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DTSTART;TZID=America/New_York:20200921T200000
DTEND;TZID=America/New_York:20200922T000000
DTSTAMP:20260524T114316
CREATED:20200909T172502Z
LAST-MODIFIED:20200909T172506Z
UID:19025-1600718400-1600732800@artsorange.org
SUMMARY:Oh Sees
DESCRIPTION:Psych-punk psychic warrior\, ear worm-farmer\, and possessor of many stamped passport pages John Dwyer does not let up. His group Oh Sees (aka Thee Oh Sees\, OCS\, The Oh Sees\, etc) have transmogrified to fit many a moment – from hushed druggy folk to groovy demonic pop chants to science fictional krautrock expanse and beyond – to suit his omnivorous whims.  \nLinks: Website | Facebook | Bandcamp \n\n\n	Related
URL:https://artsorange.org/event/oh-sees/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200918T200000
DTEND;TZID=America/New_York:20200919T000000
DTSTAMP:20260524T114316
CREATED:20200909T172456Z
LAST-MODIFIED:20200909T172505Z
UID:19015-1600459200-1600473600@artsorange.org
SUMMARY:Bikini Kill
DESCRIPTION:Bikini Kill is a feminist punk band that was based in Olympia\, WA and Washington\, DC\, forming in 1990 and breaking up in 1997. Kathleen Hanna sang\, Tobi Vail played drums\, Billy Karren (a.k.a. Billy Boredom) played guitar and Kathi Wilcox played bass. Sometimes they switched instruments. Bikini Kill is credited with instigating the Riot Grrrl movement in the early 90’s via their political lyrics\, zines and confrontational live show.  \nThe band started touring in June 1991. In addition to touring the US several times\, they also toured Europe\, Australia and Japan. Bikini Kill recorded and released a demo tape\, two EP’s\, two LP’s and three singles. Their demo tape was self-released\,while their first two records came out as a full length CD/Tape and their singles were posthumously collected on CD.  \nBikini Kill believed that if all girls started bands the world would change. They actively encouraged women and girls to start bands as a means of cultural resistance. Bikini Kill was inspired by seeing Babes in Toyland play live and attempted to incite female participation and build feminist community via the punk scene. They used touring as a way to create an underground network between girls who played music\, put on shows and made fanzines. This independent media making and informal network created a forum for multiple female voices to be heard.  \nTicket delivery will be delayed to arrive one week before the show. This is to prevent scalpers\, resellers\, and other forms of ticket fraud.  \nLinks: Website | Facebook | Twitter | Instagram | Bandcamp | Spotify \n\n\n	Related
URL:https://artsorange.org/event/bikini-kill/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200822T200000
DTEND;TZID=America/New_York:20200823T000000
DTSTAMP:20260524T114316
CREATED:20200810T172456Z
LAST-MODIFIED:20200810T172456Z
UID:18360-1598126400-1598140800@artsorange.org
SUMMARY:Bob Schneider (solo)
DESCRIPTION:This is a seated show.  \nBlood and Bones  \nOne of Austin’s most celebrated musicians\, Bob Schneider\, released his 2018 album\, “Blood and Bones” – his 7th studio album since his 2001 solo debut Lonelyland – via his Shockorama Records imprint. “Blood and Bones” captures Schneider at a unique\, and distinct place. “Most of the songs are about this phase of my life\,” he admits. “I’m re-married\, I have a 2-year-old baby daughter who was born over two months premature because my wife had life threatening preeclampsia. So dealing with that traumatic event while getting older and looking at death in a realistic\, matter of fact way\, experiencing the most joy I’ve ever experienced along with feelings of utter despondency in a way that would have been impossible to experience earlier in my life\, all comes out in the songs. My relationship with my wife is the longest committed relationship I’ve ever been in\, so there was a lot of unchartered territory there to write about.” The songs on “Blood and Bones” reflect this. Recorded quickly with producer Dwight Baker\, who has worked with Schneider on 6 of his previous releases\, the album highlights the chemistry that Schneider and his backing band of Austin’s very best musicians have developed while relentlessly playing live\, most notably at the monthly residency Schneider has held at Austin’s Saxon Pub for the last 19 years. “I didn’t want to overthink the songs\,” Schneider says. “I really respect Dwight’s ability to make great calls when it comes to what works and isn’t working when we are recording the songs. I felt pretty good about the quality of the songwriting\, so I figured that would come through in the end if we just went in and played them the way I do live.”  \nWhile the performance and production are stellar\, the songwriting finds Schneider in a particularly reflective mode. Sure\, there are live favorites like “Make Drugs Get Money” and “Texaco” that will get even the most reserved crowds dancing. But more often the album finds Schneider reflecting on marriage\, parenthood\, and mortality. “I wish I could make you see how wonderful everything is most of the time\, but I’m only blood and bones\,” he sings on the title track\, a meditation on the beauty and the limits of marriage. Later\, on “Easy\,” he tells his daughter “it’s always been a scary thing to do\, to let my heart fall down into the endless blue\, but it’s easy with you.” Through it all\, there is a clear sense of mortality\, of just how fleeting all of this is. “The hours and days stack up in the mirror\,” he sings on “Hours and Days”. “We’re just snowmen waiting for the summer” he sings on “Snowmen”\, before adding “we can’t bring them back\, can’t bring nothing back.”  \nOne thing Schneider has excelled at in his career is bringing audiences back. Though he has received little national press or major label support\, he has managed to become one of the biggest acts in Austin\, if not in Texas. His fans\, who often discover him from being brought to his shows by their friends\, are fiercely loyal. Many have attended dozens or even hundreds of shows. Thanks to these fans\, Schneider has won more Austin Music Awards than any other musician\, including Best Album\, Best Songwriter\, Best Musician\, and Best Male Vocals\, rounding in at 59 total awards to date.  \nLinks: Website | Facebook | Twitter | Instagram \n\n\n	Related
URL:https://artsorange.org/event/bob-schneider-solo/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200808T200000
DTEND;TZID=America/New_York:20200809T000000
DTSTAMP:20260524T114316
CREATED:20200711T172545Z
LAST-MODIFIED:20200711T172545Z
UID:17937-1596916800-1596931200@artsorange.org
SUMMARY:Weyes Blood
DESCRIPTION:A note from Weyes Blood: \nMay 27\, 2020 \nGood day everyone\, \nHere is a video for my song “Wild Time” that was shot on 16mm pre-Pandemic\, then edited together during isolation. Felt like the right time to let this video out into the world\, seeing as we’re all getting saddled down by some pretty grim realities. This song is about yearning for wildness and Mother Nature in a time of chaos. It’s for sensitive people who worry about the fate of humanity and feel powerless to do anything about it. \nI’ve spent a lot of time thinking apocalyptic thoughts and realizing that won’t get you anywhere. What if the world has always been ending? What if the sprawl of our cities are just as wild as the forests? What if climate change and the destruction of our natural habitat is a reflection of the nature within us\, however sublimely horrifying and hard to understand? We’re animals\, we play out a very precarious drama of life\, and we grasp for what’s left of the protective womb – but maybe the notion that we’re somehow separated from her is an illusion. Maybe it is\, truly\, a wild time to be alive. Maybe getting in touch with that as a culture and society would avert the worst case scenarios of ecological crisis and existential dread. \nIf you’ve gotten this far\, wow\, thank you for actually taking the time to read this. In other news\, as you may have assumed\, I am canceling all of my headline shows for 2020\, but I’m beginning to work on my next album that will come out in 2021- a different time\, when hopefully we can see each other face to face once again. \nxo \nNatalie (aka Weyes Blood) \n— \nNatalie Mering\, known professionally as Weyes Blood\, is an American singer\, songwriter\, and musician. Mering was raised in a musical family and began writing songs under the moniker Wise Blood at age 15\, later changing the spelling to Weyes Blood. She spent some formative years in the underground noise music scene\, playing in bands Jackie-O Motherfucker and Nautical Almanac.  \nMering released her debut album\, The Outside Room\, in 2011 on Not Not Fun Records\, followed up by 2014’s The Innocents on Mexican Summer. Her breakthrough occurred in 2016 with the release of Front Row Seat to Earth. With this record\, she gained recognition for her distinctive style of melodic\, orchestral\, and melancholic songwriting melded with apocalyptic themes.  \nThis is further refined on 2019’s strikingly beautiful and critically-acclaimed Titanic Rising (Sub Pop). The record received high placements on year-end and decade-end lists from publications such as Pitchfork\, Uproxx\, Paste\, Uncut\, Dazed\, The Guardian\, and NPR. Live performance highlights include sold-out tours in the US and Europe\, as well as opening for Kacey Musgraves in the fall and signing with Lana Del Rey at the Hollywood Bowl.  \nMering’s voice sounds at once classic and new — her music could exist as comfortably in the ’70s as it does in our current age of anxiety and tension\, making her a unique cultural commentator on society’s current condition.  \nLinks: Website | Facebook | Twitter | Instagram | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/weyes-blood/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200731T200000
DTEND;TZID=America/New_York:20200801T000000
DTSTAMP:20260524T114316
CREATED:20200711T172544Z
LAST-MODIFIED:20200711T172544Z
UID:17934-1596225600-1596240000@artsorange.org
SUMMARY:Thao & the Get Down Stay Down
DESCRIPTION:After 15 years of recording and performing\, Thao Nguyen\, of San Francisco-based band Thao & The Get Down Stay Down\, was exhausted. She had been touring the band’s 2016 album A Man Alive\, a critically acclaimed\, bone-shaking reckoning about her relationship with her absent father. She was scoring commissions\, guest-hosting the podcast Song Exploder\, and exploring other paths as an artist. She bought a house with her girlfriend; they’re married now.  \nIn the past 15 years\, Thao has avoided being fully out in her public career\, having been raised in-and deeply loving-a family and culture distanced from mainstream America’s social progress. As she confronted the division\, shame\, grief\, and silence in her life\, Thao found new ways to live in her own skin\, and forced her own hand to make a new\, different record. In doing so\, she created a space wherein she can finally exist as her full self.  \nTemple is the fifth full-length album from Thao & The Get Down Stay Down. Produced by Thao and bandmate Adam Thompson\, who shares songwriting credit on five tracks\, it is also their first self-produced album. Mixer Mikaelin “Blue” Bluespruce (Solange\, Skepta\, Carly Rae Jepsen) widens the band’s register with beat-forward mixes and immersive\, lush tones.  \nKaleidoscopic and danceable\, grounded by Thao’s singular voice\, Temple feels boldly dissonant while still highly accessible. Golden\, longing pop meets punk roots. Rock draws from hip-hop\, funk\, and folk rhythms for intricate\, danceable beats. The poetic lyrics are expansive\, yet shatteringly personal\, inspired in part by the work of writers like James Baldwin\, Octavia Butler\, and Yiyun Li.. Rage\, honesty\, clear-eyed regret\, and optimistic wisdom run parallel\, finding a new way forward.   \nA temple is a place of worship and sanctuary. We spend our lives searching for temples where we can belong and be loved\, but those spaces can also be a kind of confinement. Temple is an album that pushes open boundaries for a different kind of sanctuary\, where you don’t have to whisper.  \nLinks: Website | Facebook | Twitter | Instagram | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/thao-the-get-down-stay-down/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210725T200000
DTEND;TZID=America/New_York:20210726T000000
DTSTAMP:20260524T114316
CREATED:20200711T172542Z
LAST-MODIFIED:20210706T184134Z
UID:17928-1627243200-1627257600@artsorange.org
SUMMARY:Built to Spill
DESCRIPTION:New Built to Spill lineup features Melanie Radford and Teresa Esguerra.  \nLinks: Website | Facebook | Twitter \n\n\n	Related
URL:https://artsorange.org/event/built-to-spill/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/07/Built-To-Spill-2020-1000-kmEy5F.tmp_.jpg
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200509T210000
DTEND;TZID=America/New_York:20200510T000000
DTSTAMP:20260524T114316
CREATED:20200412T161200Z
LAST-MODIFIED:20200412T161210Z
UID:15698-1589058000-1589068800@artsorange.org
SUMMARY:Poolside
DESCRIPTION:Poolside began as a recording project in a converted Los Angeles backyard pool house in early 2011\, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. Surfacing first in the form of a YouTube video for the catchy track “Do You Believe?” Poolside were soon gaining local and national attention\, with DJs like James Murphy of LCD Soundsystem\, techno legend Derrick May\, and disco don Todd Terje spinning these tracks at events and a growing online following. Throughout 2011 Poolside continued making waves with a sound called “daytime disco” through tracks like their cover of Neil Young’s “Harvest Moon” and original tunes. In 2012 Poolside worked on a remix for longtime disco punks The Rapture and held fans over with a new single and video for a song called “Slow Down” as they prepared to release their debut album. That album\, Pacific Standard Time\, was self-released in July of 2012. \nAfter the album’s release\, remixes for artists like Matthew Dear\, Little Dragon and Fool’s Gold soon followed\, as well as rehearsing and touring with a live band and doing DJ sets around the world. As thoughts turned to a second album\, Poolside went on ice for a year to regroup\, beginning to work in earnest on another album in the Fall of 2016. While still revolving around the sunny\, laid-back disco sound of PST\, these sessions yielded the additions of up-tempo dance songs and more guitars\, and generally more fleshed-out arrangements. Poolside surprise released their second album Heat in 2017. \nPoolside returned in July of 2019 with “Can’t Stop Your Lovin’ (feat. Panama)\,” their first new music in over two years. They spent the summer and fall touring with Kacey Musgraves and Tycho and released a second standalone single “Greatest City” in October. \nLinks: Website | Facebook | Twitter | Instagram | SoundCloud | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/poolside/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200930T203000
DTEND;TZID=America/New_York:20201001T000000
DTSTAMP:20260524T114316
CREATED:20200412T161200Z
LAST-MODIFIED:20200909T172506Z
UID:15699-1601497800-1601510400@artsorange.org
SUMMARY:Greg Dulli
DESCRIPTION:A message from Greg Dulli: \n“With the continued uncertainty for us to gather together in public places\, I have made the decision to cancel the North American tour and issue full refunds. We were really attempting to make this tour happen\, but you can’t outrun what you can’t see. I’ve now turned my attention to making a new album with The Afghan Whigs. Stay safe everyone and I can’t wait to see you all again on the other side.” \n  \n  \nWithout desire\, most of the world’s problems would be solved and it would be a miserable place to live. For the last 30 years\, Greg Dulli has been the poet laureate of the bizarre whims and cruel tangents of desire. A foremost authority on the sell-your-soul rewards of carnal lust\, the high voltage epiphanies of chemical enhancement\, and the serotonin lows left in their wake. The front man of the Afghan Whigs has long been on a first-name basis with his demons\, most of whom eventually relented and let him pour them a shot. But then there are the known unknowns at the heart of our nature\, the intractable difficulties of love and death\, and the recurring human desire for survival and rebirth.  \nTherein lies Random Desire\, the first solo album under Dulli’s own name\, following canonized stints at the helm of The Afghan Whigs and The Twilight Singers. The title is a play on “random selection\,” which refers to a process that researchers use to pick participants for a study. When using this method\, every single member of a population has an “equal chance of being chosen as a subject.” Recontextualized\, it allows us to realize the randomness of existence\, the odd alchemy of emotions\, chemistry\, and circumstance that baffle us to no end. The reasons why artists write songs and why listeners need them. And even if the answers are evasive\, that’s no excuse to quit searching.  \nRandom Desire started in the aftermath of the last Whigs record\, 2017’s In Spades\, which Pitchfork named one of the best rock records of the year\, hailing it as a “heavy\, menacing work of indie rock majesty…thrilling and unsettling.” Drummer Patrick Keeler was about to take a short sabbatical to record and tour with his other band\, The Raconteurs. Dulli’s longtime collaborator\, bassist John Curley went back to school\, and there was the tragic death of the band’s guitarist\, Dave Rosser.  \nIn response\, Dulli returned to his teenage bedroom roots\, finding musical inspiration via the model of one-man-band visionaries Prince and Todd Rundgren. The Los Angeles-by-way-of-Hamilton Ohio native wrote nearly every part of the record from piano lines to drums to bass riffs. As always\, the music came first and the lyrics were completed later. Recording and writing way stations included his home in Silver Lake\, the village of Crestline high up in mountains above San Bernardino\, and New Orleans. But the bulk was finished amidst the arid beauty and stark isolation of Joshua Tree at the studio of engineer Christopher Thorn. Dulli handled most instrumentation\, but an all-star cast of characters appear across the track-listing including The Whigs’ guitarist Jon Skibic and multi-instrumentalist Rick G. Nelson\, Mathias Schneeberger (Twilight Singers)\, Mark McGuire (Emeralds)\, pedal steel wizard\, upright bassist\, and physician Dr. Stephen Patt\, and drummer Jon Theodore (Queens of the Stone Age\, The Mars Volta).  \nLinks: Website | Facebook | Twitter | Instagram | YouTube | Apple Music \n\n\n	Related
URL:https://artsorange.org/event/greg-dulli/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200511T200000
DTEND;TZID=America/New_York:20200512T000000
DTSTAMP:20260524T114316
CREATED:20200412T161200Z
LAST-MODIFIED:20200412T161210Z
UID:15700-1589227200-1589241600@artsorange.org
SUMMARY:Barns Courtney
DESCRIPTION:The title of Barns Courtney’s new album will no doubt be familiar to anyone who’s ever searched for something online and found themselves face to face with nothing. But 404 is an album that explores feelings of loss and bereftness inspired by life’s habit of throwing up its own error pages\, with Barns exploring absence\, frustration\, and the never-ending search for something that seemed like it would always be there until one day\, suddenly\, it wasn’t: his childhood. “It’s painful knowing that something has gone\, whether it’s a good time\, a good feeling\, a pleasant section of existence\, or something physical. I’m always wondering: if you were to go back and find places you knew as a child\, what would they look like?” Barns says. \nThere was a time not so long ago when a 16-year-old kid who’d spent his teens ricocheting between Seattle and Ipswich thought he was about to be the biggest star in the world. He and some mates got a deal with the biggest of all the big labels\, then spent three years working with one of the planet’s hottest producers. What could go wrong? Well\, plenty. “My entire life since I was 14 had been an upward trajectory\,” is how Barns remembers it. “Then suddenly at the age of 22 I’m dropped\, I’m totally\, woefully unprepared for the real world. No qualifications. I didn’t bother learning to drive\, because I thought I’d be driven everywhere. Thank God I didn’t have any success – I would have been a complete ass.” \nThe years in the wilderness that followed formed the basis of Barns’ 2017 debut album The Attractions Of Youth\, a blistering shot of blues-driven rock that got this singular pop performer’s foot back in the door. Songs like Glitter & Gold and Fire became viral smashes\, prompting a swell of support on both sides of the Atlantic that saw Barns performing on Conan O’Brien and opening for everyone from The Who\, to Blur\, to Ed Sheeran. Which brings us to 2019 and a body of work that finds this reflexive\, meticulous pop storyteller delivering a minutely crafted album with big tunes\, flashes of humour and no shortage of ambition. Kickstarted by 2018’s sparky\, Atari-referencing single 99\, it’s an album that delves back beyond the arrested development of Barns’ early-20s and into the teens he spent in Seattle and then Ipswich. \n“The record’s partly about the bizarre modern formalisation of fun\, and the strange ritual that we all go through from childhood into adulthood\,” is how Barns describes one aspect of the music. And layered on top of that all\, because there really is quite a lot going on in this album\, is Barns’ experience of being out of town – and taking time out of real life – then coming back down to earth with a bump. “You go off and live this fantastical existence\, play these shows and have fun\, and you come back and you expect everyone to be the same as they were when you left\,” he notes. “But they’ve all grown up. It’s like Peter Pan coming back from Neverland.” \nLinks: Website | Facebook | Twitter | Instagram | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/barns-courtney/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200512T200000
DTEND;TZID=America/New_York:20200513T000000
DTSTAMP:20260524T114316
CREATED:20200412T161200Z
LAST-MODIFIED:20200412T161210Z
UID:15701-1589313600-1589328000@artsorange.org
SUMMARY:JoJo – Good To Know Tour
DESCRIPTION:Every ticket purchased online for JoJo includes your choice of a CD or digital copy of the new album\, Good To Know\, released in spring 2020. You’ll receive instructions via email on how to redeem your album within 7 days of your ticket purchase. US/CAN residents only\, offer not valid on resale tickets.  \nJoJo [born Joanna Levesque] is a chart-topping\, award-winning singer\, songwriter\, and actress who\, at just 28 years old\, is already a veteran of the music industry – but she is ready to write her next chapter. Now signed to Warner Records through a joint venture with her own Clover Music\, JoJo has begun with new releases “Joanna” and the Doc McKinney-produced “Sabotage (feat. CHIKA)\,” and is looking ahead to her new album to come in spring 2020. Having released her self-titled debut album when she was just 13\, JoJo’s breakout smash “Leave (Get Out)” made JoJo the youngest-ever solo artist to have a debut #1 single in the U.S. and to be nominated for “Best New Artist” at the MTV Video Music Awards. The album went on to sell over four million copies and became the singer’s first Platinum record\, which she followed with a string of additional hits\, most notably the Top 3 single “Too Little Too Late” from sophomore album The High Road. In 2016\, JoJo made a heralded return to music with her first new album in 10 years\, Mad Love. – debuting Top 10 on the Billboard Top 200 and earning her unanimous critical acclaim from the likes of TIME\, Pitchfork\, Rolling Stone\, Cosmo\, Entertainment Weekly and more. Last year\, JoJo re-recorded and re-released her first two albums (JoJo and The High Road) under her own label Clover Music\, after years of legal battles with her former label that prevented the albums from existing on digital platforms. She has also pushed herself outside the confines of genre\, recently collaborating with artists ranging from PJ Morton [on the GRAMMY-winning R&B hit “Say So”] and Jacob Collier [lending her vocal stylings to the jazzy “It Don’t Matter”] to Tank on his latest “Somebody Else.”  \nLinks: Website | Facebook | Twitter | Instagram | Spotify | YouTube | Apple Music \n\n\n	Related
URL:https://artsorange.org/event/jojo-good-to-know-tour/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/04/JOJO-Credit-Dennis-Leupold-Press-1-1000.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200504T200000
DTEND;TZID=America/New_York:20200505T000000
DTSTAMP:20260524T114316
CREATED:20200412T161159Z
LAST-MODIFIED:20200412T161209Z
UID:15692-1588622400-1588636800@artsorange.org
SUMMARY:Stereolab
DESCRIPTION:A message from Stereolab: \nDear friends\, \nCarrboro — Due to circumstances outside of our control\, relating to COVID-19\, we regret to inform you that Stereolab has been postponed until further notice. Hang on to your tickets\, they will be valid for the rescheduled date and we’ll email you (and post updates here) as soon as a new date is announced. Refunds will be available for anyone who cannot make the new show date. \nPlease stay safe\,\nStereolab. \nLinks: Website | Facebook | Twitter | Instagram | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/stereolab/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200505T203000
DTEND;TZID=America/New_York:20200506T000000
DTSTAMP:20260524T114316
CREATED:20200412T161159Z
LAST-MODIFIED:20200412T161209Z
UID:15693-1588710600-1588723200@artsorange.org
SUMMARY:Andy Shauf
DESCRIPTION:This show has been rescheduled to December 8th. \n  \nFew artists are storytellers as deft and disarmingly observational as Andy Shauf. The Toronto-based\, Saskatchewan-raised musician’s songs unfold like short fiction: they’re densely layered with colorful characters and a rich emotional depth. On his new album The Neon Skyline (out January 24 via ANTI-)\, he sets a familiar scene of inviting a friend for beers on the opening title track: “I said\, ‘Come to the Skyline\, I’ll be washing my sins away.’ He just laughed\, said ‘I’ll be late\, you know how I can be.’” The LP’s 11 interconnected tracks follow a simple plot: the narrator goes to his neighborhood dive\, finds out his ex is back in town\, and she eventually shows up. While its overarching narrative is riveting\, the real thrill of the album comes from how Shauf finds the humanity and humor in a typical night out and the ashes of a past relationship.  \nHis last full-length 2016’s The Party was an impressive collection of ornate and affecting songs that followed different attendees of a house party. Shauf’s attention-to-detail in his writing evoked Randy Newman and his unorthodox\, flowing lyrical phrasing recalled Joni Mitchell. Though that album was his breakthrough\, his undeniable songwriting talent has been long evident. Raised in Bienfait\, Saskatchewan\, he cut his teeth in the nearby Regina music community. His 2012 LP The Bearer of Bad News documented his already-formed musical ambition and showcased Shauf’s burgeoning voice as a narrative songwriter with songs like “Hometown Hero\,” “Wendell Walker\,” and “My Dear Helen” feeling like standalone\, self-contained worlds. In 2018\, his band Foxwarren\, formed over 10 years ago with childhood friends\, released a self-titled album where Pitchfork recognized how “Shauf has diligently refined his storytelling during the last decade.”  \nThe Party earned a spot on the Polaris Music Prize 2016 shortlist and launched Shauf to an appearance on The Late Late Show with James Corden as well as glowing accolades from NPR\, The Washington Post\, The Guardian\, and more. “That LP was a concept record and it really made me want to do a better album. I wanted to have a more cohesive story\,” says Shauf. Where the concept of The Party revealed itself midway through the writing process\, he knew the story he wanted to tell on The Neon Skyline from the start. “I kept coming back to the same situation of one guy going to a bar\, which was basically exactly what I was doing at the time. These songs are fictional but it’s not too far off from where my life was\,” Shauf explains.  \nFor The Neon Skyline\, Shauf chose to start each composition on guitar instead of his usual piano. He says\, “I wanted to be able to sit down and play each song with just a guitar without having to rely on some sort of a clever arrangement to make it whole.” The resulting album finds its immediacy in simplicity. While the arrangements on folksy “The Moon” are unfussy and song-centered like the best Gordon Lightfoot offerings\, his drive to experiment is still obvious. This is especially so on the unmoored relationship autopsy “Thirteen Hours\,” which boasts an arrangement that’s both jazzy and adventurous.  \nLinks: Website | Facebook | Twitter | Instagram | Spotify \n\n\n	Related
URL:https://artsorange.org/event/andy-shauf/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210516T200000
DTEND;TZID=America/New_York:20210517T000000
DTSTAMP:20260524T114316
CREATED:20200412T161158Z
LAST-MODIFIED:20210507T184035Z
UID:15690-1621195200-1621209600@artsorange.org
SUMMARY:The Residents
DESCRIPTION:Constantly defying classification\, THE RESIDENTS have been regarded as icons in the world of experimental music for almost fifty years. In addition to their groundbreaking work in the areas of trance\, world fusion\, electronica\, punk\, industrial and lounge music\, the group has also been credited with being among the originators of performance art and music video\, with their videos included in the permanent collection of the Museum of Modern Art. Their lengthy career has also taken them into the world of film and television music\, having scored numerous films and TV series as well as several projects for MTV. In addition\, the group is also thriving in the world of digital media having released ten DVDs\, and two internet series.  \nCurrently\, in collaboration with noted video artist\, John Sanborn\, The Residents are creating a major multimedia event to be performed at the Museum of Modern Art on Jan 24 & 25\, 2020. In addition\, based on the recently discovered recordings of Alvin Snow\, aka Dyin’ Dog\, the group is completing their 49th studio album\, METAL\, MEAT & BONE. Then\, in the spring\, The Residents will embark on another world tour\, again featuring the music of Alvin Snow while also revisiting Duck Stab\, one of the band’s most popular albums.  \nLinks: Website | Facebook | Twitter \n\n\n	Related
URL:https://artsorange.org/event/the-residents/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/04/Promo-Photo-Residents-DogStab-1000.jpg
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200502T210000
DTEND;TZID=America/New_York:20200503T000000
DTSTAMP:20260524T114316
CREATED:20200412T161158Z
LAST-MODIFIED:20200412T161208Z
UID:15688-1588453200-1588464000@artsorange.org
SUMMARY:Guided By Voices
DESCRIPTION:Guided By Voices\, Space Gun: Robert Pollard is the greatest rock songwriter of the last thirty years\, an uninhibited explorer of the four Ps: pop\, punk\, psych\, and prog. It’s easy to take him for granted when he’s releasing multiple records a year with various projects\, as he has pretty steadily since disbanding GBV the first time in 2004. So it really meant something that Space Gun was the only GBV release of the year\, and boy was it a great one — another sign that the current lineup\, along with producer Travis Harrison\, might be the strongest band Pollard has ever played with. They unleash anthemic classic rock that harkens back to the best of mid-period GBV (“Space Gun\,” “See My Field”)\, impossibly catchy and sleazy ’70s riffs (“Colonel Paper\,” “Daily Get Ups”)\, majestic reverb-drenched curios (“That’s Good\,” “Blink Blank”)\, Kiwi Rock pop gems (“Ark Technician\,” “I Love Kangaroos”) and heavier prog rock (“Sport Component National\,” “Evolution Circus”). If you haven’t seen them live\, I can’t recommend it enough — they hit you with one would-be smash hit after another on a Miller Lite-fueled high\, which can ensnare even on-the-fence observers.  \n– Ben Yakas\, Gothamist\, “The Best Albums Of 2018”  \nLinks: Website | Facebook | Twitter | Instagram | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/guided-by-voices/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200429T200000
DTEND;TZID=America/New_York:20200430T000000
DTSTAMP:20260524T114316
CREATED:20200412T161156Z
LAST-MODIFIED:20200412T161207Z
UID:15680-1588190400-1588204800@artsorange.org
SUMMARY:100 gecs Tree of Clues Tour
DESCRIPTION:100 gecs is a duo between Laura Les and Dylan Brady. Scavenging scraps of musical influences and welding them into dangerous machines\, they destroy the competition with their army of lethal bangers. Critically heralded as “very good” and “music”\, their ambition knows no bounds.  \nLinks: Twitter | Instagram | SoundCloud | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/100-gecs-tree-of-clues-tour/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200427T200000
DTEND;TZID=America/New_York:20200428T000000
DTSTAMP:20260524T114316
CREATED:20200412T161155Z
LAST-MODIFIED:20200412T161207Z
UID:15677-1588017600-1588032000@artsorange.org
SUMMARY:WAVVES King of the Beach 10 Year Anniversary USA Tour
DESCRIPTION:The word ‘brat’ has followed Nathan Williams around for almost a decade\, but at the age of 30\, with a fully-fledged business to his name\, as well as the ongoing success of band Wavves\, his rebellious streak has proven not just purposeful but pretty damn inspiring. The San Diego native knows how to play the system\, so when the major labels came knocking a few years ago looking to turn Wavves into the next so-called saviours of radio rock’n’roll\, Williams and bassist Stephen Pope made sure they used it to their advantage.  \n“We were just trying to go to eat at nice places in LA\,” he laughs. “There were a few people from majors who would not stop reaching out to us. They were obsessed. They thought we had heat and they needed an edgy big rock band like they used to have in the ’90s. Me and Stephen were in our shitty apartments\, Googling ‘nicest restaurants in LA’. We went to eight or nine dinners. At the end we’d say\, ‘not interested’.”  \nWhen Warners came along and offered them a cash advance too good to refuse\, they accepted while being shrewdly aware of what they were getting themselves into. “We still owned all of our shit\, which was the most important part for us. For them it was a shot in the dark.” The day to day of being signed to a major\, however\, was unpredictable and beyond their wildest nightmares. “I figured it would run the same as [prior label] Fat Possum\, just with more people. I was wrong.” By the time they were readying to release their second Warners album – 2015’s ‘V’ – shots were fired. Williams released single ‘Way Too Much’ on Soundcloud before the label had approved it\, the label forgot to sign off on the artwork and\, in the end\, Wavves felt swept under the rug. Ultimately it felt like a career step backwards.  \n“I’d never come in contact with such a poorly run company in my life\,” says Williams. “It was anarchy. Nobody knew what they were doing. Turnover rate was like an American Apparel. It was really all cons – unless you’re a cash cow. For everyone else\, major labels can’t help you. Maybe at one time they could\, but that time is dead.” The birds-eye view on Warners’ inner mess wound up pushing Williams to legitimize his own business – Ghostramp. “I figured if these idiots could get by\, we could do it a hundred times better.”  \nWith that fighting spirit\, Williams took back control and realized his own teenage dreams. Today\, during a Monday lunchtime hour\, he’s making time between meetings to talk about forthcoming sixth Wavves record ‘You’re Welcome’ in the stock room at Ghostramp’s Chinatown-based LA skate shop. Opening in October 2016\, Ghostramp is the physical embodiment of a vision that harks back to before Williams made the first Wavves’ albums in his parents’ garage. It’s a merchandise store\, it’s a label\, it’s a tangible community in a time when the digital age has taken the confidence out of physical product. And – what’s more – it’s working. ‘You’re Welcome’ is the soundtrack to this new lease of freedom. It’s Williams’ tongue-in-cheek rebirth as a self-released\, self-actualized\, self-promoting punk kingpin\, and despite putting his money where his uncensored mouth is\, he’s emerged not just unscathed but with the upper hand. “I’m my own boss and that feels great\,” he smiles.  \nLinks: Website | Facebook | Twitter | InstagramRescheduled to October 26th \n\n\n	Related
URL:https://artsorange.org/event/wavves-king-of-the-beach-10-year-anniversary-usa-tour/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/04/WavvesTourFront-1000.jpg
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200428T200000
DTEND;TZID=America/New_York:20200429T000000
DTSTAMP:20260524T114316
CREATED:20200412T161155Z
LAST-MODIFIED:20200412T161207Z
UID:15679-1588104000-1588118400@artsorange.org
SUMMARY:47 Soul
DESCRIPTION:47SOUL is an Electro Arabic Dabke (Shamstep) band formed in Amman Jordan in 2013. The members are rooted in Bilad Al-Sham\, spanning the divides from Amman to the Galilee to Ramallah and the rest of the Palestinian Diaspora. This new sound of 47SOUL has rapidly amassed fans in the Arab World and Europe by blasting the electric Arabic Dabke sound through underground music scenes. On top of the beats that have been bumping in the Arab World for centuries\, 47SOUL hypes it up with analog synthesizers\, hypnotic guitar lines\, and shattering verses from the four singers. Every show ends in relentless dance and trance from all parties involved. Their lyrics\, mixing Arabic and English\, call for celebration and freedom in the struggle for equality\, inside Bilad Al Sham and throughout the world. The current lineup of 2016 includes: Z the People (vocals & synths) El Far3i (darouka\, Mc/Vocals) Walaa Sbeit (percussion\, Mc/vocals) El Jehaz (guitar & vocals). \nLinks: Website | Facebook | Twitter | Instagram | YouTube \n\n\n	Related
URL:https://artsorange.org/event/47-soul/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200422T193000
DTEND;TZID=America/New_York:20200423T000000
DTSTAMP:20260524T114316
CREATED:20200412T161117Z
LAST-MODIFIED:20200412T161206Z
UID:15668-1587583800-1587600000@artsorange.org
SUMMARY:nothing\,nowhere.
DESCRIPTION:Links: Website | Facebook | Twitter | Instagram | SoundCloud | Spotify | YouTube | Apple Music \n\n\n	Related
URL:https://artsorange.org/event/nothingnowhere/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200420T200000
DTEND;TZID=America/New_York:20200421T000000
DTSTAMP:20260524T114316
CREATED:20200412T161113Z
LAST-MODIFIED:20200412T161205Z
UID:15662-1587412800-1587427200@artsorange.org
SUMMARY:Real Estate
DESCRIPTION:The band Real Estate have spent the last decade crafting warm yet meticulous pop-minded music\, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. They released their fourth and most recent album In Mind in early 2017\, which was met with glowing reviews from media and fans alike\, many of whom fell in love with the brilliantly melodic songwriting and rich lyricism of the band’s previous breakthrough record\, Atlas (2014). Real Estate have played festival stages worldwide\, including Coachella and Glastonbury\, and the In Mind tour saw them play the largest rooms of their career\, to fans eager to experience album highlights like singles “Darling” and “Stained Glass”. Real Estate have been hinting at a new release\, with fans at recent 2019 shows being surprised with live versions of previously-unheard songs. It seems likely that 2020 will bring a fifth record from the beloved group\, who excel at “deriving meaning from shimmering beauty” [NEW YORK TIMES]. \nLinks: Website | Facebook | Twitter | Instagram | SoundCloud | Spotify | YouTube \n\n\n	Related
URL:https://artsorange.org/event/real-estate/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200408T200000
DTEND;TZID=America/New_York:20200409T000000
DTSTAMP:20260524T114316
CREATED:20200313T161021Z
LAST-MODIFIED:20200313T161021Z
UID:15169-1586376000-1586390400@artsorange.org
SUMMARY:Stephen Malkmus
DESCRIPTION:Stephen Malkmus\, Traditional Techniques \nIs that a goddamn bouzouki? you may ask. A pedal steel guitar? What kind of Stephen Malkmus album is this\, anyway?  \nIt’s called folk music\, and it’s taking the country by storm. Stephen Malkmus is only the latest popular artist to apply this old new approach to their rock and roll sounds.  \nTake the name Traditional Techniques with as much salt as you’d like or dig the Adorno reference\, Malkmus’s third solo LP without the Jicks (or Pavement) is as organic as they come. It’s packed with handmade arrangements\, modern folklore\, and 10 songs written and performed in Malkmus’s singular voice. An adventurous new album in an instantly familiar mode\, Traditional Techniques creates a serendipitous trilogy with the loose fuzz of the Jicks’ Sparkle Hard (Matador\, 2018) and the solo bedroom experiments of Groove Denied (Matador\, 2019). Taken together\, these three very different full-lengths in three years highlight an ever-curious songwriter committed to finding untouched territory. Perhaps some of these “folk” musicians could take a lesson or two. \nCreated in the spontaneous west coast style adopted so infectiously by young American musicians in this time of global turmoil\, Malkmus took on Traditional Techniques as a kind of self-dare. Conceived while recording Sparkle Hard with the Jicks at Portland’s Halfling Studio\, Malkmus had observed the variety of acoustic instruments available for use. The idea escalated within a matter of weeks into a full set of songs and shortly thereafter into a realized and fully committed album. When he returned to Halfling\, Malkmus drew from a whole new musical palette–including a variety of Afghani instruments–to support an ache both quizzical and contemporary. Stephen Malkmus isn’t one of those “hung up” musicians one reads about so frequently these days\, sequestered in a jungle room of the heart. The jukebox in Malkmus’s private grotto remains fully updated. Not only is the artist present\, but he’s on Twitter.  \nTraditional Techniques is new phase folk music for new phase folks\, with Malkmus as attuned as ever to the rhythms of the ever-evolving lingual slipstream. Instead of roses\, briars\, and long black veils\, prepare for owns\, cracked emojis\, and shadowbans. Centered around the songwriter’s 12-string acoustic guitar\, and informed by a half-century of folk-rock reference points\, Traditional Techniques is the product of Malkmus and Halfling engineer/arranger-in-residence Chris Funk (The Decemberists). Playing guitar is friend-to-all-heads Matt Sweeney (Bonnie “Prince” Billy\, Chavez\, and too many other to count)\, who’d previously crossed paths with Malkmus on the opposite end of the longhairs’ map of the world\, most lately gnarling out together back east in the jam conglomerate Endless Boogie. \nBut\, buyer beware\, no matter how these recordings might be tagged by your nearest algorithm\, the expansive and thrilling folk-rock sounds of Traditional Techniques aren’t SM Unplugged. One might even question his commitment to acoustic instruments\, but we’ll leave that for somebody else’s hot take. All we’re saying is watch your head. Because alongside all that gorgeous folk music (“The Greatest Own in Legal History\,” “Cash Up”)\, there are also occasional bursts of flute-laced swagger (“Shadowbanned”)\, straight-up commune rock (“Xian Man”)\, and mind-bending fuzz in places you least expect it (“Brainwashed”).  \nLinks: Website | Facebook | Twitter \n\n\n	Related
URL:https://artsorange.org/event/stephen-malkmus/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200410T210000
DTEND;TZID=America/New_York:20200411T000000
DTSTAMP:20260524T114316
CREATED:20200313T161021Z
LAST-MODIFIED:20200313T161021Z
UID:15172-1586552400-1586563200@artsorange.org
SUMMARY:Brother Ali
DESCRIPTION:Over the past 17 years\, Brother Ali has earned wide critical acclaim for his deeply personal\, socially conscious\, and inspiring brand of hip-hop. Under Rhymesayers Entertainment\, he’s unleashed a series of lauded projects\, establishing himself as one of the most respected independent voices in music. The latest chapter in that celebrated journey is All the Beauty in This Whole Life\, a 15-track collection produced entirely by Atmosphere’s Anthony “Ant” Davis. \n“This entire album is based on the reality that beauty is the splendor of truth” says the Minneapolis MC. “Beauty in all of its forms is the outward manifestation of love and virtue. It soothes the soul and pulls it gently toward the truth it communicates. Every word and note of this album is intended to either reflect beauty\, or expose the ugliness that blocks us from living lives of meaning.” \nAll the Beauty in This Whole Life is Ali’s first official release in five years and represents the newest and most refined chapter of his life’s journey. “Each of my albums are the result of the pain\, growth and eventual healing that I experience. Articulating the pain and navigating the healing allows the people who really feel my music to travel with me. It’s not only that we hurt together\, we heal together as well.” \nContrasting intensely heavy moments with joyous and grateful ones\, All the Beauty in This Whole Life arrives right on time\, to help heal a divided nation through the power of music. Ali wouldn’t have it any other way. “In times of great suffering in the outside world\, the most important battles start from within.” \nLinks: Website | Facebook | Twitter | Instagram | SoundCloud | YouTube \n\nOpen Mike Eagle Links: Website | Facebook | Twitter | Instagram | SoundCloud | YouTube \n\n\n	Related
URL:https://artsorange.org/event/brother-ali/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200810T200000
DTEND;TZID=America/New_York:20200811T000000
DTSTAMP:20260524T114316
CREATED:20200313T161020Z
LAST-MODIFIED:20200810T172454Z
UID:15167-1597089600-1597104000@artsorange.org
SUMMARY:Aterciopelados & Los Amigos Invisibles
DESCRIPTION:The band´s name comes from the television show “Human Values” by Venezuelan historian Arturo Uslar Pietri\, which remained in the air for two decades\, where he always dedicated the show to his “Invisible Friends” refering to the audience.  \nHis record debut came in 1995 with the release of “A Typical and Autoctonal Venezuelan Dance Band”. Little by little\, the band consolidated its local fame by staying on tour until 1996.  \nIt is in this year that David Byrne\, while shopping at a record store in New York\, accidentally finds one of the copies left by Los Amigos on consignment and immediately begins the process of conversations that led to signing them for his record label “Luaka Bop”. After months of conversations\, pre-production and production\, in 1998 they released their first album for the label of the former Talking Heads\, “The New Sound of the Venezuelan Gozadera”\, produced by Andrés Levín\, which had hits like “Ponerte en Cuatro”\, “Sexy” and “Disco Anal”.  \nTwo years later the band moves to the city of San Francisco for 2 months to record their next album and it is at this time that the band is considering the possibility of moving permanently to the United States to continue their career.  \nAt the end of 2000 they put on sale their third album “Arepa 3000: A Venezuelan Journey Into Space” produced by Phillip Steir which is nominated for a Grammy Award and a Latin Grammy. Of this disc they leave subjects like “Cuchi Cuchi” and “The Neighbor”.  \nAfter almost a year of planning\, the band decided to move to New York City on January 23\, 2001. During their first year in the city\, Los Amigos began a friendly and working relationship with the legends of the dance world “Masters At Work” which leads them to enter the studio in early 2002 to record what would be their fourth album.  \nLinks: Website | Facebook | Twitter | Instagram | YouTube  \n\nAterciopelados\, the pioneer Latin-American folk-rock group\, returns after 8 years with their first long and live project entitled “Reluciente\, Rechinante y Aterciopelado.” This CD+DVD is a compilation of the most representative songs of their repertoire that celebrates over two decades of their existence as a band. It features the participation of big names\, such as Macaco\, León Larregui (vocals for the Mexican group Zoé)\, Goyo (Chocquibtown) and Catalina García (Monsieur Periné).  \nThe group’s members\, Andrea Echeverri and Héctor Buitrago\, founded Aterciopelados in 1992 and achieved great success\, both locally and internationally\, thanks to a sound that was absolutely unique and innovative\, free of prejudices\, mixing rock with the roots of Colombian folklore and even with salsa and bossa nova.  \nAterciopelados have grown and evolved with each production\, making history in Latin America and the rest of the world. They have released seven studio and one compilation album\, selling over ten million copies of their records. Their album Río has been mentioned by Rolling Stone magazine as one of the 10 best Latin rock albums of all times.  \nLinks: Website | Facebook | Twitter | Instagram | YouTube \n\n\n	Related
URL:https://artsorange.org/event/aterciopelados-los-amigos-invisibles/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210115T200000
DTEND;TZID=America/New_York:20210116T000000
DTSTAMP:20260524T114316
CREATED:20200313T161019Z
LAST-MODIFIED:20210107T184027Z
UID:15162-1610740800-1610755200@artsorange.org
SUMMARY:Shovels & Rope
DESCRIPTION:As the Brontë sister wrote\, “The ties that bind us to life are tougher than you imagine.” Shovels & Rope\, the musical duo of Michael Trent and Cary Ann Hearst\, embody that bond. Married for a decade\, their covenant extends to blood and beyond: as parents\, bandmates\, and creative collaborators who can now add the pursuits of festival curators\, film subjects\, and children’s book authors to that mighty list. Having released four studio albums and two collaborative projects (Busted Jukebox\, Vol. 1 & 2) since 2008\, Trent and Hearst have built their reputation on skill\, sweat\, and\, yes\, blood. Now\, with the tough and elegant new record By Blood\, as well as their High Water Festival in their hometown of Charleston\, South Carolina\, “Shovels & Rope: The Movie”\, and the picture book “C’mon Utah!”\, Shovels & Rope are primed for their biggest year yet.  \nAccomplished musicians in their own right prior to dedicating themselves full time to Shovels & Rope in 2011\, Trent and Hearst have made a career together by seizing opportunities and never resting on their laurels or being complacent in doing something just because. Carving out a niche in the music world with strong\, roots/indie/folk/rock-inspired efforts like 2012’s O’ Be Joyful\, 2014’s Swimmin’ Time\, and 2016’s inward-looking Little Seeds\, as well as their powerful live show\, far-reaching tours\, and myriad TV and festival appearances\, Shovels & Rope have earned the right to follow their own muse. And so\, in an effort to satisfy their numerous creative interests and adapt to a changing industry\, Trent and Hearst have firmly planted their flag in realms beyond recording and releasing albums.  \nThe third annual High Water Festival curated by the band will be held over a weekend in April and will bring 10\,000 fans to a park in North Charleston to witness a lineup of artists comparable to some of the best in the country-including Leon Bridges\, The Head & The Heart\, Lord Huron\, Jenny Lewis\, Mitski\, and Shovels & Rope themselves. High Water benefits select organizations and water conservation charities in Charleston and aims to avoid the feeling of corporate inundation and discomfort that plagues many big-name music events. Trent and Hearst work with production companies and agencies to book acts\, then serve as on-site hosts in addition to performing throughout the weekend.  \n“Shovels & Rope: The Movie” is a performance film that has been expanded into feature-length with an external narrative weaving through and connecting the live performances. Directed by their frequent visual collaborator\, Curtis Millard\, the ‘live show’ portion of the filming took place over two nights at The Orange Peel in Asheville\, North Carolina\, during the tour for Little Seeds. The rest of the film was shot in various locations in and around the Southeast. The result can be described as a David Lynch meets John Hughes (a fun\, silly\, and tongue-in-cheek film for fans to enjoy that also represents the band at the peak of their live power.)  \n‘By Blood’ Pre-Show Experience with Shovels & Rope \n\nOne general admission ticket -or- premium reserved seat located in the first 10 rows\nEarly entry into the venue\nMeet Shovels & Rope. Say hello and snap a photo with Michael and Cary before the show\nPre-show performance and Q&A by Shovels & Rope\nLimited-edition tour poster signed by Shovels & Rope\nOfficial ‘By Blood’ laminate\nMerchandise shopping opportunity before general doors\n\nLinks: Website | Facebook | Twitter | Instagram | YouTube \n\n\n	Related
URL:https://artsorange.org/event/shovels-rope/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200327T200000
DTEND;TZID=America/New_York:20200328T000000
DTSTAMP:20260524T114316
CREATED:20200313T161018Z
LAST-MODIFIED:20200313T161018Z
UID:15155-1585339200-1585353600@artsorange.org
SUMMARY:Soccer Mommy
DESCRIPTION:For Sophie Allison\, aka Soccer Mommy\, color theory is a distillation of hard-won catharsis. The album confronts the ongoing mental health and familial trials that have plagued the 22-year-old artist since pre-pubescence\, presenting listeners with an uncompromisingly honest self-portrait\, and reminding us exactly why her critically-acclaimed debut\, 2018’s Clean\, made her a hero to many. Wise beyond her years\, Allison is a songwriter capable of capturing the fleeting moments of bliss that make an embattled existence temporarily beautiful. With color theory\, Allison’s fraught past becomes a lens through which we might begin to understand what it means to be resilient.  \nClean demonstrated Allison’s nuanced approach to lyricism and her disinterest in reducing complex emotional worlds into easily-digestible sound bites. On it\, she projected the image of a confused but exceedingly mature teenager — the type to offer up life-saving advice while cutting class under the bleachers. Clean led Soccer Mommy to sell out tour dates and play major music festivals around the world on top of opening for the likes of Kacey Musgraves\, Vampire Weekend\, and Paramore. A grueling touring schedule made it so that Allison had to get used to writing on the road\, a challenge that exhilarated her. She wrote dozens of songs in hotels\, green rooms\, and in the backseat of the van. The ones that make up color theory were recorded in her hometown of Nashville at Alex The Great\, a modest studio where the likes of Yo La Tengo have recorded\, just two miles from her childhood home. Produced by Gabe Wax and engineered by Lars Stalfors (Mars Volta\, HEALTH\, St. Vincent)\, color theory’s sonic landscape is vast and dextrous\, illustrating how much Allison has evolved as a musician and matured as a person over the past year. The melodies on color theory shimmer on the surface\, but they reveal an unsettling darkness with each progressive listen.  \n“I wanted the experience of listening to color theory to feel like finding a dusty old cassette tape that has become messed up over time\, because that’s what this album is: an expression of all the things that have slowly degraded me personally\,” Allison says. “The production warps\, the guitar solos occasionally glitch\, the melodies can be poppy and deceptively cheerful. To me\, it sounds like the music of my childhood distressed and\, in some instances\, decaying.” Allison used a sampling keyboard and string arrangements drawn from old floppy discs to lend color theory a timeworn aesthetic. She also opted to enlist her band in the recording process\, which hadn’t been the case on any of her earlier releases. “At the base of every song on color theory is a live take done to tape. This album reflects our live performance\, which I’ve grown really happy with\,” she says. \nLinks: Website | Facebook | Twitter | Instagram | Bandcamp | YouTube \n\n\n	Related
URL:https://artsorange.org/event/soccer-mommy/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200328T200000
DTEND;TZID=America/New_York:20200329T000000
DTSTAMP:20260524T114316
CREATED:20200313T161018Z
LAST-MODIFIED:20200313T161018Z
UID:15157-1585425600-1585440000@artsorange.org
SUMMARY:Antibalas
DESCRIPTION:It’s hard to believe that more than twenty years have passed since Antibalas’s humble beginning as a neighborhood dance / protest band in the block parties and underground parties in pre-gentrified Williamsburg\, Brooklyn. Over the past two decades they have evolved into what The Guardian called “one of the world’s finest Afrobeat bands” while enjoying equal renown for their cross-genre collaborations with legends of popular music. With a heavy balance of experience and new blood\, the group leaps into 2020 with their new Daptone Records full-length “Fu Chronicles.” \nFounded in 1998 by saxophonist Martín Perna\, early incarnations of the group included several members of The Dap-Kings including bassist / producer Gabriel Roth\, guitarist Binky Griptite\, keyboardist Victor Axelrod\, conguero Fernando “Bugaloo Velez\,” and trumpeter Anda Szilagyi. As the group expanded\, it absorbed younger musicians from the Daptone family including bassist Nick Movshon (El Michels\, Black Keys) and other musical natives and transplants from downtown Manhattan and North Brooklyn music scenes.  \nIn 1999\, Perna and Roth dropped in at an atelier / dojo belonging to Duke Amayo. They invited him to a neighborhood concert and then reached out to him later as an emergency substitute for a show. Amayo soon became a fixture in the group\, first on percussion\, then later on vocals\, vibraphone\, and keyboards and moving to center stage as the group’s frontman and creating the Afro-Spot\, the band’s headquarters as well as the home of the first Daptone Records studio.  \nOver the next few years\, the band performed several times a month throughout NYC at the Afro-Spot\, at benefits\, lofts\, block parties\, and at their Lower Manhattan weekly residency called “Africalia” with regular appearances by friends including Sharon Jones\, Lee Fields\, and The Sugarman Three. After their second release\, “Talkatif” (2002\, Ninja Tune)\, the group began touring heavily throughout North America and Europe including performances at Glastonbury\, Montreux Jazz Festival\, Coachella\, Bonnaroo\, and the Newport Jazz Festival. Over the years\, expanded their travels to Australia\, New Zealand\, Japan\, South America\, and most recently\, Hong Kong.  \nIn the late 2000s\, after nearly ten years of road touring\, Antibalas was chosen by choreographer Bill T Jones\, to serve as the band for the Tony-award winning Broadway musical “Fela.” Around the same time\, the band began to draw the attention of the Roots. The two groups joined with Public Enemy to perform a live version of the entire “It Takes a Nation of Millions to Hold us Back” at the 2009 Roots Picnic as well as the Red Bull Battle of the Bands\, as well as numerous guest appearances on Late Night with Jimmy Fallon.  \nAntibalas has also served as the house band for several star-studded tribute shows at Carnegie Hall and the Apollo Theater paying tribute to the music of Aretha Franklin\, David Byrne\, Paul Simon\, and Billie Holiday\, backing dozens including Allen Toussaint\, Cee Lo Green\, Sharon Jones\, Santigold\, and Angelique Kidjo.  \nOver the years\, different members have traded production and composition duties from album to album. On the new album-“Fu Chronicles”-Amayo leads us through a thrilling sonic journey of kung fu meets Afrobeat\, weaving together the strands of Edo and Yoruba cultural memory from Nigeria with his training and study in Chinese martial arts. \nWebsite | Facebook | Twitter | Instagram | YouTube \n\n\n	Related
URL:https://artsorange.org/event/antibalas/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200806T200000
DTEND;TZID=America/New_York:20200807T000000
DTSTAMP:20260524T114316
CREATED:20200313T161017Z
LAST-MODIFIED:20200711T172544Z
UID:15154-1596744000-1596758400@artsorange.org
SUMMARY:Rebirth Brass Band
DESCRIPTION:Rescheduled from March 26th. \nWhether seen on HBO’s Treme or at their legendary Tuesday night gig at The Maple Leaf\, Grammy-winning Rebirth Brass Band is a true New Orleans institution. Formed in 1983 by the Frazier brothers\, the band has evolved from playing the streets of the French Quarter to playing festivals and stages all over the world. While committed to upholding the tradition of brass bands\, they’ve also extended themselves into the realms of funk and hip-hop to create their signature sound. “Rebirth can be precise whenever it wants to\,” says The New York Times\, “but it’s more like a party than a machine. It’s a working model of the New Orleans musical ethos: as long as everybody knows what they’re doing\, anyone can cut loose.” In the wake of the sometimes- stringent competition amongst New Orleans brass bands\, Rebirth is the undisputed leader of the pack\, and they show no signs of slowing down. \nLinks: Website | Facebook \n\n\n	Related
URL:https://artsorange.org/event/rebirth-brass-band/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200324T200000
DTEND;TZID=America/New_York:20200325T000000
DTSTAMP:20260524T114316
CREATED:20200313T161016Z
LAST-MODIFIED:20200313T161016Z
UID:15150-1585080000-1585094400@artsorange.org
SUMMARY:Porches
DESCRIPTION:Links: Website | Facebook | Twitter | Instagram | Bandcamp | YouTube \n\n\n	Related
URL:https://artsorange.org/event/porches/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200321T200000
DTEND;TZID=America/New_York:20200322T000000
DTSTAMP:20260524T114316
CREATED:20200313T161015Z
LAST-MODIFIED:20200313T161015Z
UID:15144-1584820800-1584835200@artsorange.org
SUMMARY:Best Coast – The Always Tomorrow Tour
DESCRIPTION:Best Coast — comprised of Bethany Cosentino (vocals\, guitar) and Bobb Bruno (guitar) — has released three critically and culturally acclaimed albums over the last decade while touring the globe\, selling out headline shows\, and opening for the likes of Green Day\, Paramore\, Pixies\, Death Cab For Cutie\, and more. Now they’ve returned with an incredible new song\, entitled “For The First Time.” Says Cosentino about the track\, “It’s about feeling comfortable in your own skin and looking at the skin you had to shed to get there and being OK with it all.” It is the initial taste of the forthcoming Best Coast album\, Always Tomorrow\, which is due for release in 2020.  \nLinks: Website | Facebook | Twitter | Instagram | Spotify \n\n\n	Related
URL:https://artsorange.org/event/best-coast-the-always-tomorrow-tour/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200320T183000
DTEND;TZID=America/New_York:20200321T000000
DTSTAMP:20260524T114316
CREATED:20200313T161014Z
LAST-MODIFIED:20200313T161014Z
UID:15142-1584729000-1584748800@artsorange.org
SUMMARY:Cedar Ridge High School Battle of the Bands
DESCRIPTION:This event had been cancelled. Tickets will be refunded at the point of purchase. \nCedar Ridge High School Battle of the Bands \nFeaturing:\nPajama Party\nFractured\nEvolution Elation\nSleepwalker\nAlive at 27\nStudent Health\n+ More! \n\n\n	Related
URL:https://artsorange.org/event/cedar-ridge-high-school-battle-of-the-bands/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210428T193000
DTEND;TZID=America/New_York:20210429T000000
DTSTAMP:20260524T114316
CREATED:20200313T161013Z
LAST-MODIFIED:20210407T184021Z
UID:15138-1619638200-1619654400@artsorange.org
SUMMARY:White Reaper
DESCRIPTION:Nurturing arena-sized ambitions\, Louisville\, KY’s White Reaper remind us that “fun as hell” is a primary purpose of music. Equal parts glam and grit\, White Reaper’s forthcoming Elektra Records debut finds the band packing classic rock with grinning twin guitar leads into masterly crafted pop songs. Out October 18th\, the album will follow 2017’s critically acclaimed The World’s Best American Band\, which was praised by Pitchfork for having “more riffs than you can fit into the trunk of a Camaro”. From their forthcoming album\, White Reaper have released three singles: “1F\,” “Real Long Time\,” and lead single\, “Might Be Right\,” which is currently sitting at #20 on the alt radio chart and growing. As described by Stereogum\, White Reaper are “bringing burnout abandon and arena strobe lights into the modern era.” \nTony Esposito (guitar/vocals)\, Ryan Hater (keyboards)\, Sam Wilkerson (bass)\, Nick Wilkerson (drums)\, and Hunter Thompson (guitar) have been living on the road\, performing headline shows and supporting some of their idols – The Killers\, Spoon\, and Weezer. The band has also been making rounds in the festival circuit with stops at Lollapalooza\, ACL\, and CalJam. This summer\, the Kentucky boys did a run of U.S. headline dates and performed their inaugural sets at the UK’s Reading and Leeds festivals. In the fall\, the band will hit the road on their largest U.S. headline tour to date\, and make stops at their hometown festivals\, Bourbon & Beyond and Louder Than Life\, and end hit the Eddie Vedder curated\, Ohana Festival\, as well. \nLinks: Website | Facebook | Twitter | Instagram | Bandcamp | Spotify | Apple Music \n\n\n	Related
URL:https://artsorange.org/event/white-reaper/
LOCATION:Cat’s Cradle\, 300 E Main St.\, Carrboro\, NC\, 27510\, United States
GEO:35.910023;-79.0688137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cat’s Cradle 300 E Main St. Carrboro NC 27510 United States;X-APPLE-RADIUS=500;X-TITLE=300 E Main St.:geo:-79.0688137,35.910023
END:VEVENT
END:VCALENDAR