BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Orange Co. Arts Commission - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://artsorange.org
X-WR-CALDESC:Events for Orange Co. Arts Commission
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220423T193000
DTEND;TZID=America/New_York:20220423T210000
DTSTAMP:20260521T133614
CREATED:20220405T161927Z
LAST-MODIFIED:20220405T161927Z
UID:32446-1650742200-1650747600@artsorange.org
SUMMARY:NCYTE Presents: Step in Time
DESCRIPTION:The North Carolina Youth Tap Ensemble Presents\n‘STEP IN TIME’\nSat. April 23\, 2022\, 7:30 PM | Sun. April 24\, 2022\, 3:00 PM\nGeneral Admission: $25 Seniors/Students: $20\nThe Carolina Theatre\, Durham NC\nTickets available at the box office or online www.carolinatheatre.org \nCHAPEL HILL\, NC | MARCH 25\, 2022 \nLive at the Carolina Theatre for the first time in over two years! Join the North Carolina Youth Tap Ensemble (NCYTE) as they celebrate their 39th season and return to the beautiful Carolina Theatre! Based in Chapel Hill\, North Carolina Youth Tap Ensemble has produced award-winning and world-renowned dancers\, such as Michelle Dorrance\, Elizabeth Burke\, Jason Janas\, and Jared Grimes. This year’s annual show\, Step In Time\, features all 35 members of the company\, ages 8-18\, along with guest artist and internationally acclaimed performer\, Tre Dumas. Step In Time has something for everyone- traditional jazz tap\, body percussion\, improvisation\, and cutting-edge contemporary choreography\, not to mention a live jazz band and vocalists. Don’t miss your chance to experience an evening of rhythm that will be sure to have you dancing in your seat! \nAbout the North Carolina Youth Tap Ensemble \n“…the premier youth tap ensemble in the world: The North Carolina Youth Tap Ensemble.”\nMichael N. Horowitz\, President\, Board of Directors\, Chicago Human Rhythm Project \nRhythm…funk…innovation…excitement: that’s the North Carolina Youth Tap Ensemble (NCYTE). One of the best youth tap ensembles in the world\, NCYTE features approximately 40 dancers\, ages 8 to 18\, who hail from throughout North Carolina. Don’t let the word “youth” fool you. These dancers tear up the floor with poise\, passion and professionalism. NCYTE honors the traditions of this unique American form while infusing it with youthful energy\, contemporary music\, and innovative dances from some of the world’s most talented choreographers.\n​\nFounded by JUBA award winning artistic director Gene Medler in 1983\, NCYTE entertains audiences with cutting-edge contemporary choreography along with traditional rhythm tap. NCYTE has toured throughout the U.S. and the world\, with performances in Austria\, Brazil\, Canada\, China\, Finland\, Germany and Mexico. The company has toured or collaborated with the Greensboro Symphony\, Squirrel Nut Zippers\, Mallarme Chamber Players\, and the North Carolina Jazz Repertory Orchestra\, among others. \nNCYTE alumni—including tap virtuosos Michelle Dorrance and Jason Janas—have gone on to Broadway and beyond. The list of choreographers who have created the company’s repertory reads like a who’s who in the tap world\, including the legendary Savion Glover. For more information visit us at https://www.ncyte.org/ \nCaroline Vance (E) info@ncyte.org or Caroline Dwyer (P) 631-379-1606 (E) carolines213@gmail.com \n\n\n	Related
URL:https://artsorange.org/event/ncyte-presents-step-in-time/2022-04-23/
LOCATION:Carolina Theatre of Durham\, 309 West Morgan Street\, Durham\, NC\, 27701\, United States
CATEGORIES:Dance,Dance & Movement,Family,Performances
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2022/04/CT_promo_graphic.jpg
ORGANIZER;CN="North Carolina Youth Tap Ensemble":MAILTO:info@ncyte.org
GEO:35.9977242;-78.9030975
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carolina Theatre of Durham 309 West Morgan Street Durham NC 27701 United States;X-APPLE-RADIUS=500;X-TITLE=309 West Morgan Street:geo:-78.9030975,35.9977242
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201007T200000
DTEND;TZID=America/New_York:20201007T235900
DTSTAMP:20260521T133614
CREATED:20200412T161156Z
LAST-MODIFIED:20200909T172507Z
UID:15683-1602100800-1602115140@artsorange.org
SUMMARY:Ben Gibbard
DESCRIPTION:Ben Gibbard is a singer\, songwriter and guitarist. He is the lead vocalist and guitarist of Death Cab for Cutie\, with which he has recorded nine studio albums\, and is one half of the electronic duo the Postal Service. \nGibbard released his debut solo album\, Former Lives\, in 2012\, and a collaborative studio album\, One Fast Move or I’m Gone (2009)\, with Uncle Tupelo and Son Volt’s Jay Farrar. \nLinks: Website | Facebook | Twitter | Instagram | Spotify | Soundcloud | YouTube \n\n\n	Related
URL:https://artsorange.org/event/ben-gibbard/
LOCATION:Carolina Theatre of Durham\, 309 West Morgan Street\, Durham\, NC\, 27701\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/04/Ben-Gibbard-Credit-Eliot-Lee-Hazel-1000.jpg
GEO:35.9977242;-78.9030975
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carolina Theatre of Durham 309 West Morgan Street Durham NC 27701 United States;X-APPLE-RADIUS=500;X-TITLE=309 West Morgan Street:geo:-78.9030975,35.9977242
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200415T200000
DTEND;TZID=America/New_York:20200415T235900
DTSTAMP:20260521T133614
CREATED:20200412T161109Z
LAST-MODIFIED:20200412T161204Z
UID:15652-1586980800-1586995140@artsorange.org
SUMMARY:Angel Olsen
DESCRIPTION:The descent into darkness is a trope we find time again across history\, literature and film — a protagonist plunging further and further into the depths. But there is also an abyss above. There is a winding white staircase that goes ever upward into the great unknown — each step\, each turn\, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. \nOlsen’s flight is both upward and inward. Olsen’s artistic beginnings as a collaborator shifted seamlessly to her magnificent\, cryptic-to-cosmic solo work\, and then she formed bands to play her songs\, and her stages and audiences grew exponentially. But all along\, Olsen was more concerned with a different kind of path\, and on her vulnerable\, Big Mood new album\, All Mirrors\, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album\, she found a new sound and voice\, a blast of fury mixed with hard won self-acceptance. \n“I guess you could say some bold and unexpected things have happened in my life” Olsen said. “It feels like part of my writing has come back from the past\, and another part of it was waiting to exist.” \nAll Mirrors gets its claws into you on both micro and macro levels. Of course\, there’s that singular vibrato\, always so very close — seemingly simple\, cooed phrases expand into massive ideas about the inability to love and universal loneliness. And then suddenly — huge string arrangements and four horsemen bellowing synth swells emerge\, propelling the apocalyptic tenor. Throughout All Mirrors\, Angel fully lets in the goth tones that always lurked at the ends of her song craft. \n“In every way —from the making of it\, to the words\, to how I feel moving forward— this record is about owning up to your darkest side\,” Olsen said. “Finding the capacity for new love and trusting change\, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy\, trust\, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts\, that your thoughts alone can be just as valid\, if not more.” \nThe first step of All Mirrors\, was conceiving a back-to-basics solo record\, which she recorded with producer Michael Harris in Anacortes\, Washington. Soon after that was completed\, a more ambitious version of the album began to percolate in her mind. This second\, more maximalist version of All Mirrors evolved slowly with producer John Congleton\, arranger Jherek Bischoff\, Swiss Army Knife musician/arranger Ben Babbitt\, and a 14 piece orchestra. \n“I was determined to keep it bare bones in order to contrast with the not yet recorded full band record\,” Olsen said. “I wanted to have versions of these songs that are completely raw and real in the way some of my earlier recordings are\, so that I could have the choice to play alone or with a band.” \nWhile remaking the album with full production and new collaborators\, Olsen developed a new relationship with control. And in that process\, she developed an even clearer vision of herself as an artist. \n“It’s scary to be your own compass\, to trust new faces\, to be a stranger — but sometimes that’s the only way forward\,” she said. “When you’ve been in a repetitive cycle so long it’s difficult for anyone to see you as someone who could come out of it. When you’ve made an example of yourself that people expect\, some voices remind you of that example even when you know in your heart you’ve made changes.” \n“As I see it\, in order for an artist to survive some kind of change\, change needs to be a constant. For myself that constant change means having some kind of epiphany or clarity expressed in song. I don’t know if it’s something I inspire or attract\, or if it’s just in the way I’m looking at my surroundings\, but drama is something that surrounds my world and always has. I’m at least happy that I’ve learned to write it down.” \nWebsite | Twitter | Facebook \n\n\n	Related
URL:https://artsorange.org/event/angel-olsen/
LOCATION:Carolina Theatre of Durham\, 309 West Morgan Street\, Durham\, NC\, 27701\, United States
ATTACH;FMTTYPE=image/jpeg:https://artsorange.org/wp-content/uploads/2020/04/angelOlsen_cam_may_6_-2-1000.jpg
GEO:35.9977242;-78.9030975
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carolina Theatre of Durham 309 West Morgan Street Durham NC 27701 United States;X-APPLE-RADIUS=500;X-TITLE=309 West Morgan Street:geo:-78.9030975,35.9977242
END:VEVENT
END:VCALENDAR