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DTSTART;TZID=America/New_York:20260225T173000
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SUMMARY:Creative Art History: Roland Betancourt\, UC Irvine
DESCRIPTION:“Like the Dawn of Creation: Byzantine Fragments in the Modern Imagination” \n125 Chapman Hall \nThis talk explores how Byzantium operates as a queer cipher in modern culture\, appearing as an adjectival modifier\, “the Byzantine\,” rather than as a distinct historical referent. Analyzing Gore Vidal’s 1959 adaptation of Tennessee Williams’s Suddenly\, Last Summer\, Betancourt demonstrates how Byzantine references encode queer identity through the film’s absent protagonist\, whose unspeakable sexuality mirrors Byzantium’s own unintelligibility. Drawing on extensive archival research\, he shows how “the Byzantine” articulated coded queerness for these writers and artists. This talk proposes reimagining Byzantine art history through modes of “queer fragmentation\,” recognizing Byzantine elements across temporal boundaries. \nRoland Betancourt is a scholar of Byzantium and modern popular culture with research that lies firmly at the intersection of the history of science and technology\, intellectual history\, and the history of art. Dr. Betancourt is the Andrew W. Mellon Professor at the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington\, DC from 2024-2026. He also holds the honor of Chancellor’s Professor\, Department of Art History\, at the University of California\, Irvine. He is also the author of four monographs\, including The Secrets We Keep: Hidden Histories of the Byzantine Empire (The Getty\, 2024)\, Performing the Gospels in Byzantium: Sight\, Sound\, and Space in the Divine Liturgy (Cambridge University Press\, 2021)\, Byzantine Intersectionality: Sexuality\, Gender\, and Race in the Middle Ages (Princeton University Press\, 2020)\, and Sight\, Touch\, and Imagination in Byzantium (Cambridge University Press\, 2018). Betancourt’s forthcoming book\, Disneyland and the Rise of Automation: How Technology Created the Happiest Place on Earth (Princeton University Press\, 2026)\, traces the origins and evolution of the theme park’s technical innovations during Disneyland’s first three decades in operation\, exploring how engineers reimagined the systems and machines of industrial manufacturing and the military. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found on UNC’s weeknight parking website. \n\n\n	Related
URL:https://artsorange.org/event/creative-art-history-roland-betancourt-uc-irvine/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2026/02/Betancourt-Talk-Image.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251106T173000
DTEND;TZID=America/New_York:20251106T190000
DTSTAMP:20251029T184104Z
CREATED:20251029T184104Z
LAST-MODIFIED:20251029T184104Z
UID:217332-1762450200-1762455600@artsorange.org
SUMMARY:Hanes Visiting Artist Lecture Series: Yvette Mayorga
DESCRIPTION:100 Hamilton Hall \nYvette Mayorga (b. 1991) is a Chicago-based multidisciplinary artist known for her Rococo-inspired reliefs that merge confectionery labor with found images to explore themes of belonging. Dominated by the color pink\, Mayorga celebrates femme power while questioning the allure of consumer culture and the American Dream as a first-generation Latinx. \nMayorga holds an MFA in Fiber and Material Studies from the School of the Art Institute of Chicago and a BFA from the University of Illinois. Her work has been showcased internationally\, including exhibitions at the Museum of Arts and Design\, NY; Vincent Price Art Museum\, CA; El Museo del Barrio\, NY; The Center for Craft\, Asheville\, NC; Museo Universitario del Chopo\, CDMX; LACMA\, CA; and solo exhibitions at The Aldrich Contemporary Art Museum\, CT (2024)\, The Momentary at Crystal Bridges Museum of American Art\, AR (2022)\, and her first institutional solo museum exhibition\, La Jaula de Oro\, at Museo de Arte de Zapopan\, MX (2024)\, which was reviewed by The New York Times. Her works are in the collections of 21c Museum Hotels\, Cerámica Suro\, Crystal Bridges\, The Davis Museum at Wellesley College\, El Museo del Barrio\, DePaul Art Museum\, MacArthur Foundation\, Museum of Fine Arts Boston\, and the City of Chicago’s permanent public art collection at O’Hare International Airport. She has been featured in Artforum\, Art News\, DAZED\, Galerie Magazine\, Hyperallergic\, Teen Vogue\, The Guardian\, The New York Times\, and W Magazine. She is currently developing her largest public artwork to date\, opening in fall 2025 in New York City’s Times Square with Times Square Arts. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students.  The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community.  All lectures are free and open to the public. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC’s Weeknight Parking website. \nArtist website: https://www.yvettemayorga.com/  \nContact: Martín Wannam\, mwanna@unc.edu \nImage: Yvette Mayorga\, La princesa (Ride or Die)\, 2024\, Nissan Datsun 1974\, acrylic paint\, spray paint\, crochet\, stuffed toys\, plastic toys\, acrylic nails\, rosaries\, faux fur\, belt buckles\, stickers\, ceramic figurines\, clock\, found license plate\, trophy\, wood\, 161 acrylic roses\, sound\, and acrylic piping\, 13 x 5 feet \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-yvette-mayorga/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2025/10/DSC09639_sm.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251104T173000
DTEND;TZID=America/New_York:20251104T190000
DTSTAMP:20251010T180206Z
CREATED:20251010T180206Z
LAST-MODIFIED:20251010T180206Z
UID:208229-1762277400-1762282800@artsorange.org
SUMMARY:Bettie Allison Rand Lectures in Art History: Amy Freund\, Southern Methodist University
DESCRIPTION:Sit! Dog Portraiture and the Animal Self in Eighteenth-Century France\nUniversity Room\, Hyde Hall \nTo a twenty-first century viewer\, nothing could be more natural than wanting a portrait (or many portraits) of your dog. But in eighteenth-century France\, animal portraiture was a recent invention\, and one that overturned artistic and species hierarchies. Despite\, or maybe because of\, the provocative questions posed by non-human likenesses\, dog portraiture had enormous appeal for the elites who commissioned them\, the artists who executed them\, and the viewers who encountered them in both palaces and public exhibitions. This lecture will consider how dog portraits engaged with Enlightenment ideas about human-animal hierarchies\, and how and why ambitious artists elevated canine sitters to a dignity previously reserved for humans. \nAmy Freund is an associate professor and the Kleinheinz Endowment for the Arts and Education Endowed Chair in art history at Southern Methodist University. Her first book\, Portraiture and Politics in Revolutionary France (Penn State\, 2014)\, examines the uses of portraiture to reformulate personal and political identity during the French Revolution. Her second book\, Noble Beasts: Hunters and Hunted in Eighteenth-Century French Art\, which will appear with Yale University Press in 2026\, analyzes the representation of masculinity\, animality\, and political agency in hunting art. Her work has appeared in The Art Bulletin\, Eighteenth-Century Studies\, Journal18\, Art History\, and French History\, and has been supported by the Center for Advanced Study in the Visual Arts and the Clark Art Institute.  \nThrough a generous gift to the UNC Arts and Sciences Foundation\, William G. Rand established this lecture series in memory of his late wife\, Bettie Allison Rand. This funding allows the Department of Art and Art History to bring one or more eminent art historians to UNC-CH every other year for residencies of various lengths. While they are in Chapel Hill\, these scholars present a series of lectures and interact with undergraduate and graduate art history and studio art students. Following the campus visit\, the scholars prepare a manuscript\, which is then published by the UNC Press as part of the Rand Series of art history publications. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found HERE. \nContact: Tania String\, tcstring@email.unc.edu   \nImage: Jean-Baptiste Oudry (French\, 1686-1755)\, The Dachshund Pehr with Dead Game and a Rifle\, 1740\, Nationalmuseum\, Stockholm \n\n\n	Related
URL:https://artsorange.org/event/bettie-allison-rand-lectures-in-art-history-amy-freund-southern-methodist-university/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2025/10/multimedia-319511.large_.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251013T173000
DTEND;TZID=America/New_York:20251013T190000
DTSTAMP:20250928T174052Z
CREATED:20250928T174052Z
LAST-MODIFIED:20250928T174052Z
UID:207431-1760376600-1760382000@artsorange.org
SUMMARY:Creative Art History: Christy Anderson\, University of Toronto
DESCRIPTION:“Drift and Anchor: Researching Ships\, Remembering the Sea”\n125 Chapman Hall \nThis talk explores the intersections of art history and memoir through the lens of maritime architecture and seafaring culture. Drawing on her current book project\, which explores ships as architectural spaces\, Professor Anderson considers how vessels shaped labor\, cities\, and natural landscapes across the early modern Atlantic. At the same time\, she reflects on the role of personal memory—growing up on the water\, navigating family histories\, and returning to the sea through research—as a way to anchor historical scholarship in lived experience. By drifting between archival study and autobiographical reflection\, Anderson suggests how creative approaches can expand the boundaries of art history\, opening new forms of narrative that bridge research and storytelling. \nChristy Anderson is a historian of architecture whose work bridges early modern Europe\, global maritime history\, and contemporary design. She is currently the Allen W. Clowes Fellow at the National Humanities Center. A professor in the Department of Art History and member of the Daniels Faculty of Architecture\, Landscape\, and Design at the University of Toronto\, she is particularly interested in how architectural knowledge moves across cultures\, materials\, and environments. Her current book project explores the ship as an architectural type—examining how mobile spaces at sea have shaped cities\, labor\, and natural landscapes across the Atlantic world. \nAnderson is the former editor-in-chief of The Art Bulletin\, where she championed scholarship that expanded the field’s boundaries in time\, geography\, and method. Her broader commitment to public-facing humanities includes collaborative digital platforms\, podcasts\, and curatorial projects that engage diverse audiences in the interpretation of architectural and material histories. A Guggenheim Fellow and former Senior Research Fellow at Worcester College\, Oxford\, she received her PhD from Massachusetts Institute of Technology (MIT) and has taught at Yale University\, MIT\, and the Courtauld Institute of Art. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at the UNC Weeknight Parking website.  \nContact: Maggie Cao\, mmcao@unc.edu   \n\n\n	Related
URL:https://artsorange.org/event/creative-art-history-christy-anderson-university-of-toronto/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2025/09/BottleShips-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250918T173000
DTEND;TZID=America/New_York:20250918T190000
DTSTAMP:20250903T200302Z
CREATED:20250903T200302Z
LAST-MODIFIED:20250903T200302Z
UID:191124-1758216600-1758222000@artsorange.org
SUMMARY:Hanes Visiting Artist Lecture Series: Karyn Olivier
DESCRIPTION:100 Hamilton Hall \nKaryn Olivier\, who was born in Trinidad and Tobago\, creates sculptures\, installations\, and public art. This year\, Olivier will unveil a Philadelphia memorial\, commemorating more than 5\,000 African Americans buried at Bethel Burying Ground. Last year\, she participated in the Whitney Biennial (NY\, NY)\, La Trienal at El Museo del Barrio (NY\, NY)\, the Malta Biennale (Valletta\, Malta)\, and Prospect.6 Triennial (New Orleans\, LA). In 2024\, Olivier also unveiled a memorial honoring a formerly enslaved servant and was selected to create a public installation in Milwaukee\, memorializing Vel R. Phillips\, the late politician\, attorney\, judge\, and civil rights activist. In 2023\, Olivier presented her second solo show at Tanya Bonakdar Gallery. In 2022\, Olivier participated in Documenta 15 and installed a permanent commission for Newark Airport’s Terminal A. \nOlivier has exhibited at the Gwangju and Busan biennials (South Korea)\, the World Festival of Black Arts and Culture (Dakar\, Senegal)\, The Studio Museum in Harlem\, The Whitney Museum of Art\, MoMA P.S.1\, The Museum of Fine Arts Houston\, Contemporary Art Museum Houston\, The Mattress Factory (Pittsburgh)\, SculptureCenter (New York)\, ICA Watershed Boston\, among others. Solo exhibitions include Everything That’s Alive Moves at the Institute of Contemporary Art in Philadelphia (2020)\, and A Closer Look at Laumeier Sculpture Park in St. Louis (2007). \nOlivier has received numerous awards\, including a 2025 USA Fellowship\, a 2020 Anonymous Was a Woman Award\, the 2018–2019 Nancy B. Negley Rome Prize\, a John Simon Guggenheim Memorial Foundation Fellowship\, the Joan Mitchell Foundation Award\, a 2019 PEW Fellowship\, the New York Foundation for the Arts Award\, a Pollock- Krasner Foundation grant\, the William H. Johnson Prize\, the Louis Comfort Tiffany Foundation Biennial Award\, a Creative Capital Foundation grant\, and a Harpo Foundation grant. \nOlivier’s work has been reviewed in ArtForum\, The New York Times\, Time Out New York\, The Village Voice\, Art in America\, Flash Art\, Mousse\, The Washington Post\, Nka: Journal of Contemporary African Art\, Frieze\, the Philadelphia Inquirer\, and Hyperallergic\, among others. She is a sculpture professor at Tyler School of Art and Architecture. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students.  The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community.  All lectures are free and open to the public. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC’s Weeknight Parking website. \nArtist website: https://www.karynolivier.com/  \nDepartmental website: art.unc.edu \nContact: Martín Wannam\, mwanna@unc.edu \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-karyn-olivier/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2025/08/the-battle-joined.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251002T173000
DTEND;TZID=America/New_York:20251002T190000
DTSTAMP:20250903T200124Z
CREATED:20250903T200124Z
LAST-MODIFIED:20250903T200124Z
UID:191487-1759426200-1759431600@artsorange.org
SUMMARY:Hanes Visiting Artist Lecture Series: River Claure
DESCRIPTION:100 Hamilton Hall \nRiver Claure is a Bolivian photographer and visual artist known for his meticulously crafted portraits and evocative landscapes. His work challenges dominant notions of cultural identity and examines the role of photographic images in shaping our perception of reality. His work has been exhibited in various platforms and institutions worldwide. In 2024\, he presented his latest work at the 60th edition of the Venice Biennale\, curated by Adriano Pedrosa. \nClaure’s most recent project\, MITA (2022-2024)\, was carried out in Llallagua\, Uncia\, and Catavi\, former mining communities in the Bolivian Andes. Since the colonial period\, these territories have been exploited in search of different minerals such as silver\, tin\, and zinc. After more than five hundred years in these places\, the land has been exhausted\, and now there are only the towns that were built around industry and the promises of modernity. \nClaure started this project with his family history; both his grandfathers were miners in a silver mine in this region. They emigrated to the city in the early 70s\, looking for better living conditions and fleeing the political conflicts of the time. He was born and raised in the city\, like any other child influenced by global culture. With this project\, he returned to these sites to think about the inherent relationship between nature and history. What happened in these places can be and is an analogy of the world to come. In that sense\, the work becomes a purely speculative exercise. The images of this intentionally anachronistic project speculate about the end of the world\, the memory family\, and their colonial relationship with the land. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students.  The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community.  All lectures are free and open to the public. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found HERE. \nArtist website: https://riverclaure.net/  \nDepartmental website: art.unc.edu \nContact: Martín Wannam\, mwanna@unc.edu \nImage: River Claure\, Pieta 2\, from his series MITA\, 2022-2024 \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-river-claure/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2025/09/Piedad-2-scaled.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250305T173000
DTEND;TZID=America/New_York:20250305T190000
DTSTAMP:20250218T191155Z
CREATED:20250218T191155Z
LAST-MODIFIED:20250218T191155Z
UID:143337-1741195800-1741201200@artsorange.org
SUMMARY:Lectures in Art History: Kency Cornejo\, UCLA
DESCRIPTION:“Reimagining Liberation: Visual Disobedience in Central American Art” \nDavie Hall room 112 \nIn this lecture\, Dr. Kency Cornejo traces the emergence of new artistic strategies for Indigenous\, feminist\, and anticarceral resistance in the wake of torture\, disappearance\, killings\, and US-funded civil wars in Central America. Drawing on interviews with Central American artists and curators\, she theorizes a form of “visual disobedience” in which art operates in opposition to nation-states\, colonialism\, and visual coloniality\, offering new imaginaries of liberation in the isthmus. \nDr. Kency Cornejo is Associate Professor of Latinx/Latin American Art and Expressive Culture in the Department of Chicana/o and Central American Studies at UCLA. She is a scholar of contemporary and modern Latin American art history\, with emphasis on Central America and its diaspora. She offers a variety of undergraduate and graduate art history courses. Dr. Cornejo’s teaching and research interests focus on a wide range of topics\, including: art and politics\, decoloniality\, femicide\, immigration\, prisons\, captivity\, transnationalism\, gangs\, and indigenous rights and epistemologies. Cornejo’s book Visual Disobedience: The Geopolitics of Experimental Art in Central America\, 1990-Present (Duke University Press\, 2024) critically analyzes twenty-five years of contemporary art in post-war Central America. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC’s Weeknight Parking website. \nContact: Maggie Cao\, mmcao@unc.edu   \nImage credit: Elyla (Fredman Barahona)\, Ni Azul Blanco Ni Rojo Negro\, 2019 \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-kency-cornejo-ucla/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2025/02/Elyla.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250123T173000
DTEND;TZID=America/New_York:20250123T190000
DTSTAMP:20250204T184013Z
CREATED:20250204T184013Z
LAST-MODIFIED:20250204T184013Z
UID:139883-1737653400-1737658800@artsorange.org
SUMMARY:Lectures in Art History: Sylvia Houghteling\, Bryn Mawr College
DESCRIPTION:“The Ecology of Ephemeral Dyes: Textile Colorants Beyond Colonial Trade Networks in Early Modern South and Southeast Asia” \n215 Phillips Hall \nThis talk brings together poetry\, dye recipes\, textiles\, and their representations in painting to explore the vivid but quickly fading pink and yellow dyestuffs that were used in early modern South Asia and maritime Southeast Asia. Documents from the period suggest the widespread use and importance of certain labile\, unfixed dyes – safflower\, turmeric\, and saffron – that were treasured materials even if they were fleeting. While the seventeenth and eighteenth centuries coincided with the increasing European mercantile encroachment into the textile trade of the eastern Indian Ocean region\, the objects and dye materials I will discuss evaded European economic control. This project also levels an early environmental critique of the practices of European colonialist commerce that sought to stabilize materials\, monopolize and standardize commodity trades\, and devalued things that were local and specific; things that were fragile in their perishability. In tracing the usages of dye materials that doubled as cooking ingredients\, this study engages taste alongside the tactile\, visual\, and olfactory senses. And in foregrounding the history of a non-European exchange in perishable materials between coastal South Asia and the Indonesian archipelago\, it realigns the prevailing histories of trade that place Europeans at the center to recover what were\, by necessity of their materials and seasonal uses\, regional and local exchanges. In these connections\, we find meanings of celebration and healing\, devotion and mourning that rarely surface otherwise.  \nSylvia Houghteling\, Associate Professor of the History of Art at Bryn Mawr College\, specializes in early modern visual and material culture\, focusing on the history of textiles\, South Asian art and architecture\, and the material legacies and ruptures of European colonialism. Houghteling’s first book\, The Art of Cloth in Mughal India (Princeton University Press\, 2022) examined the textiles crafted and collected across the Mughal Empire in the sixteenth and seventeenth centuries\, showing how woven objects helped to shape the social\, political\, religious\, and aesthetic life of early modern South Asia. The book received a College Art Association Millard Meiss Publication Fund Grant and won the 2023 Charles Rufus Morey Book Award from the College Art Association. The Art of Cloth in Mughal India also received the 2022 R.L. Shep Memorial Book Award from the Textile Society of America.  Houghteling received her Ph.D. in the history of art from Yale University in 2015\, where she received the Frances Blanshard Fellowship Fund Prize for her doctoral dissertation. She holds an A.B. in history and literature from Harvard University (2006)\, and an M.Phil. in history from the University of Cambridge (2007). Before entering the field of art history\, Houghteling gained experience in weaving\, textile dyeing\, fashion design\, felting\, block-printing\, and silk-painting. As someone who became interested in art through making it\, Houghteling teaches and learns through conversations with contemporary practitioners and hands-on encounters with objects. \nThis lecture is co-sponsored by the Carolina Asia Center. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC’s Weeknight Parking website. \nContact: Maggie Cao\, mmcao@unc.edu   \nImage: Detail: Hunting coat\, Satin\, embroidered with silk\, South Asia\, ca. 1610-1630\, ©Victoria and Albert Museum\, London\, IS.18-1947 \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-sylvia-houghteling-bryn-mawr-college/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2025/01/Houghteling_Image-3.png
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250228T173000
DTEND;TZID=America/New_York:20250228T193000
DTSTAMP:20241024T163811Z
CREATED:20241024T163811Z
LAST-MODIFIED:20241024T163811Z
UID:133837-1740763800-1740771000@artsorange.org
SUMMARY:The Gut Instinct Chamber Music Project
DESCRIPTION:February 28: Franz and Fanny \nThe Gut Instinct Chamber Music Project is a three-part\, free concert series in UNC Chapel Hill’s Person Recital Hall which brings UNC’s historical instrument collection together with artists committed to presenting inspired\, visceral\, historically informed performances of the 19th-century chamber music repertoire. This season’s programming features music of female composers and their artistic circles. The name “Gut Instinct” is a play on words. In 19th-century Europe\, the violin\, viola\, and cello were strung with (sheep) gut. \nThis program features Fanny Mendelssohn\, whose music is darker and more dramatic than that of her famous brother Felix. Mimi Solomon performs on UNC Chapel Hill’s special Graf fortepiano made by specialist Rod Regier. Rounding out the program is the iconic and epic Cello Quintet by Franz Schubert. Joining Mimi for the trio are violinist Nicholas DiEugenio and cellist Keiran Campbell. The Cello Quintet will be performed by Nicholas DiEugenio and Kako Boga\, violins\, Jessica Troy\, viola\, James Wilson and Keiran Campbell\, cellos. \nAll of the artists collaborating with the Pleyel and Graf pianos at UNC-Chapel Hill (built in 19th-century Paris and Vienna\, respectively) use these gut string materials. The turn of phrase “gut instinct” also refers to the visceral\, accessible nature of the musical performances that the artists of this series will be presenting. We want to make “Historically Informed Performance” accessible\, relatable\, and culturally relevant! We also want to feature these special pianos that are rarely heard by the public\, along with great music by female composers which has remained lesser known to the greater public for far too long! \n\n\n	Related
URL:https://artsorange.org/event/the-gut-instinct-chamber-music-project/
LOCATION:UNC Chapel Hill
CATEGORIES:Concert,Free Events,Music,Performance Season,Performances
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2024/10/Gut-Instinct-Square-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241104T173000
DTEND;TZID=America/New_York:20241104T190000
DTSTAMP:20241003T181617Z
CREATED:20241003T181617Z
LAST-MODIFIED:20241003T181617Z
UID:132734-1730741400-1730746800@artsorange.org
SUMMARY:Lectures in Art History: Emmanuel Ortega\, University of Illinois at Chicago
DESCRIPTION:“Beyond European Palettes: The Overlooked Contributions of Indigenized Artists in the Historiography of Painting in Mexico” \n115 Howell Hall \nIn this talk\, Emmanuel Ortega analyzes the genealogy of the nomenclature involved in art history’s considerations of indigenized forms of art and the erasure of over five hundred years of influence to better articulate the processes that minoritized Native peoples suffered throughout the colonial period. Understanding the history of Spanish colonial art and its byproducts in Mexican culture requires reconsideration of almost two centuries of scholarly questions that have exacerbated art’s role as an agent of Mexican social stratification. The entanglement between empire and art history\, he proposes\, exhorts us to implicate the cultural interlocutors that exemplify such divisions.    \nEmmanuel Ortega is a Curator\, the Marilynn Thoma Scholar and Assistant Professor in Art of the Spanish Americas at the University of Illinois at Chicago (UIC)\, and a Scholar in Residence at the Newberry Library (2023–2024). Ortega has lectured nationally and internationally on nineteenth-century Mexican landscape painting\, ex-votos\, and visual representations of the New Mexico Pueblo peoples in Novohispanic Franciscan martyr paintings. His recently curated art show titled “Contemporary Ex-Votos Devotion Beyond Medium” produced an accompanying catalog published by the New Mexico State University Art Museum this spring. An essay titled “Beyond European Palettes: The Overlooked Contributions of Indigenized Artists in the Historiography of Painting in Mexico.” will appear this fall as part of the Routledge Companion to Art and Empire: Aesthetics and Imperialism\, 1800-1950. His book Visualizing Franciscan Anxiety and the Distortion of Native Resistance: The Domesticating Mission is under contract with Routledge.  \nThis lecture is co-sponsored by the Institute for the Study of the Americas and the Department of Romance Studies. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is needed from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC Weeknight Parking. \nContact: Maggie Cao\, mmcao@unc.edu   \nImage: Frida Kahlo\, The Frame\, 1938\, oil on aluminum\, under glass and painted wood\, 28.5 x 20.7 cm\, Musée National d’Art Moderne/Centre Georges Pompidou\, JP929P\, photo by Jean-Claude Planchet \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-emmanuel-ortega-university-of-illinois-at-chicago/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2024/10/ART541695_sm-scaled.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241025T143000
DTEND;TZID=America/New_York:20241026T123000
DTSTAMP:20241002T194540Z
CREATED:20241002T194540Z
LAST-MODIFIED:20241002T194540Z
UID:132039-1729866600-1729945800@artsorange.org
SUMMARY:Bettie Allison Rand Lecture Series: Renewing Impressionism\, 1874-2024
DESCRIPTION:James M. Johnston Center for Undergraduate Excellence\nGraham Memorial 039\nFriday: 2:00-5:30 pm\nSaturday: 9:30 am-12:15 pm \nOver two days\, invited scholars will celebrate the 150th anniversary of the first Impressionist exhibition\, which opened on the fashionable Boulevard des Capucines in Paris in April of 1874. Originally known by the corporate name Société anonyme des artistes peintres\, sculpteurs\, graveurs\, etc.\, within two years the group of artists including Monet\, Degas\, Morisot\, Pissarro\, and Renoir became known as the Impressionists\, a term widespread in criticism of the time to describe the rapid application of paint to convey an artist’s sensory grasp of a place or a moment. \nSpeakers: André Dombrowski\, Nikki Georgopulos\, Laura Anne Kalba\, Denise Murrell\, Todd Porterfield\, Harmon Siegel \nSee our website at https://go.unc.edu/rand2024 for the full schedule of events. \nThis year’s lecture series is co-sponsored by the Ackland Art Museum and the UNC Center for European Studies. \nThrough a generous gift to the UNC Arts and Sciences Foundation\, William G. Rand established this lecture series in memory of his late wife\, Bettie Allison Rand. This funding allows the Department of Art and Art History to bring one or more eminent art historians to UNC-CH every other year for residencies of various lengths. While they are in Chapel Hill\, these scholars present a series of lectures and interact with undergraduate and graduate art history and studio art students. Following the campus visit\, the scholars prepare a manuscript\, which is then published by the UNC Press as part of the Rand Series of art history publications. \nAll lectures are free and open to the public. This event is eligible for CLE credit. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. There is no permit needed from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC Weeknight Parking. \nContact: Dylan Seal\, djseal@unc.edu  \nImage: Camille Pissarro\, The Banks of the Oise\, Pontoise\, 1876\, oil on canvas\, 14 15/16 x 21 7/8 in. (38 x 55.5 cm)\, Ackland Museum of Art\, Ackland Fund \n\n\n	Related
URL:https://artsorange.org/event/bettie-allison-rand-lecture-series-renewing-impressionism-1874-2024/
LOCATION:UNC Chapel Hill
CATEGORIES:Free Events
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2024/09/AcklandPissarro_noframe.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240925T173000
DTEND;TZID=America/New_York:20240925T190000
DTSTAMP:20240925T184338Z
CREATED:20240925T184338Z
LAST-MODIFIED:20240925T184338Z
UID:127068-1727285400-1727290800@artsorange.org
SUMMARY:Lectures in Art History: Amy Lonetree\, University of California at Santa Cruz
DESCRIPTION:“’Indigenous Storywork’ and Native American Photography: Writing a Visual History of the Ho-Chunk Nation” \nHowell Hall room 115 \nAmy Lonetree is an enrolled citizen of the Ho-Chunk Nation and a Professor of History at the University of California\, Santa Cruz. She received her Ph.D. in Ethnic Studies from the University of California\, Berkeley. Her scholarly research focuses on Indigenous history\, visual culture studies\, and museum studies\, and she has received fellowships in support of this work from the School for Advanced Research\, the Newberry Library\, the Bard Graduate Center\, the Georgia O’Keeffe Museum Research Center\, the Institute of American Cultures at UCLA\, and the University of California\, Berkeley Chancellor’s Postdoctoral Fellowship Program. Her publications include Decolonizing Museums: Representing Native America in National and Tribal Museums (University of North Carolina Press\, 2012); a co-edited book with Amanda J. Cobb\, The National Museum of the American Indian: Critical Conversations (University of Nebraska Press\, 2008); and a co-authored volume\, People of the Big Voice: Photographs of Ho-Chunk Families by Charles Van Schaick\, 1879-1942 (Wisconsin Historical Society Press\, 2011). Amy is currently working on two projects. The first is a visual history of the Ho-Chunk Nation. This research explores family history\, tourism\, settler colonialism\, and Ho-Chunk survivance through an examination of two exceptional collections of studio portraits and tourist images of Ho-Chunk people taken between 1879-1960. The second research project is a historical study documenting the adoption of Indigenous children throughout the twentieth century. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC Weeknight Parking. \nContact: Maggie Cao\, mmcao@unc.edu   \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-amy-lonetree-university-of-california-at-santa-cruz/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2024/09/g-01-57-60816.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230428T173000
DTEND;TZID=America/New_York:20230429T173000
DTSTAMP:20230328T170251Z
CREATED:20230328T152419Z
LAST-MODIFIED:20230328T170251Z
UID:49713-1682703000-1682789400@artsorange.org
SUMMARY:Bettie Allison Rand Lectures in Art History: Negotiating Blackness in Early Modern European Art Theory
DESCRIPTION:James M. Johnston Center of Undergraduate Excellence\, Graham Memorial Hall\nApril 28-29\, 2023 \nThrough a generous gift to the UNC Arts and Sciences Foundation\, William G. Rand established this lecture series in memory of his late wife\, Bettie Allison Rand. This funding allows the Department of Art to bring one or more eminent art historians to UNC-CH every other year for residencies of various lengths. While they are in Chapel Hill\, these scholars present a series of lectures and interact with undergraduate and graduate art history and studio art students.  \nSchedule of Events \nApril 28\, 5:30 PM\nLecture: Kresge Foundation Common Room\, GM 039 \nAnne Lafont\, Directrice d’etudes (Professor)\, École des hautes études en sciences sociales (EHESS)\, Paris\n“Chose-Fée or The acculturation of African Objects by the Enlightenment” \nFollowed by a reception in the John Lindsay Morehead II Lounge\, GM 109 \nApril 29\, 9 am\nLectures: Kresge Foundation Common Room\, GM 039 \nZirwat Chowdhury\, Assistant Professor\, Art History\, UCLA\n“Obliquity as Beauty” \nMia Bagneris\, Associate Professor\, Art History\, Tulane University\n“Materialising Black Beauty or Manifesting Misogynoir?: Theorising the Paradox of Black Feminine Beauty in the Sculpture of John Bell” \nHector Reyes\, Associate Professor of Teaching\, Art History\, USC\n“History in the Pluperfect\, The Perfect\, and the Future Perfect: On Claude-Joseph Vernet in 1767” \nApril 29\, 1:30 PM\nRoundtable: Kresge Foundation Common Room\, GM 039 \nAnne Lafont\, Zirwat Chowdhury\, Mia Batneris\, and Hector Rayes\nModerated by Kathryn Desplanque\, Assistant Professor of Art History\, UNC at Chapel Hill \nA weeknight or daytime permit is now required after 5:00pm on weekdays. There is no permit required from 5:00pm Friday through 7:30am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at UNC Weeknight Parking. \nContact: Lyneise Williams\, williale@email.unc.edu   \n\n\n	Related
URL:https://artsorange.org/event/bettie-allison-rand-lectures-in-art-history-negotiating-blackness-in-early-modern-european-art-theory/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2023/03/FINAL-Rand-Lectures-Poster-2023.jpg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230302T170000
DTEND;TZID=America/New_York:20230302T183000
DTSTAMP:20230221T181809Z
CREATED:20230209T152931Z
LAST-MODIFIED:20230221T181809Z
UID:46251-1677776400-1677781800@artsorange.org
SUMMARY:Lectures in Art History: Andrew McClellan\, Tufts University
DESCRIPTION:“Rivals on the Fenway: Isabella Stewart Gardner\, the Museum of Fine Arts\, Boston\, and the Destiny of the American Art Museum” \nPhillips Hall\, room 215 \nAndrew McClellan is currently a Carl and Lily Pforzheimer Foundation Fellow at the National Humanities Center and on leave from the Department of the History of Art and Architecture at Tufts University. Trained at the Courtauld Institute of Art (University of London)\, McClellan has written on painting\, sculpture and architecture\, but especially on the history of museums and art collecting. An overriding interest in contexts\, institutional frameworks\, the display and reception of art informs five of his books: Inventing the Louvre: Art\, Politics\, and the Origins of the Modern Museum in Eighteenth-Century Paris (1999)\, Art and Its Publics: Museum Studies at the Millennium (2003)\, The Art Museum from Boullée to Bilbao (2008)\, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (2018)\, and Revisiting History in Museums and at Historic Sites (2022). His current project\, ‘Rivals on the Fenway\,’\, supported by his residential fellowship at the National Humanities Center\, is a book-length exploration of the simultaneous formation and complementary design of Boston’s Isabella Stewart Gardner Museum and Museum of Fine Arts\, Boston. Drawing on archival sources\, this study will offer a new vision of the overlapping trajectories of public and private art museums in the United States. \nA weeknight or daytime permit is now required after 5:00pm on weekdays. There is no permit required from 5:00pm Friday through 7:30am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at the UNC Parking website. \nContact: Lyneise Williams\, williale@email.unc.edu    \n\n\n	Related
URL:https://artsorange.org/event/lectures-in-art-history-andrew-mcclellan-tufts-university/
LOCATION:UNC Chapel Hill
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2023/02/McClellan-IMAGE-MFA_ISGM-scaled.jpeg
ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210926T193000
DTEND;TZID=America/New_York:20210926T210000
DTSTAMP:20210914T200908Z
CREATED:20210914T200908Z
LAST-MODIFIED:20210914T200908Z
UID:27134-1632684600-1632690000@artsorange.org
SUMMARY:Quintets for Strings and Clarinet | WSN Artists Series
DESCRIPTION:FEATURING:\nDonald L. Oehler\, clarinet\nNicholas DiEugenio\, Leah Peroutka\, violins\nSam Gold\, viola\nBrent Wissick\, cello \n$15 general admission\, $10 students and UNC faculty/staff. \nThis performance is part of the William S. Newman Artists series. Tickets are available for purchase at the door or online (order form coming soon). \n\n\n	Related
URL:https://artsorange.org/event/quintets-for-strings-and-clarinet-wsn-artists-series/
LOCATION:UNC Chapel Hill
CATEGORIES:Concert,Performance
ATTACH;FMTTYPE=image/png:https://artsorange.org/wp-content/uploads/2021/09/Quintets-1024x1024-1-e1631649815651.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190823T080000
DTEND;TZID=America/New_York:20190823T170000
DTSTAMP:20190823T142041Z
CREATED:20190823T142041Z
LAST-MODIFIED:20190823T142041Z
UID:11006-1566547200-1566579600@artsorange.org
SUMMARY:The Campus at Chapel Hill Architecture Tour
DESCRIPTION:Please join us for a fun ramble on the campus at UNC-Chapel Hill for an architecture tour highlighting many of the interesting stories built into its history and written about in The Campus at Chapel Hill: 225 Years of Architecture. The tour will be led by JJ Bauer (Faculty\, Department of Art and Art History) and include the participation of John V. Allcott’s family members. Register to join the tour below and then meet us at the Davie Poplar (the blasted but still living tree in McCorkle Place with a stone bench next to it\, just north of the Old Well). We will inform registered participants if there is to be a rain date due to any unforeseen weather event. \n\n\n	Related
URL:https://artsorange.org/event/the-campus-at-chapel-hill-architecture-tour/
LOCATION:UNC Chapel Hill
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190914T080000
DTEND;TZID=America/New_York:20190914T170000
DTSTAMP:20190823T141325Z
CREATED:20190823T140403Z
LAST-MODIFIED:20190823T141325Z
UID:11000-1568448000-1568480400@artsorange.org
SUMMARY:Notre Dame Cathedral and French Culture: The Meaning of a National Monument
DESCRIPTION:The great fire in the famous Notre Dame Cathedral badly damaged a great Parisian monument\, but it seemed to affect French national identity almost as profoundly as it damaged the church itself. How does the history of this iconic cathedral embody the complexity of French culture and national memory? This question shapes the themes of this seminar\, which will explore the significance of Notre Dame in French architectural history\, political culture\, literary works\, and musical traditions. Drawing on diverse scholarly perspectives\, our speakers will provide wide-ranging interpretations of how the history of Notre Dame has contributed to French cultural and political life since the Middle Ages and explain why the great fire created such deep national grief in contemporary France. \nTOPICS & SPEAKERS \nThe Fire ThisTime: Notre Dame in Paris\, Medieval Fires\, and Gothic Creativity \nCaroline Bruzelius\, Anne Murnick Cogan Professor Emerita of Art and Art History\, Duke University \nThe Political Conflicts\, Nationalist Rituals\, and Cultural Symbolism of Notre Dame Cathedral \nLloyd Kramer\, Professor of History and Director\, Carolina Public Humanities \nNotre Dame and Literary Imagination: The Cathedral as a “Character” in French Fiction \nJessica Tanner\, Assistant Professor of French \nThe Soundscape of a Cathedral: Music at Notre Dame \nAnnegret Fauser\, Cary C. Boshamer Distinguished Professor of Music \nNotre Dame and French Identity: From Medieval Times to the 21st Century \nA panel discussion with our speakers \nTIME AND TUITION \n9:00am-5:00pm\, Saturday\, September 14. The tuition is $125 ($115 until September 5). Tuition for teachers is $62.50 ($57.50 until September 5). Teachers can also receive a $75 stipend after attending (click here for more information) and 10 contact hours for 1 unit of renewal credit. The optional lunch on Saturday is $15.00. \nDiscounts are available for UNC students\, faculty\, & staff. See our UNC Student\, Staff\, & Faculty Discounted Registration Policy here. \nCo-Sponsored by the General Alumni Association. \nFor information about GAA discounts and other scholarships available to Humanities Program participants\, click here. \nRegister here or call us at 919.962.1544.  \n\n\n	Related
URL:https://artsorange.org/event/notre-dame-cathedral-and-french-culture-the-meaning-of-a-national-monument/
LOCATION:UNC Chapel Hill
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