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DTSTART;TZID=America/New_York:20251013T173000
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SUMMARY:Creative Art History: Christy Anderson\, University of Toronto
DESCRIPTION:“Drift and Anchor: Researching Ships\, Remembering the Sea”\n125 Chapman Hall \nThis talk explores the intersections of art history and memoir through the lens of maritime architecture and seafaring culture. Drawing on her current book project\, which explores ships as architectural spaces\, Professor Anderson considers how vessels shaped labor\, cities\, and natural landscapes across the early modern Atlantic. At the same time\, she reflects on the role of personal memory—growing up on the water\, navigating family histories\, and returning to the sea through research—as a way to anchor historical scholarship in lived experience. By drifting between archival study and autobiographical reflection\, Anderson suggests how creative approaches can expand the boundaries of art history\, opening new forms of narrative that bridge research and storytelling. \nChristy Anderson is a historian of architecture whose work bridges early modern Europe\, global maritime history\, and contemporary design. She is currently the Allen W. Clowes Fellow at the National Humanities Center. A professor in the Department of Art History and member of the Daniels Faculty of Architecture\, Landscape\, and Design at the University of Toronto\, she is particularly interested in how architectural knowledge moves across cultures\, materials\, and environments. Her current book project explores the ship as an architectural type—examining how mobile spaces at sea have shaped cities\, labor\, and natural landscapes across the Atlantic world. \nAnderson is the former editor-in-chief of The Art Bulletin\, where she championed scholarship that expanded the field’s boundaries in time\, geography\, and method. Her broader commitment to public-facing humanities includes collaborative digital platforms\, podcasts\, and curatorial projects that engage diverse audiences in the interpretation of architectural and material histories. A Guggenheim Fellow and former Senior Research Fellow at Worcester College\, Oxford\, she received her PhD from Massachusetts Institute of Technology (MIT) and has taught at Yale University\, MIT\, and the Courtauld Institute of Art. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. No permit is required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at the UNC Weeknight Parking website.  \nContact: Maggie Cao\, mmcao@unc.edu   \n\n\n	Related
URL:https://artsorange.org/event/creative-art-history-christy-anderson-university-of-toronto/
LOCATION:UNC Chapel Hill
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DTSTART;TZID=America/New_York:20221003T180000
DTEND;TZID=America/New_York:20221003T193000
DTSTAMP:20260520T214541
CREATED:20220913T175153Z
LAST-MODIFIED:20220913T175153Z
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SUMMARY:Hanes Visiting Artist Lecture Series: Samuel Fosso
DESCRIPTION:121 Hanes Art Center \nSamuel Fosso will also be speaking at 21c Museum Hotel in Durham as part of the Click! Photography Festival. You can find more information about that event at https://www.eventbrite.com/e/click-photography-festival-presents-a-conversation-with-samuel-fosso-tickets-360510716257 \nWorking between photography\, self-portraiture\, and performance\, the work of Franco-Cameroonian photographer Samuel Fosso occupies a central position in the international contemporary art world. \nFrom his early works in the 70s\, creation of alternate identities that challenged representational conventions\, Samuel Fosso has given autofiction and self-portraiture a new dimension\, one that is all at once political and historical\, fictional and intimate. Embodying key historical figures and social archetypes has become for him not only a way of existing in the world\, but also a clear demonstration of the power of photography to construct myths\, and a way to question what is at stake in accepted codes of representation and identity. \nSamuel Fosso lives and works in Bangui\, Central African Republic and Paris\, France. He has had solo exhibitions at the Menil Collection in Houston\, the Walther Collection in Neu-Ulm and New York\, the Maison européeenne de la photographie in Paris\, the National Portrait Gallery in London\, LagosPhoto Festival in Lagos\, and the Institute Francais in Dakar. His work is in the collections of the MNAM in Paris\, Tate in London\, Moderna Museet in Stockholm\, Musée des Beaux-Arts in Montreal\, MoMA\, the Guggenheim\, Studio Museum Harlem and the Met in New York\, LACMA in Los Angeles\, and the NCMA and Ackland Museum. \nThis event is part of the Click! Photography Festival and is also co-sponsored by the North Carolina Museum of Art. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students. The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community. All lectures are free and open to the public. \nA weeknight or daytime permit is now required after 5:00 pm on weekdays. There is no permit required from 5:00 pm Friday through 7:30 am Monday. A $1.00 one-night pass is available in selected lots. More information can be found at the UNC Parking website. \nArtist website: https://samuelfosso.com/\nDepartmental website: art.unc.edu\nContact: Sabine Gruffat\, gruffat@email.unc.edu \nImage: Samuel Fosso\, Cameroonian\, born 1962\, Untitled\, from the series 70s Life Styles\, 1973-78\, printed 2010\, gelatin silver print on Archival paper\, 19 11/16 × 19 11/16 in. (50 × 50 cm). Ackland Art Museum\, University of North Carolina at Chapel Hill \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-samuel-fosso/
LOCATION:Hanes Art Center\, 121 East Cameron Avenue\, Chapel Hill\, 27514
CATEGORIES:Photography Film & Digital Arts
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DTSTART;TZID=America/New_York:20220920T180000
DTEND;TZID=America/New_York:20220920T193000
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SUMMARY:Hanes Visiting Artist Lecture Series: Ezra Wube
DESCRIPTION:121 Hanes Art Center \nEzra Wube (b.\, Ethiopia) is a mixed media artist who lives and works in New York. His work references the notion of past and present\, the constant changing of place\, and the dialogical tensions between “here” and “there”. His exhibitions include the 21st Contemporary Art Biennial Sesc_Videobrasil\, Brazil; The 2nd edition of the Biennale d’Architecture d’Orléans\, France; “Gwangju Biennale”\, Gwangju\, South Korea; Chrysler Museum of Art\, Norfolk\, VA\, Art in General\, kim? Contemporary Art Centre\, Riga\, Latvia; The Studio Museum in Harlem\, NY; “Dak’Art Biennale”\, Dakar\, Senegal and Time Square Arts Midnight Moment\, NY. His residencies\, commissions\, and awards include Michael Richards Visual Arts Award\, Lower Manhattan Cultural Council\, NY\, NY\, Smack Mellon Studio Program\, Brooklyn\, NY; Pioneer Works\, Brooklyn\, NY; Work Space\, LMCC Residency Program\, New York\, NY; Open Sessions Program\, The Drawing Center\, New York\, NY; The Africa Center\, NY; The Metropolitan Transportation Authority\, NY; Museum of the Moving Images\, Queens\, NY; Rema Hort Mann Foundation; the Triangle Arts Association Residency\, Brooklyn\, NY and The Substation Artist Residency Program\, University of Witwatersrand\, Johannesburg\, South Africa. Ezra received his BFA (2004) from Massachusetts College of Art\, Boston\, MA\, and an MFA (2009) from Hunter College\, New York\, NY. Since 2015 he has organized the Addis Video Art Festival\, a platform for innovative international video art in Addis Ababa\, Ethiopia. Ezra Wube is represented by Microscope Gallery\, NY\, NY. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students. The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community. All lectures are free and open to the public.\nA weeknight or daytime permit is now required after 5:00pm on weekdays. There is no permit required from 5:00pm Friday through 7:30am Monday. A $1.00 one-night pass is available in selected lots. More information can be found HERE. \nArtist website: http://ezrawube.net/ \nContact: Sabine Gruffat\, gruffat@email.unc.edu \nImage: Shgigir (Crossings): Stop action animation\, using paint\, 2021 \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-ezra-wube/
LOCATION:Hanes Art Center\, 121 East Cameron Avenue\, Chapel Hill\, 27514
CATEGORIES:Photography Film & Digital Arts
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DTSTART;TZID=America/New_York:20220303T190000
DTEND;TZID=America/New_York:20220303T203000
DTSTAMP:20260520T214541
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SUMMARY:Hanes Visiting Artist Lecture Series: Stephanie Syjuco
DESCRIPTION:On Zoom\, Registration Link available on our website until start of event \nStephanie Syjuco works in photography\, sculpture\, and installation\, moving from handmade and craft-inspired mediums to digital editing and archive excavations. Using critical wit and collaborative co-creation\, her projects leverage open-source systems\, shareware logic\, and flows of capital\, in order to investigate issues of economies and empire. Recently\, she has focused on how photography and image-based processes are implicated in the construction of racialized\, exclusionary narratives of history and citizenship. She was a Smithsonian Artist Research Fellow at the National Museum of American History in Washington DC in 2019/2020. She is featured in Season 9 of the acclaimed PBS documentary series Art21: Art in the Twenty-First Century. Recent exhibitions include “Being: New Photography” at the Museum of Modern Art\, New York; “Public Knowledge\,” at the San Francisco Museum of Modern Art; “Stephanie Syjuco: Rogue States\,” at the Contemporary Art Museum St. Louis; and “Disrupting Craft: the 2018 Renwick Invitational” at the Smithsonian American Art Museum. \nBorn in the Philippines in 1974\, Syjuco received her MFA from Stanford University and BFA from the San Francisco Art Institute. She is the recipient of a 2014 Guggenheim Fellowship Award\, a 2009 Joan Mitchell Painters and Sculptors Award\, and a 2020 Tiffany Foundation Award. Her work has been exhibited widely\, including at MoMA/P.S.1\, the Whitney Museum of American Art\, The San Francisco Museum of Modern Art\, ZKM Center for Art and Technology\, the California Biennial at the Orange County Museum of Art\, The 12th Havana Bienal\, The 2015 Asian Art Biennial (Taiwan)\, among others. A long-time educator\, she is an Associate Professor in Sculpture at the University of California\, Berkeley. She lives in Oakland\, California. \nAn endowment established in 1983 through the generosity of Nancy and Robin Hanes supports the Art Department’s Visiting Artist Series. This important program brings both established and emerging artists to campus to discuss their work in public lectures and to offer individual critiques to our M.F.A. students. The Hanes Visiting Artist series greatly enriches both our academic programs and our outreach to the wider community. All lectures are free and open to the public. \nArtist website: https://www.stephaniesyjuco.com \nContact: Sabine Gruffat\, gruffat@email.unc.edu \nImage credit: “Dodge and Burn (Visible Storage)\,” 2019\, installation detail\, at the Contemporary Art Museum St. Louis. \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-stephanie-syjuco/
LOCATION:Zoom\, United States
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DTSTART;TZID=America/New_York:20210923T190000
DTEND;TZID=America/New_York:20210923T203000
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CREATED:20210914T204108Z
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SUMMARY:HANES VISITING ARTIST LECTURE SERIES: JIHA MOON
DESCRIPTION:Registration Link (available until start of event): https://unc.zoom.us/meeting/register/tJIkdeCvqjgjH9xGrOMRH4DtBz9DtaBhlSSD \nJiha Moon’s gestural paintings\, mixed media\, ceramic sculpture\, and installations explore fluid identities and the global movement of people and their cultures. She says\, “I am a cartographer of cultures and an icon maker in my lucid worlds.” She is taking cues from wide ranges of history of Eastern and Western art\, colors and designs from popular culture\, Korean temple paintings and folk art\, internet emoticons and icons\, fruit stickers and labels of products from all over the place. She often teases and changes these lexicons so that they are hard to identify yet stay in a familiar zone. \nMoon (b. 1973) is from DaeGu\, Korea and lives and works in Atlanta\, GA. She received her MFA from the University of Iowa\, Iowa City. Her works have been acquired by Asia Society\, New York\, NY\, High Museum of Art\, Atlanta\, GA\, The Mint Museum of Art\, Charlotte\, NC\, Smithsonian Institute\, Hirshhorn Museum and Sculpture Garden\, Washington\, DC\, Weatherspoon Museum of Art\, Greensboro\, NC and The Virginia Museum of Fine Arts\, Richmond\, VA.  She has had solo exhibitions at Museum of Contemporary Art of Georgia\, GA\, Taubman Museum\, Roanoke\, VA\, the Mint Museum of Art\, Charlotte\, NC\, The Cheekwood Museum of Art\, Nashville\, TN and Rhodes College\, Clough-Hanson Gallery\, Memphis\, TN and James Gallery of CUNY Graduate Center\, New York\, NY. She has been included in group shows at Kemper Museum\, Kansas City\, MI\, the Fabric Workshop and Museum\, Philadelphia\, PA\, the Atlanta Contemporary Art Center\, Atlanta\, GA\, Asia Society\, New York\, NY\, The Drawing Center\, New York\, NY\, White Columns\, New York\, NY\, Smith Co \n\n\n	Related
URL:https://artsorange.org/event/hanes-visiting-artist-lecture-series-jiha-moon-2/
LOCATION:Virtual Event
CATEGORIES:Event Series
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DTSTART;TZID=America/New_York:20210824T080000
DTEND;TZID=America/New_York:20210923T170000
DTSTAMP:20260520T214541
CREATED:20210914T202413Z
LAST-MODIFIED:20210914T202557Z
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SUMMARY:The John & June Allcott Gallery: Ejecta Projects Presents Scatter Terrain
DESCRIPTION:Curated by Anthony Cervino and Shannon Egan \nRegistration link (available until start of event): https://unc.zoom.us/meeting/register/tJEldu6prTwtE93ZxakbbgFUlytwd-8lLWGb \nGallery Hours: Per our semester Covid policies\, the exhibition can be viewed through the gallery’s glass front wall\, 9-5 M-F \nFeaturing Artists: \nAvye Alexandres\, Chad Andrews\, Sarah Aziz\, Jackie Brown\, Stefani Byrd\, Zoë Charlton\, Locus Xiaotong Chen\, Sarah Crofts\, Jason Cytaki\, Jon Duff\, Jason Ferguson\, Els Geelen\, Stephen Grossman\, Stacy Isenbarger\, Leekyung Kang\, Heather Leier\, Julia Matejcek\, Ryan Sarah Murphy\, Sarah Nance\, Ken Reker\, Dan Rule\, Samantha Sanders\, Stephanie Serpick\, Casey Jex Smith\, Chloe Wilwerding \nThe term “scatter terrain\,” borrowed from role-playing and war games\, refers to miniature fragments of architecture\, natural features\, or small props that provide a visual aid for players. Often conspicuously disjointed against an otherwise unadorned tabletop\, these detailed\, three-dimensional objects serve as cues to better envision a larger\, shared narrative of the game. During our recent Covid-induced seclusion\, the idea of scatter terrain offered an appropriate metaphor for imagined adventure when real travel was prohibited\, especially against a backdrop that sometimes felt featureless\, repetitive\, or isolating. This exhibition presents pockets of “terrain” – peculiar landscapes\, architectural gestures\, intimate domestic corners – as a metaphorical means of escape from the pandemic and connection to those who are far away. \nThis selection of artists at first reflects a collective and sometimes oblique response to the pandemic\, a reckoning with solitude and a longing for new places and people. Several art objects were created when most of us were still sheltering at home\, and these artists articulated their anxieties and awareness of their limited domestic spaces through their works.  Now\, as many of us are still struggling to redefine a “normal” world\, the works shown here may be seen in relation to other fractures and traumas in our environment. For instance\, the invented landscapes and abstracted spaces echo our concerns about the ongoing climate crisis.  Because some of the artists depict terrains that defiantly resist conventional illustrations of sublime\, pristine nature\, the works might be seen as fantastical dystopias. Other artists tackle contemporary social issues of personal and political identity to question the notion of belonging\, within a persistent\, and perhaps increasingly hostile world. What started as a call for disparate glimpses into distant lives and locations is now shifting toward a realization that our communal sense of place is still marked by a reckoning with an ailing world and an urgent need for new perspectives. \nABOUT EJECTA PROJECTS \nFounded by artist Anthony Cervino and art historian Shannon Egan\, Ejecta Projects is an art gallery\, an artist’s studio\, and a quiet space to consider collaborative artistic and curatorial undertakings. Located in downtown Carlisle\, Pennsylvania\, Ejecta Projects not only offers exhibition and consignment opportunities for artists but also serves as a gesture toward community investment\, a place for connection among people who crave an atmosphere of warmth and creativity. The space is conceived as the progeny of a 2015 co-written book and co-curated exhibition titled Ejecta. Ejecta Projects\, like its earlier iteration\, examines themes of failure and success\, parenthood and marriage\, materiality and mortality. Exhibitions and endeavors not only reflect these personal and professional preoccupations but also respond to encounters with a broad repertoire of artists and engaged audiences. \nAnthony Cervino is an artist-educator who has exhibited his work professionally for over 20 years. He is a Professor of Art at Dickinson College\, where he has taught sculpture since 2006. A native of Pennsylvania\, Cervino studied art at the University of North Carolina at Chapel Hill and Towson University before settling in Carlisle\, PA. His sculptures have been included in recent exhibitions at The Gallery at Flashpoint in Washington\, DC\, the Institute of Contemporary Art at the Maine College of Art\, the Indianapolis Museum of Contemporary Art\, The Arlington Arts Center\, the Minneapolis College Of Art & Design\, and the Susquehanna Museum of Art\, among others. \nShannon Egan received her BA from the University of North Carolina at Chapel Hill and her MA and Ph.D. in the History of Art from Johns Hopkins University. She currently is Director of the Schmucker Art Gallery at Gettysburg College\, where she curates exhibitions of contemporary and historical art and teaches courses in art history. She is the author of articles on photographers Edward S. Curtis and Jeff Wall. With Marthe Tolnes Fjellestad\, she is the co-editor and co-curator of the forthcoming book and traveling exhibition titled Across the West and Toward the North: Norwegian and American Landscape Photography. \n\n\n	Related
URL:https://artsorange.org/event/the-john-june-allcott-gallery-ejecta-projects-presents-scatter-terrain/
LOCATION:Zoom\, United States
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