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X-WR-CALDESC:Events for Orange Co. Arts Commission
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DTSTART;TZID=America/New_York:20210226T200000
DTEND;TZID=America/New_York:20210226T235900
DTSTAMP:20260521T020722
CREATED:20210206T184041Z
LAST-MODIFIED:20210206T184041Z
UID:23061-1614369600-1614383940@artsorange.org
SUMMARY:The Connells
DESCRIPTION:The Raleigh\, North Carolina-based jangle-pop outfit the Connells formed in the spring of 1984. Fronted by guitarist Mike Connell and his bassist brother David\, the first incarnation of the group also featured vocalist Doug McMillan and drummer John Schultz\, who was soon replaced by former Johnny Quest percussionist Peele Wimberley. In late 1984 the quartet recorded a four-song demo; after one of the tracks\, “Darker Days\,” was selected to appear on the North Carolina compilation More Mondo\, the Connells’ ranks expanded with the addition of singer/guitarist George Huntley\, who made his debut on a March 1985 session co-produced by Don Dixon.  \nWith the help of the band’s friend Ed Morgan\, the resulting demo made its way to the offices of the British label Demon\, which agreed to fund the recording of enough additional tracks to complete a full-length LP. Darker Days was released in Europe by Demon in 1985\, and when Morgan returned to the U.S.\, he formed his own label\, Black Park\, to issue the album domestically. After the low-budget videos for the tracks “Seven” and “Hats Off” garnered MTV airplay\, the Connells won a contract with the TVT label prior to entering producer Mitch Easter’s Drive-In Studios to record 1987’s brooding\, more assured Boylan Heights\, which featured the superb single “Scotty’s Lament.”  \nThe edgier Fun and Games followed in 1989\, and a year later the group resurfaced with One Simple Word\, scoring an alternative radio hit with the single “Stone Cold Yesterday.” After a three-year tour which saw the Connells add keyboardist Steve Potak to their lineup in 1991\, they finally returned to the studio to begin work on 1993’s Ring\, highlighted by the single “Slackjawed\,” as well as “74-75\,” a major hit throughout Europe. After another three-year hiatus\, the Connells issued 1996’s Weird Food and Devastation\, released concurrently with Huntley’s solo debut brain junk. The group returned in 1998 with Still Life. ~ Jason Ankeny\, All Music Guide  \nLinks: Website | Facebook | Twitter | Instagram | YouTube | Apple Music \n\n\n	Related
URL:https://artsorange.org/event/the-connells/
LOCATION:NoonChorus Live Stream
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2021/02/Connells-09012020-556-1000-zQShqk.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201217T200000
DTEND;TZID=America/New_York:20201217T235900
DTSTAMP:20260521T020722
CREATED:20201208T182638Z
LAST-MODIFIED:20201208T182638Z
UID:21466-1608235200-1608249540@artsorange.org
SUMMARY:H.C. McEntire Presents Eno Axis
DESCRIPTION:72 Hour Rebroadcast \nENO AXIS \n“Early rise\, start the fire\, till the rows\, pass the tithes.” So starts H.C. McEntire’s sophomore release\, Eno Axis. It’s a set of directions delivered with assurance and authority\, reaching the listener without pretension almost as a sermon or spell. McEntire has always had one foot planted in the traditional country gospel roots of her upbringing while boldly wrestling with its complications\, creating an Americana sound of her own. But that has never rung as true as it does now on the transcendent psalms of Eno Axis. \nUnlike McEntire’s solo debut\, LIONHEART\, which was recorded in sporadic bouts and fits while she was touring\, Eno Axis is firmly rooted in place. After two years working all over the world as a backup singer in Angel Olsen’s band\, McEntire came home to a hundred-year-old farmhouse tucked away in the woods of Durham\, North Carolina\, right on the Eno River. Here\, McEntire was able to refocus. Like the blue-collar Appalachian kin she descended from\, her days were scheduled by the clockwork of the Earth’s rotation: splitting wood\, stacking it\, weeding and watering the garden\, walking the dog past the bridge and back—and every evening on the front porch\, watching dusk fall. Eno Axis emerges from this time as the strongest work McEntire has shared yet. \n“To all the winds—hold high the hymnal\, gather blessings by the fistful\,” McEntire sings in her celebration of the Eno on “River’s Jaw.” McEntire doesn’t write lyrics; she writes poetry. Growing up in the tiny rural community of Green Creek\, outside Tryon\, North Carolina\, she knows how to tell a story. And just as Loretta Lynn sang about watching her mama’s fingers bleed on the washboard in “Coal Miner’s Daughter\,” McEntire\, too\, takes the listener by the hand and pulls them into her own experience. On “One Eye Open” McEntire revisits her childhood Sunday school room and reckons with Christian fundamentalism. On “Footman’s Coat\,” she ruminates on time\, biological clocks\, and the path of possibilities left in her past. \nTracked and mixed at the Fidelitorium with a full backing band\, many of the songs on Eno Axis feature scratch first takes of McEntire’s lead vocals\, initially meant to be thrown out and redone. This rawness creates an immediacy\, her self-assured\, instinct- driven\, and mesmerizing delivery complementing Eno Axis’ lush acoustics and warm tones. After a dreamy atmospheric interlude\, “Time\, On Fire” builds and retracts with a driving pop drum beat\, exploring movement like the ebb and flow of a river\, culminating in a soaring guitar solo. And just as a river’s current sometimes takes us somewhere unexpected\, into new territory where we never knew we could go\, Eno Axis closes with one of the album’s most revelatory experiences—a new\, glossier cover of “Houses of the Holy” by Led Zeppelin. Under McEntire’s empowering reconstruction of this rock ’n’ roll classic\, the masculine\, driving signature guitar vanishes\, and instead we’re left with one of the inimitable queer voices of our time bashfully asking\, “Can I take you to the movies?” \nWith Eno Axis\, H.C. McEntire establishes herself as a force to be reckoned with in the greater American musical landscape. These songs transcend country and gospel\, folk and rock—they’re poems directed straight to the listener\, simple psalms on how the sun falls\, how the train passes\, how love grows and bends. McEntire inspires us to find the stillness within our own lives—a remarkable clear-ringing declaration for our uncertain times. \nEno Axis tracklist \nHands for the Harvest\nFootman’s Coat\nHigh Rise\nRiver’s Jaw\nOne Eye Open\nFinal Bow\nTrue Meridian\nSunday Morning\nTime\, On Fire\nHouses of the Holy \nLinks: Website | SoundCloud | Apple Music | Spotify | Facebook | Instagram | YouTube | Twitter \n\n\n	Related
URL:https://artsorange.org/event/h-c-mcentire-presents-eno-axis/
LOCATION:NoonChorus Live Stream
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/12/hcmcentire_noonchorus1-1000-gkuy3s.tmp_.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201009T220000
DTEND;TZID=America/New_York:20201009T235900
DTSTAMP:20260521T020722
CREATED:20200909T172504Z
LAST-MODIFIED:20200909T172507Z
UID:19033-1602280800-1602287940@artsorange.org
SUMMARY:Future Islands Take “As Long As You Are” Worldwide for One Night Only
DESCRIPTION:On October 9th\, the same day they release their new album As Long As You Are\, Future Islands will be exclusively live-streaming a very special show from their hometown of Baltimore. Their only show of 2020\, this will be the only time this year to see the band on stage playing tracks off of the new album (as well as some classics). \nLinks: Website | Facebook | Twitter | Instagram | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/future-islands-take-as-long-as-you-are-worldwide-for-one-night-only/
LOCATION:NoonChorus Live Stream
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/09/future_islands_Oct9_at-home_Orange_3-oFETzb.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200910T210000
DTEND;TZID=America/New_York:20200910T235900
DTSTAMP:20260521T020722
CREATED:20200909T172454Z
LAST-MODIFIED:20200909T172505Z
UID:19010-1599771600-1599782340@artsorange.org
SUMMARY:Kevin Morby plays Harlem River
DESCRIPTION:Leading up to the release of his new album Sundowner\, out Oct 16th on Dead Oceans\, Kevin Morby has announced a series of virtual shows. The solo performances will feature each album from his catalogue in their entirety\, Thursday nights at 9pm ET (8pm CT) from Sept 10-Oct 15th. Tickets and info here. \n9/10 – Harlem River \n9/17 – Still Life \n9/24 – Singing Saw \n10/1 – City Music \n10/8 – Oh My God \n10/15 – Sundowner \n\n\n	Related
URL:https://artsorange.org/event/kevin-morby-plays-harlem-river/
LOCATION:NoonChorus Live Stream
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/09/KevinMorby1-1000-EYwTeu.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200828T210000
DTEND;TZID=America/New_York:20200828T235900
DTSTAMP:20260521T020722
CREATED:20200810T172458Z
LAST-MODIFIED:20200810T172458Z
UID:18364-1598648400-1598659140@artsorange.org
SUMMARY:Angel Olsen
DESCRIPTION:Cosmic Stream 3: An Angel Olsen livestream experience shot by Ashley Connor\, streaming from the Hazel Robinson Amphitheatre in Asheville\, NC. This is the album release show for Angel’s new album – Whole New Mess – out the same day August 28 2020- her first solo album since her 2012 debut. Tickets will be good for 48 hours of viewing. A portion of the proceeds will be going to the National Independent Venue Association (www.nivassoc.org) and their work to preserve the ecosystem of independent venues and promoters throughout the US. #saveourstages #wholenewmess \n\n\n	Related
URL:https://artsorange.org/event/angel-olsen-3/
LOCATION:NoonChorus Live Stream
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/08/AngelOlsenCosmicStream3-t7JCtE.tmp_.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200717T170000
DTEND;TZID=America/New_York:20200718T000000
DTSTAMP:20260521T020722
CREATED:20200711T172540Z
LAST-MODIFIED:20200711T172540Z
UID:17923-1595005200-1595030400@artsorange.org
SUMMARY:Guided By Voices
DESCRIPTION:World Tour 2020 \nOne Night Only! \nStreaming concert in your home. BYOB!\nSaturday July 18 (5pm Eastern time) \nPlus 96-hour post-show streaming on demand \nLinks: Website | Facebook | Twitter | Spotify | Instagram | YouTube \n\n\n	Related
URL:https://artsorange.org/event/guided-by-voices-2/
LOCATION:NoonChorus Live Stream
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/07/GuidedByVoicesNoonchorus-1000-dGDvpI.tmp_.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200714T210000
DTEND;TZID=America/New_York:20200714T235900
DTSTAMP:20260521T020722
CREATED:20200711T172539Z
LAST-MODIFIED:20200711T172539Z
UID:17921-1594760400-1594771140@artsorange.org
SUMMARY:Angel Olsen
DESCRIPTION:Swing Left & Cat’s Cradle Present: Cosmic Stream 2: Angel Olsen with very special guest Hand Habits\nShot by Ashley Connor. A livestream experience from the Masonic Temple in Asheville\, NC. \n \nTickets will be good for viewing 48 hours after initial airing. \n\n\n	Related
URL:https://artsorange.org/event/angel-olsen-2/
LOCATION:NoonChorus Live Stream
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/07/Angle-Olsen-Cosmic-Stream-2-1000-fogsDE.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200711T170000
DTEND;TZID=America/New_York:20200712T000000
DTSTAMP:20260521T020722
CREATED:20200711T172536Z
LAST-MODIFIED:20200711T172536Z
UID:17914-1594486800-1594512000@artsorange.org
SUMMARY:Surfer Blood
DESCRIPTION:Socially distanced\, live\, full-band\, full-electric web concert\nFrom Ft. Pierce\, Florida at the idyllic Ballet Florida’s Indian River Gardens. \nSaturday\, July 11\, 5pm Eastern\nPlus 96-hour post-show streaming on demand\n \nLinks: Bandcamp | Facebook | Twitter | Instagram | Spotify\n\n\n	Related
URL:https://artsorange.org/event/surfer-blood/
LOCATION:NoonChorus Live Stream
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/07/SurferBloodNoonchorus-1000-ImFKXx.tmp_.jpg
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