BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Orange Co. Arts Commission - ECPv6.18.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://artsorange.org
X-WR-CALDESC:Events for Orange Co. Arts Commission
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250123T173000
DTEND;TZID=America/New_York:20250123T190000
DTSTAMP:20250204T184013Z
CREATED:20250204T184013Z
LAST-MODIFIED:20250204T184013Z
UID:139883-1737653400-1737658800@artsorange.org
SUMMARY:Lectures in Art History: Sylvia Houghteling\, Bryn Mawr College
DESCRIPTION:“The Ecology of Ephemeral Dyes: Textile Colorants Beyond Colonial Trade Networks in Early Modern South and Southeast Asia” \n215 Phillips Hall \nThis talk brings together poetry\, dye recipes\, textiles\, and their representations in painting to explore the vivid but quickly fading pink and yellow dyestuffs that were used in early modern South Asia and maritime Southeast Asia. Documents from the period suggest the widespread use and importance of certain labile\, unfixed dyes – safflower\, turmeric\, and saffron – that were treasured materials even if they were fleeting. While the seventeenth and eighteenth centuries coincided with the increasing European mercantile encroachment into the textile trade of the eastern Indian Ocean region\, the objects and dye materials I will discuss evaded European economic control. This project also levels an early environmental critique of the practices of European colonialist commerce that sought to stabilize materials\, monopolize and standardize commodity trades\, and devalued things that were local and specific; things that were fragile in their perishability. In tracing the usages of dye materials that doubled as cooking ingredients\, this study engages taste alongside the tactile\, visual\, and olfactory senses. And in foregrounding the history of a non-European exchange in perishable materials between coastal South Asia and the Indonesian archipelago\, it realigns the prevailing histories of trade that place Europeans at the center to recover what were\, by necessity of their materials and seasonal uses\, regional and local exchanges. In these connections\, we find meanings of celebration and healing\, devotion and mourning that rarely surface otherwise.  \nSylvia Houghteling\, Associate Professor of the History of Art at Bryn Mawr College\, specializes in early modern visual and material culture\, focusing on the history of textiles\, South Asian art and architecture\, and the material legacies and ruptures of European colonialism. Houghteling’s first book\, The Art of Cloth in Mughal India (Princeton University Press\, 2022) examined the textiles crafted and collected across the Mughal Empire in the sixteenth and seventeenth centuries\, showing how woven objects helped to shape the social\, political\, religious\, and aesthetic life of early modern South Asia. The book received a College Art Association Millard Meiss Publication Fund Grant and won the 2023 Charles Rufus Morey Book Award from the College Art Association. The Art of Cloth in Mughal India also received the 2022 R.L. Shep Memorial Book Award from the Textile Society of America.  Houghteling received her Ph.D. in the history of art from Yale University in 2015\, where she received the Frances Blanshard Fellowship Fund Prize for her doctoral dissertation. She holds an A.B. in history and literature from Harvard University (2006)\, and an M.Phil. in history from the University of Cambridge (2007). Before entering the field of art history\, Houghteling gained experience in weaving\, textile dyeing\, fashion design\, felting\, block-printing\, and silk-painting. As someone who became interested in art through making it\, Houghteling teaches and learns through conversations with contemporary practitioners and hands-on encounters with objects. \nThis lecture is co-sponsored by the Carolina Asia Center. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC’s Weeknight Parking website. \nContact: Maggie Cao\, mmcao@unc.edu   \nImage: Detail: Hunting coat\, Satin\, embroidered with silk\, South Asia\, ca. 1610-1630\, ©Victoria and Albert Museum\, London\, IS.18-1947 \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-sylvia-houghteling-bryn-mawr-college/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2025/01/Houghteling_Image-3.png
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250228T173000
DTEND;TZID=America/New_York:20250228T193000
DTSTAMP:20241024T163811Z
CREATED:20241024T163811Z
LAST-MODIFIED:20241024T163811Z
UID:133837-1740763800-1740771000@artsorange.org
SUMMARY:The Gut Instinct Chamber Music Project
DESCRIPTION:February 28: Franz and Fanny \nThe Gut Instinct Chamber Music Project is a three-part\, free concert series in UNC Chapel Hill’s Person Recital Hall which brings UNC’s historical instrument collection together with artists committed to presenting inspired\, visceral\, historically informed performances of the 19th-century chamber music repertoire. This season’s programming features music of female composers and their artistic circles. The name “Gut Instinct” is a play on words. In 19th-century Europe\, the violin\, viola\, and cello were strung with (sheep) gut. \nThis program features Fanny Mendelssohn\, whose music is darker and more dramatic than that of her famous brother Felix. Mimi Solomon performs on UNC Chapel Hill’s special Graf fortepiano made by specialist Rod Regier. Rounding out the program is the iconic and epic Cello Quintet by Franz Schubert. Joining Mimi for the trio are violinist Nicholas DiEugenio and cellist Keiran Campbell. The Cello Quintet will be performed by Nicholas DiEugenio and Kako Boga\, violins\, Jessica Troy\, viola\, James Wilson and Keiran Campbell\, cellos. \nAll of the artists collaborating with the Pleyel and Graf pianos at UNC-Chapel Hill (built in 19th-century Paris and Vienna\, respectively) use these gut string materials. The turn of phrase “gut instinct” also refers to the visceral\, accessible nature of the musical performances that the artists of this series will be presenting. We want to make “Historically Informed Performance” accessible\, relatable\, and culturally relevant! We also want to feature these special pianos that are rarely heard by the public\, along with great music by female composers which has remained lesser known to the greater public for far too long! \n\n\n	Related
URL:https://artsorange.org/event/the-gut-instinct-chamber-music-project/
LOCATION:UNC Chapel Hill
CATEGORIES:Concert,Free Events,Music,Performance Season,Performances
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2024/10/Gut-Instinct-Square-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241104T173000
DTEND;TZID=America/New_York:20241104T190000
DTSTAMP:20241003T181617Z
CREATED:20241003T181617Z
LAST-MODIFIED:20241003T181617Z
UID:132734-1730741400-1730746800@artsorange.org
SUMMARY:Lectures in Art History: Emmanuel Ortega\, University of Illinois at Chicago
DESCRIPTION:“Beyond European Palettes: The Overlooked Contributions of Indigenized Artists in the Historiography of Painting in Mexico” \n115 Howell Hall \nIn this talk\, Emmanuel Ortega analyzes the genealogy of the nomenclature involved in art history’s considerations of indigenized forms of art and the erasure of over five hundred years of influence to better articulate the processes that minoritized Native peoples suffered throughout the colonial period. Understanding the history of Spanish colonial art and its byproducts in Mexican culture requires reconsideration of almost two centuries of scholarly questions that have exacerbated art’s role as an agent of Mexican social stratification. The entanglement between empire and art history\, he proposes\, exhorts us to implicate the cultural interlocutors that exemplify such divisions.    \nEmmanuel Ortega is a Curator\, the Marilynn Thoma Scholar and Assistant Professor in Art of the Spanish Americas at the University of Illinois at Chicago (UIC)\, and a Scholar in Residence at the Newberry Library (2023–2024). Ortega has lectured nationally and internationally on nineteenth-century Mexican landscape painting\, ex-votos\, and visual representations of the New Mexico Pueblo peoples in Novohispanic Franciscan martyr paintings. His recently curated art show titled “Contemporary Ex-Votos Devotion Beyond Medium” produced an accompanying catalog published by the New Mexico State University Art Museum this spring. An essay titled “Beyond European Palettes: The Overlooked Contributions of Indigenized Artists in the Historiography of Painting in Mexico.” will appear this fall as part of the Routledge Companion to Art and Empire: Aesthetics and Imperialism\, 1800-1950. His book Visualizing Franciscan Anxiety and the Distortion of Native Resistance: The Domesticating Mission is under contract with Routledge.  \nThis lecture is co-sponsored by the Institute for the Study of the Americas and the Department of Romance Studies. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is needed from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC Weeknight Parking. \nContact: Maggie Cao\, mmcao@unc.edu   \nImage: Frida Kahlo\, The Frame\, 1938\, oil on aluminum\, under glass and painted wood\, 28.5 x 20.7 cm\, Musée National d’Art Moderne/Centre Georges Pompidou\, JP929P\, photo by Jean-Claude Planchet \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-emmanuel-ortega-university-of-illinois-at-chicago/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2024/10/ART541695_sm-scaled.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241025T143000
DTEND;TZID=America/New_York:20241026T123000
DTSTAMP:20241002T194540Z
CREATED:20241002T194540Z
LAST-MODIFIED:20241002T194540Z
UID:132039-1729866600-1729945800@artsorange.org
SUMMARY:Bettie Allison Rand Lecture Series: Renewing Impressionism\, 1874-2024
DESCRIPTION:James M. Johnston Center for Undergraduate Excellence\nGraham Memorial 039\nFriday: 2:00-5:30 pm\nSaturday: 9:30 am-12:15 pm \nOver two days\, invited scholars will celebrate the 150th anniversary of the first Impressionist exhibition\, which opened on the fashionable Boulevard des Capucines in Paris in April of 1874. Originally known by the corporate name Société anonyme des artistes peintres\, sculpteurs\, graveurs\, etc.\, within two years the group of artists including Monet\, Degas\, Morisot\, Pissarro\, and Renoir became known as the Impressionists\, a term widespread in criticism of the time to describe the rapid application of paint to convey an artist’s sensory grasp of a place or a moment. \nSpeakers: André Dombrowski\, Nikki Georgopulos\, Laura Anne Kalba\, Denise Murrell\, Todd Porterfield\, Harmon Siegel \nSee our website at https://go.unc.edu/rand2024 for the full schedule of events. \nThis year’s lecture series is co-sponsored by the Ackland Art Museum and the UNC Center for European Studies. \nThrough a generous gift to the UNC Arts and Sciences Foundation\, William G. Rand established this lecture series in memory of his late wife\, Bettie Allison Rand. This funding allows the Department of Art and Art History to bring one or more eminent art historians to UNC-CH every other year for residencies of various lengths. While they are in Chapel Hill\, these scholars present a series of lectures and interact with undergraduate and graduate art history and studio art students. Following the campus visit\, the scholars prepare a manuscript\, which is then published by the UNC Press as part of the Rand Series of art history publications. \nAll lectures are free and open to the public. This event is eligible for CLE credit. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. There is no permit needed from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC Weeknight Parking. \nContact: Dylan Seal\, djseal@unc.edu  \nImage: Camille Pissarro\, The Banks of the Oise\, Pontoise\, 1876\, oil on canvas\, 14 15/16 x 21 7/8 in. (38 x 55.5 cm)\, Ackland Museum of Art\, Ackland Fund \n\n\n	Related
URL:https://artsorange.org/event/bettie-allison-rand-lecture-series-renewing-impressionism-1874-2024/
LOCATION:UNC Chapel Hill
CATEGORIES:Free Events
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2024/09/AcklandPissarro_noframe.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240925T173000
DTEND;TZID=America/New_York:20240925T190000
DTSTAMP:20240925T184338Z
CREATED:20240925T184338Z
LAST-MODIFIED:20240925T184338Z
UID:127068-1727285400-1727290800@artsorange.org
SUMMARY:Lectures in Art History: Amy Lonetree\, University of California at Santa Cruz
DESCRIPTION:“’Indigenous Storywork’ and Native American Photography: Writing a Visual History of the Ho-Chunk Nation” \nHowell Hall room 115 \nAmy Lonetree is an enrolled citizen of the Ho-Chunk Nation and a Professor of History at the University of California\, Santa Cruz. She received her Ph.D. in Ethnic Studies from the University of California\, Berkeley. Her scholarly research focuses on Indigenous history\, visual culture studies\, and museum studies\, and she has received fellowships in support of this work from the School for Advanced Research\, the Newberry Library\, the Bard Graduate Center\, the Georgia O’Keeffe Museum Research Center\, the Institute of American Cultures at UCLA\, and the University of California\, Berkeley Chancellor’s Postdoctoral Fellowship Program. Her publications include Decolonizing Museums: Representing Native America in National and Tribal Museums (University of North Carolina Press\, 2012); a co-edited book with Amanda J. Cobb\, The National Museum of the American Indian: Critical Conversations (University of Nebraska Press\, 2008); and a co-authored volume\, People of the Big Voice: Photographs of Ho-Chunk Families by Charles Van Schaick\, 1879-1942 (Wisconsin Historical Society Press\, 2011). Amy is currently working on two projects. The first is a visual history of the Ho-Chunk Nation. This research explores family history\, tourism\, settler colonialism\, and Ho-Chunk survivance through an examination of two exceptional collections of studio portraits and tourist images of Ho-Chunk people taken between 1879-1960. The second research project is a historical study documenting the adoption of Indigenous children throughout the twentieth century. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC Weeknight Parking. \nContact: Maggie Cao\, mmcao@unc.edu   \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-amy-lonetree-university-of-california-at-santa-cruz/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2024/09/g-01-57-60816.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230428T173000
DTEND;TZID=America/New_York:20230429T173000
DTSTAMP:20230328T170251Z
CREATED:20230328T152419Z
LAST-MODIFIED:20230328T170251Z
UID:49713-1682703000-1682789400@artsorange.org
SUMMARY:Bettie Allison Rand Lectures in Art History: Negotiating Blackness in Early Modern European Art Theory
DESCRIPTION:James M. Johnston Center of Undergraduate Excellence\, Graham Memorial Hall\nApril 28-29\, 2023 \nThrough a generous gift to the UNC Arts and Sciences Foundation\, William G. Rand established this lecture series in memory of his late wife\, Bettie Allison Rand. This funding allows the Department of Art to bring one or more eminent art historians to UNC-CH every other year for residencies of various lengths. While they are in Chapel Hill\, these scholars present a series of lectures and interact with undergraduate and graduate art history and studio art students.  \nSchedule of Events \nApril 28\, 5:30 PM\nLecture: Kresge Foundation Common Room\, GM 039 \nAnne Lafont\, Directrice d’etudes (Professor)\, École des hautes études en sciences sociales (EHESS)\, Paris\n“Chose-Fée or The acculturation of African Objects by the Enlightenment” \nFollowed by a reception in the John Lindsay Morehead II Lounge\, GM 109 \nApril 29\, 9 am\nLectures: Kresge Foundation Common Room\, GM 039 \nZirwat Chowdhury\, Assistant Professor\, Art History\, UCLA\n“Obliquity as Beauty” \nMia Bagneris\, Associate Professor\, Art History\, Tulane University\n“Materialising Black Beauty or Manifesting Misogynoir?: Theorising the Paradox of Black Feminine Beauty in the Sculpture of John Bell” \nHector Reyes\, Associate Professor of Teaching\, Art History\, USC\n“History in the Pluperfect\, The Perfect\, and the Future Perfect: On Claude-Joseph Vernet in 1767” \nApril 29\, 1:30 PM\nRoundtable: Kresge Foundation Common Room\, GM 039 \nAnne Lafont\, Zirwat Chowdhury\, Mia Batneris\, and Hector Rayes\nModerated by Kathryn Desplanque\, Assistant Professor of Art History\, UNC at Chapel Hill \nA weeknight or daytime permit is now required after 5:00pm on weekdays. There is no permit required from 5:00pm Friday through 7:30am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC Weeknight Parking. \nContact: Lyneise Williams\, williale@email.unc.edu   \n\n\n	Related
URL:https://artsorange.org/event/bettie-allison-rand-lectures-in-art-history-negotiating-blackness-in-early-modern-european-art-theory/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2023/03/FINAL-Rand-Lectures-Poster-2023.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230302T170000
DTEND;TZID=America/New_York:20230302T183000
DTSTAMP:20230221T181809Z
CREATED:20230209T152931Z
LAST-MODIFIED:20230221T181809Z
UID:46251-1677776400-1677781800@artsorange.org
SUMMARY:Lectures in Art History: Andrew McClellan\, Tufts University
DESCRIPTION:“Rivals on the Fenway: Isabella Stewart Gardner\, the Museum of Fine Arts\, Boston\, and the Destiny of the American Art Museum” \nPhillips Hall\, room 215 \nAndrew McClellan is currently a Carl and Lily Pforzheimer Foundation Fellow at the National Humanities Center and on leave from the Department of the History of Art and Architecture at Tufts University. Trained at the Courtauld Institute of Art (University of London)\, McClellan has written on painting\, sculpture and architecture\, but especially on the history of museums and art collecting. An overriding interest in contexts\, institutional frameworks\, the display and reception of art informs five of his books: Inventing the Louvre: Art\, Politics\, and the Origins of the Modern Museum in Eighteenth-Century Paris (1999)\, Art and Its Publics: Museum Studies at the Millennium (2003)\, The Art Museum from Boullée to Bilbao (2008)\, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (2018)\, and Revisiting History in Museums and at Historic Sites (2022). His current project\, ‘Rivals on the Fenway\,’\, supported by his residential fellowship at the National Humanities Center\, is a book-length exploration of the simultaneous formation and complementary design of Boston’s Isabella Stewart Gardner Museum and Museum of Fine Arts\, Boston. Drawing on archival sources\, this study will offer a new vision of the overlapping trajectories of public and private art museums in the United States. \nA weeknight or daytime permit is now required after 5:00pm on weekdays. There is no permit required from 5:00pm Friday through 7:30am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at the UNC Parking website. \nContact: Lyneise Williams\, williale@email.unc.edu    \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-andrew-mcclellan-tufts-university/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2023/02/McClellan-IMAGE-MFA_ISGM-scaled.jpeg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210926T193000
DTEND;TZID=America/New_York:20210926T210000
DTSTAMP:20210914T200908Z
CREATED:20210914T200908Z
LAST-MODIFIED:20210914T200908Z
UID:27134-1632684600-1632690000@artsorange.org
SUMMARY:Quintets for Strings and Clarinet | WSN Artists Series
DESCRIPTION:FEATURING:\nDonald L. Oehler\, clarinet\nNicholas DiEugenio\, Leah Peroutka\, violins\nSam Gold\, viola\nBrent Wissick\, cello \n$15 general admission\, $10 students and UNC faculty/staff. \nThis performance is part of the William S. Newman Artists series. Tickets are available for purchase at the door or online (order form coming soon). \n\n\n	Related
URL:https://artsorange.org/event/quintets-for-strings-and-clarinet-wsn-artists-series/
LOCATION:UNC Chapel Hill
CATEGORIES:Concert,Performance
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2021/09/Quintets-1024x1024-1-e1631649815651.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190823T080000
DTEND;TZID=America/New_York:20190823T170000
DTSTAMP:20190823T142041Z
CREATED:20190823T142041Z
LAST-MODIFIED:20190823T142041Z
UID:11006-1566547200-1566579600@artsorange.org
SUMMARY:The Campus at Chapel Hill Architecture Tour
DESCRIPTION:Please join us for a fun ramble on the campus at UNC-Chapel Hill for an architecture tour highlighting many of the interesting stories built into its history and written about in The Campus at Chapel Hill: 225 Years of Architecture. The tour will be led by JJ Bauer (Faculty\, Department of Art and Art History) and include the participation of John V. Allcott’s family members. Register to join the tour below and then meet us at the Davie Poplar (the blasted but still living tree in McCorkle Place with a stone bench next to it\, just north of the Old Well). We will inform registered participants if there is to be a rain date due to any unforeseen weather event. \n\n\n	Related
URL:https://artsorange.org/event/the-campus-at-chapel-hill-architecture-tour/
LOCATION:UNC Chapel Hill
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190914T080000
DTEND;TZID=America/New_York:20190914T170000
DTSTAMP:20190823T141325Z
CREATED:20190823T140403Z
LAST-MODIFIED:20190823T141325Z
UID:11000-1568448000-1568480400@artsorange.org
SUMMARY:Notre Dame Cathedral and French Culture: The Meaning of a National Monument
DESCRIPTION:The great fire in the famous Notre Dame Cathedral badly damaged a great Parisian monument\, but it seemed to affect French national identity almost as profoundly as it damaged the church itself. How does the history of this iconic cathedral embody the complexity of French culture and national memory? This question shapes the themes of this seminar\, which will explore the significance of Notre Dame in French architectural history\, political culture\, literary works\, and musical traditions. Drawing on diverse scholarly perspectives\, our speakers will provide wide-ranging interpretations of how the history of Notre Dame has contributed to French cultural and political life since the Middle Ages and explain why the great fire created such deep national grief in contemporary France. \nTOPICS & SPEAKERS \nThe Fire ThisTime: Notre Dame in Paris\, Medieval Fires\, and Gothic Creativity \nCaroline Bruzelius\, Anne Murnick Cogan Professor Emerita of Art and Art History\, Duke University \nThe Political Conflicts\, Nationalist Rituals\, and Cultural Symbolism of Notre Dame Cathedral \nLloyd Kramer\, Professor of History and Director\, Carolina Public Humanities \nNotre Dame and Literary Imagination: The Cathedral as a “Character” in French Fiction \nJessica Tanner\, Assistant Professor of French \nThe Soundscape of a Cathedral: Music at Notre Dame \nAnnegret Fauser\, Cary C. Boshamer Distinguished Professor of Music \nNotre Dame and French Identity: From Medieval Times to the 21st Century \nA panel discussion with our speakers \nTIME AND TUITION \n9:00am-5:00pm\, Saturday\, September 14. The tuition is $125 ($115 until September 5). Tuition for teachers is $62.50 ($57.50 until September 5). Teachers can also receive a $75 stipend after attending (click here for more information) and 10 contact hours for 1 unit of renewal credit. The optional lunch on Saturday is $15.00. \nDiscounts are available for UNC students\, faculty\, & staff. See our UNC Student\, Staff\, & Faculty Discounted Registration Policy here. \nCo-Sponsored by the General Alumni Association. \nFor information about GAA discounts and other scholarships available to Humanities Program participants\, click here. \nRegister here or call us at 919.962.1544.  \n\n\n	Related
URL:https://artsorange.org/event/notre-dame-cathedral-and-french-culture-the-meaning-of-a-national-monument/
LOCATION:UNC Chapel Hill
END:VEVENT
END:VCALENDAR