuring Laurie Langbauer (UNC Department of English and Comparative Literature) and Elizabeth Manekin (Ackland Head of University Programs and Academic Projects) \nJoin us for a virtual version of Art for Lunch\, our interview-style talk with the Ackland’s Elizabeth Manekin\, to discuss how Dr. Laurie Langbauer’s class “Picture Books” utilizes selections from the Ackland’s collection on view in Ackland Upstairs to explore traditions of illustration in children’s literature. \nBring your lunch – and questions of your own – for this lively\, conversational program. \nImage Credit: Walter Crane\, “A\, B\, C\, D\, from The Alphabet of Old Friends” (1874)\, engraving\, Burton Emmett Collection\, Ackland Art Museum\, 58.1.1080. \n\n\n	Related
URL:https://artsorange.org/event/virtual-art-for-lunch-with-laurie-langbauer/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/09/ABC.jpeg
ORGANIZER;CN="Ackland Art Museum":MAILTO:ackland@email.unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210928T200000
DTEND;TZID=America/New_York:20210928T220000
DTSTAMP:20210908T202208Z
CREATED:20210908T202208Z
LAST-MODIFIED:20210908T202208Z
UID:26933-1632859200-1632866400@artsorange.org
SUMMARY:Ackland Film Forum: "The Underground Railroad" Second Virtual Screening
DESCRIPTION:The Ackland Film Forum and the Department of English and Comparative Literature will host two virtual screenings (Tuesdays\, September 21 and September 28\, 8 p.m.) and a virtual roundtable discussion (Tuesday\, October 5\, 7 p.m.) in celebration of the department’s 225th anniversary. See below for full details. \nSecond Virtual Screening\nTuesday\, September 28\, 8-10 p.m.\n“Chapter 8: Indiana Autumn”\n“Chapter 9: Indiana Winter” \nTonight’s Second Virtual Screening features two episodes towards the end of The Underground Railroad series: “Chapter 8: Indiana Autumn” and “Chapter 9: Indiana Winter.” We invite you to watch along with us and chat with series organizers within the streaming platform. This virtual event will be held as an Amazon Prime Video Watch Party and viewers must have access to their own Amazon Prime account to join the Watch Party. The Watch Party link will be sent via email to registered participants on the day of the program (Tuesday\, September 28\, before 8 p.m.). Viewers must access the Watch Party on desktop browsers (except Apple Safari and Internet Explorer) or on FireTV devices in the Prime Video app. For full Amazon Prime Watch Party FAQs\, click here: https://www.amazon.com/adlp/watchparty. \n— \nAbout “Chapter 8: Indiana Autumn”\nRoyal brings Cora to Valentine Farm\, a thriving Black community and vineyard on the bountiful Indiana frontier. Carrying the scars of her journey\, Cora struggles to find peace in this new home. 1 h 6 min\, 13 + — Amazon Prime Video \nAbout “Chapter 9: Indiana Winter”\nCora’s presence as a fugitive ignites tensions amongst the Valentine community. Just as she was beginning to make this her home\, chaos reigns. 1 h 17 min\, 18 + — Amazon Prime Video \nContent advisory for The Underground Railroad: Smoking\, alcohol use\, substance use\, sexual violence\, portrayals of suicide\, nudity\, violence\, foul language. \n\n\n	Related
URL:https://artsorange.org/event/ackland-film-forum-the-underground-railroad-second-virtual-screening/
LOCATION:Zoom\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/09/UR_AFF.jpg
ORGANIZER;CN="Ackland Art Museum":MAILTO:ackland@email.unc.edu
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210920T180000
DTEND;TZID=America/New_York:20210920T190000
DTSTAMP:20210824T201336Z
CREATED:20210824T201115Z
LAST-MODIFIED:20210824T201336Z
UID:26343-1632160800-1632164400@artsorange.org
SUMMARY:Sales Tax for Artists
DESCRIPTION:Do you sell your art or craft at shows\, markets online? Do you distribute digital media or provide a service as part of your artwork? \nDo you charge admission to your art programs and shows? \nIf you are confused about whether you need to charge sales tax\, want to make sure you have the proper process and forms in place\, this event is for you. Get the information you need before the busy holiday sales season as Alex Lehmann\, CPA of MPC Certified Public Accountants\, covers the details about Sales Tax for artists. \n\n\nWhether or not you need to charge sales tax \n\n\nHow to apply for a sales tax ID number \n\n\nHow to assemble the information needed to file \n\n\nHow to complete the forms on a monthly or quarterly basis. \n\n\nReal and practical applications of filing your sales tax return to remain or become compliant with state and local sales tax laws. \n\n\nThis virtual workshop is limited to 35 participants. \n\n\n	Related
URL:https://artsorange.org/event/sales-tax-for-artists/
LOCATION:Zoom\, United States
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/08/https___cdn.evbuc_.com_images_145356739_5789503813_1_original.jpg
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210915T180000
DTEND;TZID=America/New_York:20210915T200000
DTSTAMP:20210824T191740Z
CREATED:20210824T181941Z
LAST-MODIFIED:20210824T191740Z
UID:26394-1631728800-1631736000@artsorange.org
SUMMARY:Arts Entrepreneurship Course-Autumn 2021
DESCRIPTION:Are you a mid-career crafts-person struggling to leave your day job or a new-to-the biz creative with dollar signs in your eyes?  \nJoin Triangle ArtWorks’ experienced instructors in an intensive business school-style experience aimed at you. From business structures to support systems\, from credit cards to cash flow\, this course will walk you through the process of creating a craft business that makes money. Each week you’ll work on activities and projects that lead you to a clear vision of your business and a business plan. You’ll leave the class with a binder full of worksheets\, ideas\, contacts and checklists and be energized to make your craft business succeed. \nThis course is based on the REAL Entrepreneurship courses program and is a hands-on\, activity-based experience. If you’ve tried to understand business principles before and been bored or frustrated\, this is for you. If you want tools to understand your own craft business better\, this is for you. You will learn to become a better networker\, how to set up a solid business structure\, and about financial structures that can help you make better business decisions. Course topics will include cash flow\, production\, costs and pricing\, inventory\, local resources\, sales and promotions and more. These arts-business-specific skills are not currently offered in most university fine craft and fine art programs\, but are essential for artists to function as businesses. \nAll registrants will be invited to join a course-specific Facebook group where weekly live-video sessions will be available for participants to ask instructors questions outside of the meeting times. This group will be an integral part of the course so membership is encouraged. \n\n\nBoth beginners and more experienced artisans can benefit from this course. \n\n\nParticipants are strongly encouraged to attend all sessions. \n\n\nThis course will be held on Zoom. Course handouts will be delivered digitally. \n\n\nThis course meets on Wednesdays from 6:00-8:00 pm. \n\n\nAdditional course materials will be mailed to participant’s addresses. \n\n\nInstructors for the Autumn 2021 Session are Cynthia Deis and Tiffany Coley. \n\n\n	Related
URL:https://artsorange.org/event/arts-entrepreneurship-course-autumn-2021/2021-09-15/
LOCATION:Zoom\, United States
CATEGORIES:Class,Classes
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2021/08/20210915-ArtsEntrepreneurship.png
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210925T090000
DTEND;TZID=America/New_York:20210925T113000
DTSTAMP:20210824T181217Z
CREATED:20210824T175002Z
LAST-MODIFIED:20210824T181217Z
UID:26345-1632560400-1632569400@artsorange.org
SUMMARY:The Business of Art Licensing: Create - Licen$e - Repeat
DESCRIPTION:Have you ever wondered how the constant flow of the latest fashion apparel\, greeting card designs\, housewares\, handbags\, kitchenware\, calendars\, planners\, coffee mugs and the many thousands of other consumer products look the way they do? If you have ever looked at a mug or bedsheet or gift bag and thought “MY art would look great on that!” then this class is for you. \nThis class will help you begin to see consumer products in a whole new way.  You will hear about the art licensing industry and the layers of consultants\, art directors and product developers who collaborate with artists to put their artwork on consumer products. You will hear how you can get your artwork in front of this type of buyer. \nDiscussions will include  valuable tips and information for submitting your designs for licensing consideration\, the things that ‘always’ sell\, and what royalties and contracts look like. There will be time for Q&A with Willie throughout the class. \nLicensing work isn’t for every artist\, but for many it can be an excellent income source that does not dilute the original work you create. \nThis class explores: \n\n\nwhat licensing your art means \n\n\nhow you would go about getting your artwork or illustrations licensed \n\n\nhow to introduce yourself and your art to potential companies \n\n\nthe pros and cons of art licensing \n\n\nwhat are usual royalty rates and contract lengths \n\n\nresources and strategies for entering the art licensing industry \n\n\n\n\nAbout Willie Green-Aldridge\n\n\n\n\n\n\n\n\n\n\n\n\n\nWillie Green-Aldridge is a painter\, designer and successful licensor of her art with artwork selling in boutiques and specialty stores\, online\, and in large retailers including garden centers\, gift shops and home decor retailers. Her background in successfully navigating the world of licensing includes experience creating themed groupings of work based on her abstract paintings as well as work featuring iconographic images and quotes. \nWillie’s work has appeared on stationery\, home décor\, wall art\, and gift products across the US and internationally. Willie enjoys living and working in her North Carolina home studio and lifting the human spirit through her art. \nLearn more about Willie’s work here. \n\n\n\n\n	Related
URL:https://artsorange.org/event/the-business-of-art-licensing-create-licene-repeat/
LOCATION:Zoom\, United States
CATEGORIES:Class,Workshops
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/08/20210925-TheBusinessofArtsLicensing1.jpg
GEO:37.09024;-95.712891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210923T190000
DTEND;TZID=America/New_York:20210923T203000
DTSTAMP:20210820T160914Z
CREATED:20210820T160914Z
LAST-MODIFIED:20210820T160914Z
UID:26187-1632423600-1632429000@artsorange.org
SUMMARY:Hanes Visiting Artist Lecture Series: Jiha Moon
DESCRIPTION:Zoom: Pre-register at the link on our website (available until start of event) \nJiha Moon’s gestural paintings\, mixed media\, ceramic sculpture\, and installations explore fluid identities and the global movement of people and their cultures. She says\, “I am a cartographer of cultures and an icon maker in my lucid worlds.” She is taking cues from wide ranges of history of Eastern and Western art\, colors and designs from popular culture\, Korean temple paintings and folk art\, internet emoticons and icons\, fruit stickers and labels of products from all over the place. She often teases and changes these lexicons so that they are hard to identify yet stay in a familiar zone. \nMoon (b. 1973) is from DaeGu\, Korea and lives and works in Atlanta\, GA. She received her MFA from the University of Iowa\, Iowa City. Her works have been acquired by Asia Society\, New York\, NY\, High Museum of Art\, Atlanta\, GA\, The Mint Museum of Art\, Charlotte\, NC\, Smithsonian Institute\, Hirshhorn Museum and Sculpture Garden\, Washington\, DC\, Weatherspoon Museum of Art\, Greensboro\, NC and The Virginia Museum of Fine Arts\, Richmond\, VA. She has had solo exhibitions at Museum of Contemporary Art of Georgia\, GA\, Taubman Museum\, Roanoke\, VA\, the Mint Museum of Art\, Charlotte\, NC\, The Cheekwood Museum of Art\, Nashville\, TN and Rhodes College\, Clough-Hanson Gallery\, Memphis\, TN and James Gallery of CUNY Graduate Center\, New York\, NY. She has been included in group shows at Kemper Museum\, Kansas City\, MI\, the Fabric Workshop and Museum\, Philadelphia\, PA\, the Atlanta Contemporary Art Center\, Atlanta\, GA\, Asia Society\, New York\, NY\, The Drawing Center\, New York\, NY\, White Columns\, New York\, NY\, Smith College Museum of Art\, Northampton\, MA\, and the Weatherspoon Museum of Art\, Greensboro\, NC. She is recipient of Joan Mitchell foundation’s painter and sculptor’s award for 2011\, MOCA GA Working Artist project fellow 2012-13\, Artadia award 2016. Her mid-career survey exhibition\, “Double Welcome: Most everyone’s mad here” organized by Halsey Institute of Contemporary Art and Taubman Museum has toured more than 10 museum venues around the country until 2018. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students. The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community. All lectures are free and open to the public. \nArtist website: http://jihamoon.com \nContact: Sabine Gruffat\, gruffat@email.unc.edu \nImage: Jiha Moon\, Yellowave (with Pink)\, 2020\, Ink\, acrylic on Hanji mounted on canvas\, 30 × 40 in \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-jiha-moon/
LOCATION:Zoom\, United States
CATEGORIES:Free Events,Online
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/08/02.Yellowave-pink-scaled.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
GEO:37.09024;-95.712891
END:VEVENT
END:VCALENDAR