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DTSTART;TZID=America/New_York:20220324T190000
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DTSTAMP:20260610T070014
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SUMMARY:Hanes Visiting Artist Lecture Series: Paul Mpagi Sepuya
DESCRIPTION:Registration Link on our website (available until start of event) \nPaul Mpagi Sepuya is a Los Angeles-based artist working in photography and an Associate Professor in Media Arts at UC San Diego. His work is in the collections of the Baltimore Museum of Art\, the Getty and Guggenheim Museums\, LACMA\, MoMA\, The Studio Museum in Harlem\, and the Whitney Museum\, among others. Recent exhibitions include solos at Document in Chicago and the Bemis in Omaha\, a survey of work at CAM St. Louis\, and a project for the 2019 Whitney Biennial. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students. The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community. All lectures are free and open to the public. \nArtist website: https://www.paulsepuya.com/ \nContact: Sabine Gruffat\, gruffat@email.unc.edu \nImage credit: Paul Mpagi Sepuya\, “Studio (0X5A2260)\,” 2020\, 50 x 75 inches. Image courtesy of the artist\, DOCUMENT\, Chicago\, and Vielmetter Los Angeles. \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-paul-mpagi-sepuya/
LOCATION:Zoom\, United States
CATEGORIES:Photography Film & Digital Arts
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ORGANIZER;CN="UNC-CH Art and Art History":MAILTO:unc_aah@unc.edu
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DTSTART;TZID=America/New_York:20220118T080000
DTEND;TZID=America/New_York:20220218T170000
DTSTAMP:20260610T070014
CREATED:20220111T174440Z
LAST-MODIFIED:20220111T174440Z
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SUMMARY:John and June Allcott Gallery: Migiwa Orimo\, Strangers' Bundles: Hours of Woods
DESCRIPTION:Gallery Talk: January 25\, 6-7 pm\, Zoom\nRegistration Link (available until the start of the event): https://go.unc.edu/orimo \nGallery Hours: 9-5 M-F \n“Slippage” (or the points of disjunctions): interrupted continuity of land and time; the fragility of connection; mistakes and failures. \nIn whatever form “slippage” takes–physical\, political\, or cultural–we become sensors and experience the slippage as shifted sense of equilibrium. \nIn trying to regain balance\, we notice\, remember\, observe\, measure\, witness\, suspect\, and probe. Some look at nature with inquisitive eyes; some pay attention to a subtle shift in use of language; some become activists; some bring themselves together as a community of learners. \n— The artist’s note following the 2011 Great Tohoku Earthquake and the Fukushima Nuclear Plant Disaster \nTen years later\, at another point of disjunction (Global Pandemic)\, Migiwa Orimo revisits this notion of “slippage” and creates a six-piece installation\, Strangers’ Bundles: Hours of Woods. Drawing upon her daily walks during the shutdown\, Orimo set her sights on our relationship to nature from a slightly diagonal direction. The result is a rumination on nature\, language\, voice-over\, temporary alignment of disparate thoughts\, and a reflection on struggles\, protests\, memories\, and “safe distance” –both in nature and society \nAn interdisciplinary artist\, Migiwa Orimo primarily works in installation consisting of text\, drawing\, objects\, video\, and sound that explores the notions of gap\, slippage\, and “a realm of disjunction.” Using the concept of storage/archive as her framework\, Orimo explores the relationship between public memory and private space by examining: how memories are shared and internalized; how they are stored and become stories; and\, how memories and history collide. \nA five-time recipient (’96/’04/’08/’13/’21) of the Ohio Arts Council Individual Artists Fellowship/Individual Creativity Excellence Award for her interdisciplinary art projects\, she was awarded residencies at the Headlands Art Center in 2012 and SPACES Gallery’s SPACES World Artist Project in 2014. Her work has been shown extensively\, including at the National Museum of Women in the Arts\, Washington DC; San Bernardino Art Museum\, CA; and in Ohio\, the Springfield Art Museum\, Dayton Art Institute\, OSU’s Urban Arts Space\, Riffe Gallery (Columbus)\, Oberlin College’s Baron Gallery\, and Weston Art Gallery (Cincinnati)\, apexart (NYC). \nAs a social justice activist\, Orimo facilitates the People’s Banner Workshop and provides free banners to activist groups. \nOrimo was born and raised in Tokyo\, Japan. After receiving her degree in literature and studying graphic design in Japan\, she immigrated to the US in the 1980s. Orimo lives and works in Yellow Springs\, Ohio. \nArtist website: https://migiwaorimo.com/home.html \nFor more information please contact Roxana Perez-Mendez\, rpm@email.unc.edu \nImage credit: Nationality of Nature\, courtesy of the artist \n\n\n	Related
URL:https://artsorange.org/event/john-and-june-allcott-gallery-migiwa-orimo-strangers-bundles-hours-of-woods/
LOCATION:Hanes Art Center\, 121 East Cameron Avenue\, Chapel Hill\, 27514
CATEGORIES:Exhibit,Free Events
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DTSTART;TZID=America/New_York:20211105T080000
DTEND;TZID=America/New_York:20211203T170000
DTSTAMP:20260610T070014
CREATED:20211019T171408Z
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SUMMARY:John and June Allcott Gallery: Betsy Kenyon\, Grey Matter
DESCRIPTION:Virtual Opening/Gallery Talk: November 9\, 6-7 pm\nRegistration at our website (available until the start of the event): https://go.unc.edu/greymatter \nGallery Hours: Per our semester Covid policies\, the exhibition can be viewed through the gallery’s glass front wall\, 9-5 M-F \nAuthor Maxwell Neely-Cohen on Betsy Kenyon: \n“The hardest thing one can do on a flat surface is represent light with any authenticity. Not just light that is ambient\, that is merely a medium for other objects\, but true light\, emanating outward\, radiating with a brightness that can pulse\, rebound\, and fade.” \n“Betsy Kenyon can make paper scream with photons. She can put a fusion reaction onto a millimeter plane. She does this by using light itself as a medium. A source. No lens needed\, just alternating the gift and denial of illumination at the right moments. Every burn can be controlled. We can paint with light it turns out. Wield it at a target.” \n“Planets and doors\, logos and swarms\, the frozen chaos of particle collision at the smallest possible level. Shapes in mathematical transformations so perfect they belong in geometry textbooks. Film backdrops in stasis.” \n“Betsy once told me that she wanted her images to be verbs. As much as I want to assign nouns to them—gravity\, cosmos\, shadows—she is right\, they are verbs\, best verbalized as actions. They push. Pull. Rotate. Cycle. Drop. Blur. Filter. Contract. Expand. Crush. Some of them run. Some of them crawl. Some of them even disappear. A magic trick. Frozen.” \n“When rendered in digital space these forms reveal their tricks and secrets. How a simple shape set into motion can blossom into a complex lattice\, a structure worthy of a sigil or temple. How long it takes our eyes to notice a blurring edge\, the slight shift of a gradient. How that can become layers of a staircase\, an invitation to plunge or accept an outstretched hand.” \n“It almost doesn’t matter if the images are moving or not. The animations can be read as still\, the photograms rendered as moving. Don’t fall in.” \nBetsy Kenyon lives and works in New York City with her husband\, cinematographer Richard Rutkowski\, and their daughter Daisy. Her education includes Sarah Lawrence College and an MFA from The School of the Art Institute of Chicago. She is currently working on Slumber\, a year-long project made during the pandemic. \nBetsy’s work is included in the following collections: Centre George Pompidou\, The Art Institute of Chicago\, Photography Collection; Museum of Modern Art/Franklin Furnace Book Collection; Whitney Museum of American Art\, Library; Metropolitan Museum of Art\, Thomas J. Watson Library; Groninger Museum\, Special Collections; New York Public Library\, Print Collection; and Yale University\, Art and Architecture Library. \nImage: Pass Through\, courtesy of Betsy Kenyon \n\n\n	Related
URL:https://artsorange.org/event/john-and-june-allcott-gallery-betsy-kenyon-grey-matter/
LOCATION:Hanes Art Center\, 121 East Cameron Avenue\, Chapel Hill\, 27514
CATEGORIES:Exhibit,Free Events,Photography Film & Digital Arts
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DTSTART;TZID=America/New_York:20210923T190000
DTEND;TZID=America/New_York:20210923T203000
DTSTAMP:20260610T070014
CREATED:20210820T160914Z
LAST-MODIFIED:20210820T160914Z
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SUMMARY:Hanes Visiting Artist Lecture Series: Jiha Moon
DESCRIPTION:Zoom: Pre-register at the link on our website (available until start of event) \nJiha Moon’s gestural paintings\, mixed media\, ceramic sculpture\, and installations explore fluid identities and the global movement of people and their cultures. She says\, “I am a cartographer of cultures and an icon maker in my lucid worlds.” She is taking cues from wide ranges of history of Eastern and Western art\, colors and designs from popular culture\, Korean temple paintings and folk art\, internet emoticons and icons\, fruit stickers and labels of products from all over the place. She often teases and changes these lexicons so that they are hard to identify yet stay in a familiar zone. \nMoon (b. 1973) is from DaeGu\, Korea and lives and works in Atlanta\, GA. She received her MFA from the University of Iowa\, Iowa City. Her works have been acquired by Asia Society\, New York\, NY\, High Museum of Art\, Atlanta\, GA\, The Mint Museum of Art\, Charlotte\, NC\, Smithsonian Institute\, Hirshhorn Museum and Sculpture Garden\, Washington\, DC\, Weatherspoon Museum of Art\, Greensboro\, NC and The Virginia Museum of Fine Arts\, Richmond\, VA. She has had solo exhibitions at Museum of Contemporary Art of Georgia\, GA\, Taubman Museum\, Roanoke\, VA\, the Mint Museum of Art\, Charlotte\, NC\, The Cheekwood Museum of Art\, Nashville\, TN and Rhodes College\, Clough-Hanson Gallery\, Memphis\, TN and James Gallery of CUNY Graduate Center\, New York\, NY. She has been included in group shows at Kemper Museum\, Kansas City\, MI\, the Fabric Workshop and Museum\, Philadelphia\, PA\, the Atlanta Contemporary Art Center\, Atlanta\, GA\, Asia Society\, New York\, NY\, The Drawing Center\, New York\, NY\, White Columns\, New York\, NY\, Smith College Museum of Art\, Northampton\, MA\, and the Weatherspoon Museum of Art\, Greensboro\, NC. She is recipient of Joan Mitchell foundation’s painter and sculptor’s award for 2011\, MOCA GA Working Artist project fellow 2012-13\, Artadia award 2016. Her mid-career survey exhibition\, “Double Welcome: Most everyone’s mad here” organized by Halsey Institute of Contemporary Art and Taubman Museum has toured more than 10 museum venues around the country until 2018. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students. The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community. All lectures are free and open to the public. \nArtist website: http://jihamoon.com \nContact: Sabine Gruffat\, gruffat@email.unc.edu \nImage: Jiha Moon\, Yellowave (with Pink)\, 2020\, Ink\, acrylic on Hanji mounted on canvas\, 30 × 40 in \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-jiha-moon/
LOCATION:Zoom\, United States
CATEGORIES:Free Events,Online
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